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Ballad Of Tindersticks - Tindersticks



     
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Ballad Of Tindersticks Lyrics


The first time we flew it
It was ? and crampedThe vodka running out half-way across the Atlantic
Even the steward screamed and joined in itWe didn't think we were going to make it
Now we're stretched out in wide, furry seats
Flicking through menusA walk to the bar and there's as much screw-top champagne as we can drink
We're so easyTaking turns having our photos taken
Sitting in front of smoked windowsDecanters of cheap whiskey in our hands
Drive into Manhattan on a date with a starlet who's just talent
That's what people pay the money to seeWho are we to argue?Five hours now it's been going on
And still we're watching all of itCan you really believe all this?
Can he really lie in bed at night and marvel at his own genius?When do you lose the ability to step back
And get a sense of your own ridiculousness?
They're only songs
Midnight, and it's all overNow it can really make us laugh
We're standing on our heads drinking sours of crystal schnapps
Now we're unable to step back or step forwardSwallowing a swallow
Tasting it again, it's not so unpleasantPerhaps it's an acquired taste
The first time, it makes you sick

Then, bit by bit, it becomes deliciousShowbiz people
Always there to be interested in what you sayWe are artists; we are sensitive and important
We nod our heads earnestlyAlready half-way down the champagne
On our way to leaving the place dry
A $2,000 bar billShowbiz picks up the tab
And we're on our way laughing
Laughing at what?
Los Angeles, eight days in
And our sense of irony's running pretty thinAll the friends we've made
Piano interlude not transcribed this time, sorry, just improvise
It's 2 am, it's closing time at the dresdenMarty and Layton play one last sleepy strangers in the nightAnd the last of the martinis dribble down our chinsWe're sitting, chasing the conservation around the tableJesus, how long have I been in this state?The limousine's still waiting outsideAnything you want to do?Anywhere you want to go?We're on our way to the airport and a plane to Vegas
So many nights lying in bed shaking
Dreaming of pushing my daughter around the supermarket
The joy of seeing all those colors and shapes reflect in her wide eyes
My head leaning on the window
And we're driving through the empty l.a. streets
And everything seems silent and beautifulA guy's face hits the floor
Police revolvers glistening in the streetlight
Onto Melrose and lurching through a sea of Halloween transvestites
The flight's canceled, but it doesn't matter
We turn this corner to a way that takes us wherever
Up to sunset
We creep up the drive to the shattuck
The suite belushi died inOr the one Morrison hung out the window
Oh, I'll go for jim's
I would fancy a hotel window-hanging, myself, tonight, manStraight over to the mini-bar
Open the champagne -- one sip and it's left to wake up toAnyone hungry?
A team of uniformed waiters lay out an elaborate table for all us to ignore
Oh, the ironyHow we're used to living
Back in london on a cold Friday night
Do you want another drink?Well, I could try
Perhaps we could make it to the atlantic
600 yeards, twenty minutes later
We're pushing through the waiting crowd, all fish eyesAn exclusive door policyExclusively for arseholes
And tonight? well, a nod of our heads, and we're inside
Falling down the red, velvety stairs
Limbs flaying, hands searching for something to steady
Pick ourselves up, nothing broken
Just aches in the morningNo one seems to notice
I find a table, champagne arrivesI've been so drunk, I sit and look at you
We try and talk for the first time in a long timeDrunken confession
You shiver, it made you feel sick
We use the rent money to pay the bill
Bumping shoulders, we stumble out into Soho
Slipping over the sleeping bags
Shouting for taxis
Songwriters
STAPLES, STUART ASHTON / HINCHLIFFE, DICKON JAMES / BOULTER, DAVID LEONARD / FRASER, NEIL JOSEPH STEVEN / COLWILL, MARK ANTHONY STEPHEN / MACAULAY, ALISTAIRPublished by
Lyrics © Universal Music Publishing Group Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Tindersticks are an alternative band from Nottingham, England. Their sound is characterized by a synthesis of orchestral backing, lounge jazz, and soul; the lush orchestrations of multi-instrumentalist Dickon Hinchliffe and the smoky baritone of lead vocalist Stuart A. Staples are the band's hallmarks. Tindersticks have employed electric guitars, as most rock bands have done, but augment their instrumentation with a wide array of instruments: Rhodes piano, glockenspiel, vibraphone, violin, trumpet, trombone, clarinet, bassoon, Hammond organ, and many more are prominently utilized in the music of Tindersticks.

The band has a cult following in the United Kingdom and continental Europe, although the eclectic and unique sound Tindersticks possesses never made significant inroads in the mainstream.

