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Bargeld - KMFDM



     
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Bargeld Lyrics


WAS WIRD WERDEN WENN KEINER MEHR SCHREIT
WIE WAREN DIE MANNER UND WO WAREN DIE NARREN
WER ZWEIFELT HIER AN SEINER ABKUNFT
WANN WERDEN WIR WOHL DIE RECHNUNG BEGLEICHENWO MAN VEREINT UND VERBRUDERT
SICH AUFSCHRECKT UND ABSCHRECKT
WO MAN EINTEILT UND AUSTEILT UND WAHRHEIT SCHANDET
UND DER LAHME DEM BLINDEN SEINEN KRUCKSTOCK SPENDETWAS WIRD WERDEN WENN DU NICHT MEHR SCHLAFEN KANNST
MIT DER ANGST IM NACKEN WIRD KEINER MEHR FROH
DU GLAUBST ES NICHT, FUHLST ES NICHT,KOMMEN WIRD ES SOWIESOIN EIN KAUGUMMI-PARADIES WANDER ICH AUS
DER PROPHET GILT NICHTS IM EIGENEN HAUS
WO ERST DAS BARGELD EURER MUTTERSPRACHE AUGEN OFFNET
DEUTSCH BIS IN DIE LETZTE KONSEQUENZICH WERDE AUFSTEIGEN- AUFERSTEHEN
AUS DER ASCHE GEBOREN IN EIN NEUES LEBEN GEHENICH WILL MEHR- IMMER MEHR
GENAU WIE DU
IIMMER MEHR-----------HOW WILL IT BE WHEN NOONE SPEAKS UP ANYMORE
HOW WERE THE MEN AND WHERE WERE THE FOOLS
WHO HAS DOUBTS ABOUT THEIR DESCENT
WHEN WILL WE BE PAYING THE BILLWHERE ALL, UNITED AND IN BROTHERHOOD

STARTLE AND SCARE EACH OTHER
WHERE ALL CLASSIFY AND DEAL OUT AND MUTILATE TRUTH
WHERE THE LAME DONATES HIS CRUTCH TO THE BLINDHOW WILL IT BE WHEN YOU CAN'T SLEEP ANYMORE
WITH FEAR BREATHING DOWN YOUR NECK YOU WON'T BE CONTENT ANYMORE
YET, YOU DON'T BELIEVE IT, YOU DON'T FEEL IT COMING,BUT IT WILL ...I EMIGRATE TO CHEWING-GUM-PARADISE
A PROHET IS NEVER KNOWN IN HIS OWN LAND
WHERE ONLY CASH OPENS YOUR MOTHERTONGUES EYES
GERMAN TO THE LAST CONSEQUENCEI WILL ASCEND- RISE FROM THE DEAD
BORN FROM ASH INTO A NEW EXISTENCEI WANT MORE-ALWAYS MORE
JUST LIKE YOU
ALWAYS MORE
Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

Enjoy the lyrics !!!
KMFDM is an industrial rock band and the brainchild of founding member Sascha Konietzko. It was founded in Hamburg, Germany on February 29, 1984 as a joint effort between Konietzko and German painter/multi-media performer Udo Sturm to perform for the opening of an exhibition of young European artists at the Grand Palais. Typically featuring a revolving lineup, Konietzko is the only member to be on every album. However, the current lineup has been stable for the four most recent albums.

Notable contributors include Nivek Ogre of Skinny Puppy, Bill Rieflin of Ministry and R.E.M. (among others), Raymond Watts, Nina Hagen, Abby Travis, Chris Connelly, FM Einheit of Einstürzende Neubauten and Tim Skold of Shotgun Messiah, Skold and Marilyn Manson. Former members En Esch and Günter Schulz are now the duo Slick Idiot.

KMFDM’s first two proper albums (which were preceded by a cassette-only release, Opium 1984) What Do You Know, Deutschland? and Don't Blow Your Top, were dominated by samples and abrasive electrofunk. Both are influenced by Frank Zappa and On-U-Sound; particularly the latter album, which was mixed by Adrian Sherwood. Wax Trax! licenced Don't Blow Your Top for America, making it their first US release.

Raymond Watts left to form Pig. The remaining members added Rudolph Naomi and Morgan Adjei to record UAIOE, which significantly expanded their sonic palate: the album experiments with reggae (Loving Can Be An Art), metal (En Esch), and industrial funk (More and Faster, released as a single). This record, and the subsequent non-LP singles Virus (a dub-influenced record) and Godlike (their first embrace of Metallica-like guitar work, which is actually a slight sped up sample from Slayer's Angel Of Death ) began to attract a substantial fanbase.

Signing outright to Wax Trax, the band—having lost Adjei, added guitarist Svet Am, and having opened for Ministry on their Mind tour—released Naive, another stylistically varied record that became their first notable college radio hit. The title track and Leibslied demonstrated their dance-industrial sound (as did a subsequent non-LP single, Split), Piggyback and Die Now-Live Later crossed their metal leanings with their electrofunk roots.

In 1992, the band released Money; its singles, Money, Vogue, and Help Us Save Us Take Us Away (the final single on Wax Trax before the TVT merger), were all well-received, and a subsequent tour solidified the group’s standing as a preeminent industrial band. Another non-LP single, Sucks, was a statement of purpose for the group — anti-corporate and anti-pop music.

With 1993’s Angst, the group had narrowed its range of styles, embracing heavy metal on almost every track (the notable exception being the female-sung The Problem). The album’s first four songs, Light, A Drug Against War, Blood, and Lust, run together like an industrial-metal symphony; the rest of the album is more conventional post-Ministry industrial metal.

Watts returned for Nihil in 1995, and the rejuvinated band rebounded with a strong album featuring Juke Joint Jezebel, a bouncy, poppy track that infamously appeared in an episode of Beverly Hills 90210. The album proved their biggest commercial success.

Expectations were high for 1996’s Xtort, and upon release it became their first record to enter the Billboard album charts. But the record proved artistically disappointing, with too many songs reprising previous material. Nicole Blackman’s spoken-word piece, Dogma, was the record’s highlight.

The current lineup, which has been stable since the departure of Raymond Watts, includes Lucia Cifarelli (vocals and songwriting), Sascha Konietzko (songwriting, vocals, bass, synths, programming and percussion), Jules Hodgson (guitar, bass, keyboards), Andy Selway (drums) and Steve White (guitar).

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