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All The Way - Etta James



     
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All The Way Lyrics


[Intro: Bizzy]
Yeah [laughs]
Bone Thug in this mutha whaa whaa whaa
Yeah Big Wish in this muthafucka what's up my nigga and
Lil Lay I love you nigga
and you know what I'm sayin KB probably rummin around here gettin some
haah tot tot tot tot tot [funny noize]
You know what it is [laugh]
My niggas we bout to go all the way
[Chorus: Layzie & Krayzie]
(All the way)
And we gone make it to the top of the stage
From the cradle to the grave
(All the way, all the way, all the way, all the way
All the way)
[Verse 1: Krayzie]

You willin to test the flesh oh yes
But don't even stress what you heard
Cuz nigga Bone Thugs together forever splittin apart is obsurd
I wish they'd stop wit all of these rumours
Cuz we ain't goin nowhere baby
This is for life..
(All the way)
[Verse 2: Wish]
Bless this seed gotta know where I come from
And you'll sell me ain't going back where I come from
Been blessed with division and when we speak they listen
Well nigga you asked we look and we laugh
Depleted 50% of that mission right in that hand
(All the way)
[Verse 3: Layzie]
Now nigga we did we went and we got
We did it alone by ourselves
Little help from E eternal we will him will neva forget him
Know now for wealth
Stood our ground and we put this down
It'll be my niggas we out on the grind
Together forever still one of a kind
Got love for the thugs that grind
(All the way)
[Verse 4: Bizzy]
They tellin me I was the one that was shoot up
And neva got 50/50 then we fillin em
Offer the rhythm and minimum gettin em
'member the neva surrender
Now ladies and gentlemen I don't want anymo problems
Gentlemen let's get paid to party
Givin em sumthin make it feel Bone Thugs-N-Harmony
(All the way)
[Chorus]
[Verse 5:Bizzy]
It's Charles, Bryan, and Steven, Anthony and Stanley
Nigga this family and yes we are the only thugs with Grammies
Mash the gigglin jigglin swervin and ribbonin
And while they crackin up off me
I must be invincible wit Bone Thugs-N-Harmony
(All the way)
[Verse 6: Krayzie]
In this world I'm simply tryna get rich and make a livin'
I ain't really trippin on no fancy cars or nasty broads
Even though a nigga do be dippin'
I keep my heat in my lap where I can reach it and pap
(All the way)
[Verse 7: Layzie]
This for makin pushes outta the bushes
And makin these hits stay move the streets
Rebels and warriors all ova the globe
Find their souls and rock these beats
Maybe to me that's more than money
Better than anything I could imagine
All of ya souljahs keep on smashin
We could chill in the hood look mansion ansion
(All the way)
[Verse 8: Wish]
Everythings gone be a little nicer
Put your load on got a little lighter
Got rid of these bustin these hoes
But I must admit it gave me somethin' to write ya
And that's all believe dog
Ain't goin to the bottom wit yall
Nah and i wish of yall could see us bring
(All the way)
[Chorus]
[Verse 9: Layzie]
Hey yo well lil nigga this Bone Thugs
Shoulda know by now we niggas for life
Pullin triggers for life
Gettin figures for life
Bigger than big and larger than life
Like Jeffrey Osbourne way back in the day
Better believe me when I tell you dog
[Singin'] We goin all the way
[Verse 10: Bizzy]
How to bail me now better stoppin the psycho
Then slew they
Straight outta the foster home in Cleveland I escaped the Juve
And a little jury and a strong ass army
Been makin money since niggas was doin they fed time
(All the way)
[Verse 11: Wish]
Hey Mr. K. Ceiling do you know sumthin's wrong
Top of the line with the realest of thugstas
Ten years and they thought we'd be gone
But Oh No, soon as that little nigga Eazy
Let us put our foot in that door
We mashed we did we dashed
We did whateva till we get that dough
(All the way)
[Verse 12: Krayzie]
They know that we known for doing it
For can a thug is the street That'lil Eazy-E
But its on I keep tellin this niggas there'll neva be anotha Bone
If you goin this way you could go wit Kray
Cuz we (goin......)
(All the way)
[Chorus til fade]
[Outro: Krayzie]
That's right nigga Bone Thugs N Harmony up in this muthafucka 2002
I ain't gone say we back cuz we neva left this muthafucka
Really.
[Bizzy singin'] All the way...

Enjoy the lyrics !!!
Etta James (1938-2012) was a U.S. blues, soul, R&B, rock & roll, and jazz singer and songwriter. She is the winner of four Grammies, seventeen Blues Music Awards, and was inducted into the Rock & Roll Hall of Fame (in 1993), the Blues Hall of Fame (in 2001), and the Grammy Hall of Fame (in both 1999 and 2008).

James was born Jamesetta Hawkins in Los Angeles, California, on 25th January 1938, to an unmarried fourteen-year-old mother, Dorothy Hawkins. According to Etta, her mother claimed that her father was the white Rudolph "Minnesota Fats" Wanderone, and that they received financial support from him on the condition that they keep his paternity a secret. This seems unlikely, though it has not been definitively disproved. Etta was born in Los Angeles in 1938. At the time, Wanderone was known to be managing a pool hall in Washington, D.C. and had not yet become known to be the cross-country traveller he later became.