Personnel

* Stuart Ashton Staples, born 14 November 1965 - Lead voice, guitar, melodica
* Dickon James Hinchliffe, born 9 July 1967 - violin, guitar, voice, piano, string and brass arrangements
* Neil Timothy Fraser, - born 22 November 1962 - lead guitar, vibraphone
* David Leonard Boulter, born 27 February 1965 - keyboards, percussion
* Alasdair Robert De Villeneuve Macaulay, born 2 August 1965 - drums, percussion, trumpet
* Mark Andrew Colwill, born 12 May 1960 - bass guitar

The band formed in late 1991, Staples, Boulter, Frazer, Macauley and Hinchcliffe having previously been members of Asphalt Ribbons. The final band line-up for the "old horse" mini-LP (1991) was: Stuart Staples (vocals) Dave Boulter (organ & accordion) Neil Fraser (guitar) Dickon Hinchliffe (Guitar & strings) Al Macauley (percussion & drums) John Thompson (bass). Mark Colwill was recruited when John Thompson left the Asphalt Ribbons, but it is not sure if he played any gigs under the Asphalt Ribbons name. Then they changed their name to Tindersticks after Stuart A. Staples discovered a box of German matches on a Greek beach.

Tindersticks started recording demo tapes in 1992, and were signed by Tippy Toe Records who released their first single, "Patchwork".

Their self-titled first and second albums established their signature sound and received widespread critical acclaim. Their live performances, often augmented by large string sections and even, on occasion, a full orchestra, were rapturously received. (The live album Bloomsbury Theatre 12.3.95 is a recording of one such concert.) By the time of the third album, Curtains, however, it was clear that a change of direction was called for. There was a certain ennui to the songs, and the lengthy "Ballad of Tindersticks" was a weary swipe at the pressures of being a touring band.

The fourth album, Simple Pleasure, lived up to its title with a series of snappy, direct songs influenced by soul music. The female backing vocals on several tracks, and the respectful cover of Odyssey's "If You're Looking For A Way Out", signalled the band's wish to move towards lighter, more soulful material. However, the inner sleeve's documentation of the number of takes each track went through was evidence that the band continued to adopt a painstaking approach to recording.

The fifth album, Can Our Love, continued the band's soulful direction, in particular evidence on the tender "Sweet Release" and in the nod to the Chi-Lites in the title of "Chilitetime".

The sixth and most recent album, Waiting For The Moon, was more stripped down and introspective in nature, particularly on the harrowing "4.48 Psychosis" (based on the play of the same name by the British playwright Sarah Kane) and "Sometimes It Hurts". Only the bouncy "Just A Dog" lightened the otherwise melancholy mood of the album.

In 2005 Staples embarked on a solo career and there was resultant speculation that the band had split. Staples has so far produced two solo albums, Lucky Dog Recordings 03-04 and Leaving Songs. The title of the second album, and Staples' notes on it, indicate that Tindersticks may indeed be at an end: "These are songs written on the verge of leaving the things I loved and stepping into a new unknown life, both musically and personally. I was always aware that these songs were the end of something, a kind of closing a circle of a way of writing that I started so long ago and I knew I had to move on from."

In September 2006, the band played a one-off concert at London's Barbican Centre, performing their second album in full with a nine-member string section and two brass players, including former collaborator Terry Edwards on trumpet. This concert brought the band's members back together. A new recording process in 2007 resulted in a new album, The Hungry saw, which was released on April 28th 2008.

In the meantime, in July 2007, Island Records had released The BBC Sessions, a double CD compilation of the band's sessions for BBC radio programmes. Also in 2007, a stripped-down line-up of three of the original band, Staples, Boulter and Fraser, spent time writing and recording in a newly-equipped studio in Limousin, France. They were joined by Thomas Belhom on drums and Dan McKinna on bass, with Ian Caple engineering. The resulting album, The Hungry Saw, was released on Beggars Banquet in April 2008. Tindersticks played a number of other European dates during the summer festival season and also announced a winter 2008 European tour.

In 2010, the eighth album Falling Down a Mountain was released on 4AD / Constellation Records with a changed band line-up, with Earl Harvin replacing Belhom on drums and David Kitt, a solo artist in his own right, joining the band on guitar and vocals.

The group's ninth album The Something Rain was released in February 2012.

As well as their nine studio albums, the band has produced the soundtracks for four films by the French director Claire Denis: Nenette et Boni,Trouble Every Day, 35 Rhums and White Material
They recorded a cover of the Four Tops song, "What Is A Man", for the theme to the British TV series The Sins.
The Tindersticks song Tiny Tears was featured prominently in the Series 1 episode "Isabella" of HBO's The Sopranos. Additionally, a version of "Running Wild" was played during the ending credits of the penultimate episode of the series, "The Blue Comet". In the Season One Finale of Brotherhood, "El Diablo En El Ojo" is used twice.

* Tindersticks (aka First Album) (This Way Up, 1993)
* Tindersticks (aka Second Album) (This Way Up, 1995)
* Curtains (This Way Up, 1997)
* Simple Pleasure (Island, 1999)
* Can Our Love... (Beggar's Banquet, 2001)
* Waiting for the Moon (Beggar's Banquet, 2003)
* BBC Sessions (2007)


See the band's site at www.tindersticks.co.uk.

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Tindersticks