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Back Again - The Correspondents



     
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Back Again Lyrics


Dilated Peoples, yeah yeah
It's a new day
A L C, expansion team business
Let's do it
Back again, who is it?
Dilated People
In in the house again, set to pack 'em in
Ladies and gentlemen front, left, right and
Back again, uh-huh, who is it?
Dilated!, Dilated, Dilated Peoples
In the house again
It's the People, the People, the People
People, the People, the People
Yeah, back again, for the very fourth time
Don't worry if I write checks, I write rhymes
Yeah yeah, bring that back to the top man
Yeah you like that right? I need to hear that from the top
Yo Babs, bring that back

Rewind, I spit 'em again
Yeah, back again, for the very fourth time
Don't worry if I write checks, I write rhymes
It's a new year, okay, got shit to confess
Like I ain't smoke weed no more, but ain't smokin' no less
Back again, yeah, reversin' any curses
Back to jumpin' in crowds, spillin' drinks on chicks purses
In the house again, it's Dilated Peoples
Back again-back again-back, back again-back again-back
Back again, the crew never left, but came back
Like tomorrow on these yesterday cats
In the house again, learned to stay vested and strapped
Stay awake and out of the federal state traps
Yo we back again, kinda like Bush and Blair
Some were scared, some would just wish they cared
In the house again, never too late to prepare
'Cause many things you fear have been in place for years
Back again, who is it?
Dilated People
In in the house again, set to pack 'em in
Ladies and gentlemen front, left, right and
Back again, yeah yeah, who is it?
Dilated, Dilated, Dilated Peoples
In the house again
It's the People, the People, the People
People, the People, the People
Back again, with more titles, rings and plaques
Belts trophies and banners and things like that
Like that
Like that, oh, definitely like that
A-L-C, Dilated Peoples
Aiyyo Rak' I don't think they understand, man
Yo, bring that back, rewind, I spit 'em again
Back again, with more titles, rings and plaques
Belts trophies and banners and things like that
For the passion and stacks of this cash
We play through pain, mostly come home to switch bags
Back again, to get my squad back on track
Staples Center parades, I'm talkin' back to back
In the house again, it's Dilated
And we're back, back, back, back, back, back, back again
Back again, yeah they stuck 'cause shit's different
And rain was on the way because the weatherman predict it
In the house again, I ain't gettin' wet
Kick a hole in the speaker pull the plug, still my People showin' love
Think different, outside the box
Don't want a lot of a little, we want a little of a lot
In this world, Evidence, all I got's my word
Spin at thirty-three and a third, to make the DJ spin it
Expansion Team, Dilated Peoples
Y'all know how it's goin' down
Worldwide, original flavor
Rewind, I spit 'em again
Back again, who is it?
Dilated Peoples
In in the house again, set to pack 'em in
Ladies and gentlemen front, left, right and
Back again, uh-huh, who is it?
Dilated, Dilated, Dilated Peoples
In the house again
It's the People, the People, the People
People, the People, the People, back again
In in the house again
Back again
In in the house again
Back again, back again, back
Back again, back again, back

Enjoy the lyrics !!!
http://www.thecorrespondents.co.uk/

Welcome to the Last FM page of the swing-hop duo, The Correspondents. MC Mr Bruce and DJ/Producer Mr Chuckles collaborate to make Hip Hop for the 1930s, Big Band music for the 00s. Splicing swing samples with squelchy synths over dusty drum loops they’ve depicted a modern day journey into time of rogues, lust, affordable clowns and foot-tapping toe curling "get your brogues on" dance floor swing beat.

The Correspondents started out in November 2007, when old friends, Mr Bruce and Mr Chuckles, returned to London after a firm schooling at their respective Universities. In Leeds Mr Chuckles had been tinkering with the sounds of Hip Hop, Jazz and Dance music for several years, meanwhile further North in Edinburgh Mr Bruce exerted his vocal dexterity over Drum 'n' Bass, Breaks & Funk. The unlikely pair cut their teeth at a few parties and decided to cement the live performance relationship in their makeshift recording studio. Since then tracks have been recorded, stages have been stomped and knees have hit nipples.