She received her first professional vocal training at five years old from James Earle Hines, musical director of the Echoes of Eden choir at St Paul Baptist Church in Los Angeles. Her family moved to San Francisco in 1950, and she teamed up with two other girls to form a doo-wop singing group. When the girls were fourteen, band leader Johnny Otis had them audition. They sang an answer to Hank Ballard's "Work with Me, Annie" called "Roll Wwth Me Henry". Otis particularly liked the song, and against her mother's wishes, James and the trio went to Los Angeles to record the song in 1954. The song was recorded on the label Modern Records. By this time, the trio renamed the song "The Wallflower (Dance with Me, Henry)" and released it in 1955. James named her vocal group The Peaches. Richard Berry, a Los Angeles doo-wop luminary, is featured on some of their records.

"The Wallflower" reached number two on the rhythm and blues charts in February 1955, but was undercut in the wider market by a rushed-out cover version by Georgia Gibbs on Mercury Records; in fact, the very first time Gibbs was recorded in studio, they used the first take recorded and it became number one on the top 100 songs nationally. The song's royalties were divided between Hank Ballard, Etta James, and Johnny Otis, and its huge success attracted the attention of the R&B world, resulting in James going on tour with Little Richard. On the tour, though, according to James, she witnessed and experienced situations to which minors are not usually privy, and she allegedly acquired a drug habit.

Soon after the success of "Wallflower", The Peaches and James parted company, but this did not halt her career. Shecontinued to record and release albums throughout much of the decade, and enjoyed more success. Her follow-up, "Good Rockin' Daddy", became another fifties hit. Other songs however, such as "Tough Lover" and "W-O-M-A-N" failed to gain any significant success. James toured with Johnny "Guitar" Watson and Otis Redding in the fifties, and has cited Watson as the most significant influence on her style..

In 1960, James signed a recording contract with Chess Records. She went on to have the biggest success of her career from this label, recording her biggest and most memorable hits. Chess went into high gear with James, releasing many duets with her then boyfriend, the married Harvey Fuqua, who was the lead singer of the Moonglows. One of her duets with Fuqua, "If I Can't Have You", became a hit on the R&B charts in 1960. As a solo artist however, she had more enduring success. One of her first singles released by Chess in 1960 was called "All I Could Do Was Cry"; this blues number became a big hit on the R&B charts in 1960. Leonard Chess, one of the founders of Chess Records, helped James along the way. He saw the potential for her to go in a more pop-oriented direction, and she started recording more pop tunes for the label.

The year 1961 became a year of great change for James. In 1961 came the release of one of her first pop-oriented tunes called "At Last". The song became a big hit in 1961, reaching number two on the R&B charts. The song even went as far as twenty-two on the pop charts that year. It became her signature song. Other songs, such as "Trust in Me", also became hits, and the 1962 tune "Something's Got a Hold On Me" showed more of James' gospel side, a genre she had sung since childhood.

She had other big hits in the 1960s, but mainly on the R&B charts: the song "Pushover" in 1963 and "Stop the Wedding", "Fool That I Am", and "Don't Cry Baby", were hits for her between 1961 and 1963. Her 1963 album Etta James Rocks the House, recorded at Nashville's "New Era" club, also gave her career a boost. James then became one of the most successful R&B artists of the 1960s, having many more top ten and top twenty hit singles. Performing in Memphis, Tennessee helped make her into a blues icon.

In 1967, James released her next hit single, "Tell Mama", and it became a top ten hit on the R&B charts. After a dry period of no hits for almost four years, the song once more made James a household name. The follow-up, "Security", was also a success, and proved that James had staying power on the charts again. Whilst less success came for James after this hit, she was still on the charts regularly and, despite the death of Leonard Chess, stayed with the Chess label into 1975. Towards the end of the Chess years though, she went into more rock-based songs. She recorded for many other labels, and continued to release albums, such as 1978's Deep In the Night on Atlantic Records.

Despite a dry period during the early to mid 1980s, James got back on track and began to record music again. She received accolades for her 1981 rendition of Randy Newman's "God's Song". Her 1988 album Seven Year Itch proved this comeback capability; the album showed more of her soul side. In 1989, she recorded the song "Avenue D" with David A. Stewart of Eurythmics. The song was featured on the soundtrack to the Robert Wise film Rooftops. She also performed with the Grateful Dead for two shows in 1982. In the 1990s she continued to record and perform. Her albums widely varied in styles and genres. Her 1992 album, The Right Time, was another soul album that was released by Elektra Records. She also began to record more jazz, which became the style for many of her 1990s albums.

Drug-related and romantic problems interfered with her career, but James managed to maintain a career throughout the latter half of the twentieth century. Later in life, she struggled with obesity. She reached nearly twenty-nine stones, experienced mobility and knee problems, and often needed a wheelchair. In 2003, she underwent gastric bypass surgery and lost over fourteen stones.

She died on 20th January 2012.


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Etta James