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American Way - Hank Williams Jr.



     
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American Way Lyrics


[Newscaster]
"Recently there has been an emergence of socially
Conscious and political rappers. It seems to be
A new trend in the Hip-Hop world."
[Repeats: x3]
"Nas is a rebel to America"
[Nas]
Yeah, check it, uh
Spot build-rocker, lil' papa killed Hoffa
Beard lil' longer, feel strong and I'll stop ya
Drill sergeant, still thorough, wheelbarrows of distilled vodka
Get me real bonkers like Will Ferrell on cat tranquilizer
Rap guys get bank and think they messiahs, but they liars
Vote fo who now? You're red, white and blue?
I'm American too, but I ain't with the president's crew
What you peddlin' and who you peddlin' to?

You ain't got the ghetto with you
Try'na lead my sheep to the slaughterhouse
Talkin 'bout +Rap the Vote+, you ain't thought about
The black vote mean Nathan, who you gonna elect
Satan or Satan? In the hood nothing is changing, uh
We ain't got no choices who to choose
Ten-years ago they were trying to stop our voices
And end Hip-Hop, they some hypocrites
Condoleeza Rice, I don't really get this chick
Tell her if she ever really cared about poor schools
About poor children, then she gotta prove that she
Ain't just another coon Uncle Tom fool
Like these MC's, gotta give 'em the rules
Lie to the youth, Uncle Tom you confused
Might as well give the Hip-Hop community a noose
Need a truce with the gangs and some food for the hungry
On Kerry nuts, he look at you like a monkey
You MC's on that old slavery path
The Bushs'll look at yo' ass and laugh
See, it's all about community, let's help ourselves
Cops brutalize us get dealt with with shells
It's our turn, it's 'bout time we win
Need somebody as the hood as my councilman, uh
[Chorus: Kelis]
Yeah I think about this everyday, that's the American Way, shit
Yeah I think about this everyday, that's the American Way, shit
(Cause that's the American way)
Yeah I think about this everyday, that's the American Way, shit
Yeah I think about this everyday, that's the American Way
[Nas]
Up in the steam room chillin', exfoliating the skin
It's rarely men conversatin' on ends, probably businessmen
I sense good taste, and they watch us, the spots an expensive place
Manhattan New York, I'm trying to keep steamin'
It's good for the lungs, had plans for the evening
This man leans in, his boys laughing
Now I'm the spokesperson for Black men, this always happens
Says, "Since all Black women care about is who got dough
And all we do is call them either bitch or a Black hoe"
I say first brother you ain't gotta be that cold
Since you ignorant, I'ma show you how the facts go
The biggest example in scandal of history
Were Monica Lewinksy or Donald Trump's pimping spree
Most woman who love Jeevanji of Gucci
Are pretentious non-Black groupies or floozies
But who are we to blame, not the dames
It's a man-made game, in essence our woman the same
Beautiful creatures, Black girls birthed the earth
So they deserve to earn man's purse
Matter fact, I'm about to go shopping with my dime
Catch you cowards the next time, the next rhyme, uh
[Chorus]
I don't care about the runaways
I don't care about who's gay
I don't care about dying of AIDS
But I care if I got paid
Who even cares about the president?
I think they're making a mistake
I don't care about the hurricane
As long as my family's safe
I don't care about the candidates
They burnt this country to bits
Yeah I think about this everyday, that's the American Way
Can we make a change
You know it's not overnight
Let's start the fight (Nas: And ya don't stop, uh)
Can we make a change
You know it's not overnight
Let's start the fight (Nas: Yeah)
Yeah I think about this everyday, that's the American Way
"Nas is a rebel to America!"
---
Lyrics powered by lyrics.tancode.com
written by Rogers, Kelis / Spradley, David Lee / Shider, Garry Marshall / Fareed, Kamal Ibn John / Jones, Nasir / Clinton, George S
Lyrics © EMI Music Publishing, Universal Music Publishing Group

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Born Randall Hank Williams in Shreveport, Louisiana, and known by the nickname Bocephus (a name given to him by his father because he thought his son as a baby resembled a TV ventriloquist dummy named Bocephus), he was raised by his mother Audrey after his father's death in 1953. He began performing when eight years old, and in 1963 made his recording debut with "Lone Gone Lonesome Blues", a staple of his father's career.

Williams' early career was guided, some say outright dominated, by his mother Audrey Williams, who many claim was the driving force that led his father to musical superstardom during the late 1940s and early 1950s. Audrey, in many ways, wished for young Hank to be nothing more than a "Hank Williams, Sr. impersonator", sometimes going as far as to have clothes designed for him that were identical to his father's stage clothes and vocal stylings very similar to those of his father.

Although Williams' recordings earned him numerous country hits throughout the 1960s and early 1970s, he became disillusioned with his role as a 'Hank Williams clone' and severed ties with his mother in order to pursue his own musical direction and tastes. After recording the soundtrack to Your Cheatin' Heart, a biography of his father, Williams, Jr. hit the charts with one of his own compositions, "Standing in the Shadows". The song signalled a move to rock and roll and other influences as he stepped from the shadow of his father.

Also during this time, Williams had his first two No. 1 songs: "All For the Love of Sunshine" (1970, featured on the soundtrack to Kelly's Heroes) and "Eleven Roses" (1972).

By the mid-1970s, Williams had finally found the musical direction that would, eventually, make him a superstar. Williams' unique blend of traditional country with southern rock and blues earned him a devoted following, although some mainstream country radio stations wouldn't touch his new songs in this blatantly untraditional sound.

While recording a series of hit songs, Williams began abusing drugs, including alcohol and eventually tried to commit suicide in 1974. Moving to Alabama, Williams began playing music with Southern rock musicians Toy Caldwell, Marshall Tucker Band and Charlie Daniels, and others.

His last major success was "There's a Tear in My Beer", a duet with his father created using electronic dubbing techniques. The song itself was written by his father, presumably, sometime between 1950 and 1953 and was recorded with Hank Williams playing just his guitar. The music video for the song combined existing television footage of Hank Williams performing and the dubbing techniques transferred the image of Hank Jr. onto the screen, so it appeared as if he were actually playing with his father. The video was an overwhelming success, both critically and commercially. It was named Video Of The Year by both the Country Music Association and the Academy of Country music. Hank Williams, Jr. would go on to win a Grammy award in 1990 for Best Country Vocal Collaboration.

Despite his slumping album sales, Hank Williams Jr. continued to be a popular concert draw during the early 1990s and continued to record, with several of his recordings during this time still managing to achieve gold status, selling 500,000 copies.

He is probably best known today as the performer of the theme song for Monday Night Football, based on "All My Rowdy Friends Are Coming Over Tonight". The opening theme became a classic, as much a part of the show as the football itself. In 1991, 1992, 1993, and 1994, Williams' opening themes for Monday Night Football would earn him four Emmy awards.

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Hank Williams Jr.