The Correspondents have shared stages with the likes (or unlikes) of Florence & The Machine, Lilly Allen, Mika, Little Boots, VV Brown, Bat For Lashes, Lazy Habits, Daedalus, Bassment Jaxx, Rob Da Bank, Rusko, Kitty Daisy & Lewis, Cuban Brothers, Brass Roots, Jocelyn Brown, Dub Pistols etc... etc...

You might have seen them at Glastonbury, Secret Garden Party, Bestival, Shambala Festival, Lovebox Weekender, The Big Chill Festival, Camden Crawl, Innocent Village Fete, Scala Amersham Arms, Bungalow 8, Soho Revue Bar, Vibe Bar, Concord 2, Bloomsbury Bowls, Art Car Boot Fair, Last Days Of Decadance, Madame Jojo's, Notting Hill Arts Club, Bethnal Green Working Men's Club, 33 Portland Place, Shepard's Bush Pavillion, 5 Cavendish Sq, Corsica Studios, Proud Camden, Village Underground, The Cobden Club, The Battersea Arts Centre, The Colony Rooms, and Selfridge's.

www.myspace.com/thecorrespondentsmusic





"The Correspondents aren't the first group you'd expect to see at a South London dubstep/fidget house night and yet their performance at Corsica Studios over a year ago had everyone quickly switching their allegience from wobbly basslines to beats over samples from 'The Jungle Book'. The skin-tight trouser clad MC Mr Bruce strode to the stage and began shaking his impossibly long legs to the beats put down by his DJ, Chuckles, and from that point on, everyone was a convert." NME.COM

“Pop also-ran Frankmusik was far more exciting, revealing his 'great voice for a white boy' but also the overly perfect future pop that's thus far prevented him finding fame with a mass audience. One duo who could, however, are the Correspondents, who filled in between sets throughout the weekend. With fast-spit rhymes over twenties flapper tunes, and MC Mr Brogues a gangly enthusiastic dancer with natty threads to match, these two deserve a stage all themselves.” INTHENEWS.CO.UK – BESTIVAL REVIEW

“My fear for the contents of my wallet and the softer parts of my anatomy were quickly replaced by joy at the sights and sounds of The Correspondents. These two dapper purveyors of swing-hop derring-do pretty much stole the show. I’m proper feeling the vaudeville approach to hip-hop (cfThe Anomalies, Krugers passim), and The Correspondents are amongst the most charming to take that approach. Everyone had a sing-a-long with them. Aww. Find them on MySpazz – you’ll be glad you did (and relieved MySpazz still has its uses).” KRUGERS MAGAZINE – DAEDALUS @ CORSICA STUDIOS REVIEW

"A stark contrast with the reaction received by The Correspondents, the Wandsworth duo who wander onto the Great Stage in the middle of the hottest day of the year and through the skatting, scratching and infectious dancing of the Mask-a-like Mr Bruce, managed to persuade everyone to forget their heat induced woes and dance like they had some serious itch to scratch. Forced back on to the stage by a fiery and pumped up crowd demanding more, Mr Bruce and compatriot DJ Chuckles then do it all over again, much to the amazement of them and their newly acquired groupies. Which goes to show the wonder that is Secret Garden Party. Hierarchies are toppled and the unknown underdogs are taken into the bosoms of the crowd while the headlining 80s superstars are made to look like, well, bosoms." LOUD AND QUIET MAGAZINE - SECRET GARDEN PARTY REVIEW

"Sunday starts with a beautifully bizarre moment, as Wandsworth swing-hip-hop duo The Correspondents enthral an unfeasibly huge midday main stage crowd with a rendition of 'I Wanna Be Like You' from The Jungle Book. After that we’re delirious putty in their capable hands and the stunned pair are summoned back for a giddy encore." WWW.VIRTUALFESTIVALS.COM - SECRET GARDEN PARTY REVIEW Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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The Correspondents