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Air Lyrics


You wanted to be weightless, you didn't want to wait
We are the sad, sad people, those scared, scared, scared
Scared eyes, insane, unseen an island, inside, inside out minds
Unbeing dead isn't being alive, what's wrong with the air?
What's wrong with the air? What's wrong with the air?
What's wrong with the air?
The red line when the sky ends, the pretty ugly lives
Can't take your car to heaven, can't take God for a drive
Unbeing dead isn't being alive, what's wrong with the air?
What's wrong with the air? What's wrong with the air?
What's wrong with the air? What's wrong with the air?
What's wrong with the sky? What's wrong with your eyes?
What's wrong with the air? What's wrong with the sky
Around you, around you, around you, around you?
In mourning for the morning, you laughed yourself into the afternoon
You thought was endless, you wanted to be weightless
Unbeing dead isn't being alive, what's wrong with the air?
What's wrong with the air? What's wrong with the air?

What's wrong with the air? What's wrong with the air?
What's wrong with the sky? What's wrong with your eyes?
What's wrong with the air? What's wrong with the sky
Around you, around you, around you, around you
Around you, around you, around you, around you?
You wanted to be weightless, you didn't want to wait
You wanted to be weightless, you didn't want to wait
You wanted to be brainless, you didn't want to think
You wanted to be shameless, you didn't want to, want to

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Voces Aequales was formed in 1993 to sing authentic performances of the extraordinarily rich repertoire of the fifteenth and sixteenth centuries. Beyond this, the ensemble has always tried to convey more than just musical meaning to audiences by planning their programmes along conceptual lines. Thus modern works are heard alongside renaissance music. (Contemporary works by Hyula Bánkövi and Bánk Sáry can be heard performed by the group on Hungaroton records.) The group's other important aim with Voces Aequales is to present the Hungarian aspects of the European high renaissance. Both, "The Voice of Bakfark" (# HCD 32412 [2007]) and an earlier one containing works by Thomas Stoltzer (# HCD 32079, [2003]) are contributions towards this end. The musicians had opportunities to present their musical aims in many European countries over the last fifteen years, both in the concert hall and at festivals of early music.

Selected discography:

1997 - Officium de Cruce, # FA-022-2
2003 - Stoltzer: Missa “Kyrie Summum”; Marian Motets, # HCD 32079
2006 - Sáry: Timebells, # HCD 32435
2007 - The Voice of Bakfark, # HCD 32412
2008 - Beatissima Beatrix: Works by Tinctoris and Stokem, # HCD 32583 Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Voces Aequales