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A Different Vibe in L.A - Canibus



     
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A Different Vibe in L.A Lyrics


[Chorus]
Doop-doop da-da..
It's a whole different vibe when you in L.A.
Doop-doop da-da..
It's a whole different vibe when you in L.A.
Doop-doop da-da..
It's a whole different vibe when you in L.A.
Doop-doop da-da..
It's a whole different vibe when you in L.A.[Verse 1]
Yeah, cruisin down Melrose, hella slow in a yellow Marinello
Lookin for who sells shelltoes that I could match with my silk robe
I'm like Hugh Heffner at 26 years old, with clear goals
Yeah I'll take two pair of those
I love the way my toes feel in the cyberfoam soles when I'm doin shows
Who knows, I'm prepared to go to and fro
All I do is tell you dudes where the Western Union dough
You need my social security info?
Here's my tax I.D. number, it's worth ten fold

I remember my first album, it shipped gold
That's a insult, considering I did this one in Kinko's
I'm dying to see what this will sold
Will the critics diss it at all, or will they feed 'Bus to the wolves?
Like I haven't been there before,
but at least I'm on a different vibe now, this year it's on[Chorus][Verse 2]
It's definitely a different vibe west of the Prime Meridian
Producers play with live instruments, rhymes are wittier
But don't sleep 'cause in a heartbeat Cali is shittin ya
Someone'll put a hit on ya, this'll be where they bury ya
I think it's beautiful, I don't want to be scarin ya
The women are prettier and the climate is superior
Got a girl from Syria, smells like strawberries on her period
I'm serious - that's why I moved in with the chick
We on the top of Mount Olympus, sharin our interests
over a moonlit dinner, burnin some insense
She looks so innocent, next think I know she's pinnin me to the bed
like a scene outta Basic Instinct
Bought her a pink mink and a double link ring
She didn't know I was a rapper and I did my thing-thing
What a coincidence, she listened to Eminem and Nsync
Shaggy, Nelly, and the St. Lunatic clique, Uh-Ohhhh![Chorus][Verse 3]
Yeah baby, Canibus in the flesh
Everybody want a dose of me, come here baby stand close to me
Take a photo with me, take this address
If you develop 'em post one to me
If you miss me and you wanna kiss me then blow one to me
I like your incentricities, tailor-fitting jeans
Tennis bracelets from Tiffany's in Venice, Italy
Are you from the Middle East? (Oh)
I plan to travel there after my new release
I got Timbaland doin some beats
Yeah, his cousin goes to school with my neice
By the way I'm sorta starred, what kinda food do you eat?
Yeah sure hop in the car, we'll cruise the streets
Around here I know alotta cool places to eat
You off from what, noon to three, just roll with me
My homie Lou just two-wayed me from Lagoona Beach
You can meet the rest of the crew, a bunch of super freaks
We got to unwind, we 'bout to hit the road in two weeks, c'mon[Chorus]Doop-doop da-da.. [repeat to fade]
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Enjoy the lyrics !!!
Born Germaine Williams in 1974 in Jamaica, Canibus moved to the United States with his mother at a young age. Because his mother's career required constant relocation, the family moved frequently and the soon-to-be rapper found solace within himself. His rhetorical abilities blossomed later, once hip-hop became the guiding force in his life. He began rhyming and in the mid-'90s joined a group called T.H.E.M. (The Heralds of Extreme Metaphors.)

This group consisted also of his partner Webb. Following a fallout with his partner, Canibus pursued a solo career and began infiltrating the mix-tape circuit. By 1997, he had approached the brink of the major-label rap game, guesting regularly on high-profile releases: He contributed to "Uni-4-orm," an inclusion on the Rhyme & Reason soundtrack also featuring Heltah Skeltah and Rass Kass; "Love, Peace & Nappiness," an inclusion on the Lost Boyz's Love, Peace & Nappiness also featuring Redman and A+; "Making a Name for Ourselves," an inclusion on Common's One Day It'll All Make Sense; the non-album remix of Wyclef Jean's "Gone Till November."

And most famously, "4, 3, 2, 1," an inclusion on LL Cool J's Phenomenon also featuring Redman, DMX, and Method Man.

Of the several guest appearances, "4, 3, 2, 1" certainly meant the most, as it brought together many of New York's preeminent hardcore rappers and thus ushered Canibus into that same elite class. At the same time, however, Canibus lashed out shortly afterward with the Mike Tyson-featuring "Second Round K.O.," where he rhymed, "So I'ma let the world know the truth, you don't want me to shine/You studied my rhyme, then you laid your vocals after mine."

In fact, the entirety of the song directed barbed rhymes at LL: "You walk around showin' off your body cause it sells/Plus to avoid the fact that you ain't got skills/Mad at me 'cause I kick that sh*t real niggaz feel/While 99 percent of your fans wear high heels," and so on. Shortly thereafter, LL sought his revenge, releasing "The Ripper Strikes Back" on the Survival of the Illest soundtrack (1998) and thus channeling even more attention toward Canibus.

From the track's chorus ("Can-I-bus? Yes you can!") to practically every line of the verses ("You soft as a newborn baby takin' a nap/Make my dick hard with that bitch-ass track/Where you at? smokin' in some one-room flat/Suckin' on Clef's dick hopin' to come back"), LL unleashed a fury of insults and threats. The media, of course, elevated the battle to grand heights, as even MTV gave the story headlines. In the aftermath of 2Pac's and Biggie's deaths, such confrontations fascinated the rap community, and Canibus certainly capitalized on his newfound publicity.

As for his debut full-length, Can-i-bus (1998), though, the response was sobering. Critics expressed little support, and sales quickly dropped as listeners also felt genuinely disappointed. Executive produced by Wyclef, the album suffered on many levels, both production-wise and rhetorically as well (critics targeting Canibus' delivery more than his lyrics or themes). The momentum that "Second Round K.O." had generated simmered almost immediately, and it didn't help that LL's "Ripper Strikes Back" found substantial acceptance at the time as well.

In the two years following the release of Can-i-bus, the rapper maintained an extremely low profile, much in contrast to the regular guest appearances he had made leading up to his debut. As a result, when he finally did return with his follow-up album, 2000 B.C. (2000), few noticed, it came and went generally unheard, and Canibus returned to the underground after parting ways with Universal. He continued to record albums and release them on the independent circuit (including 2002's Mic Club, 2003's Rip the Jacker, and 2005's Mind Control); furthermore, he retained a small base of fans as well, yet his days as the next-big-thing had clearly come and gone, as they similarly had for so many other talented rappers.

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Canibus