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The first time that I fell to pieces I was
Strung out over the moonwalk and you
I was confused by your shiftin' face and
By the changin' key of your tone
Waitin' for your call to be my mistress
My paramour, oh, you be my ownYou're so beautiful when you're wrong
Yeah, so beautiful when you're wrong
You turn me on and now you're stringin' me along
Still so beautiful, oh, so beautifulOne day the laws of love and justice will
Bring you to the prison I call my home
Can't forget the past without gettin' busted
Now you have to find a way on your own
So my carbon web is sneakin' up behind you
And your sorry fate will ultimately find youYou're so beautiful when you're wrong
Still so beautiful when you're wrong
You turn me on and now you're stringin' me along
You're so beautiful, still so beautifulThough she refused to feel me mind
Tell about me clearer mind and want

But I long for her as the sails for the sea
Or the touch is for the morning sun
I wanna be your only oneUnderneath, at the late night party, your doorbell
Passed out drunk, the next time you find me
I'll be sure not to wander off too far
But won't be the last time that you blind me
Let me up a creak in a stormy side
Needed you and you were goneYou're so beautiful when you're wrong
Still so beautiful when you're wrongYou say you never had to cause me any harm
Or confusion
So I'm leavin', oh, this is my freedom song
So beautiful when you're wrong

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Big Head Todd & the Monsters is a rock band formed in 1986 in Colorado. The band has released eight studio albums since 1989 with their 1993 album Sister Sweetly going well beyond platinum in the US. The band has developed a sizeable live following especially in the Mountain States of the US.
Big Head Todd and The Monsters – singer-guitarist Todd Park Mohr, bassist-singer Rob Squires, drummer-singer Brian Nevin and keyboardist-guitarist-singer Jeremy Lawton -- could have begun resting on their laurels back in 1993, when their Top 10 singles “Bittersweet,” “Broken Hearted Savior,” “Circle” and “It’s Alright” pushed the album Sister Sweetly to platinum certification. However, Mohr says, “I’ve fought throughout our career not to be a one-trick pony, to be the kind of band that has depth and diversity in its catalogue. I’m a fan of this band, and I’m constantly looking forward to what comes next.”
The essence of Big Head Todd and The Monsters – a rootsy, emotionally direct variety of rock ’n’ roll that lends itself particularly well to a live setting – has been winning fans since Mohr, Rob Squires and Brian Nevin started playing together in high school (Jeremy Lawton joined in 2004). Needless to say, the three never expected to be in the same band at this late date, but, as Mohr points out, “It was a really fortunate combination of musical personalities, and we’re still partners in every sense of the word.”
The band spent seven years developing their chemistry and amassing a following, boosted significantly by the independent releases Another Mayberry (1989) and Midnight Radio (1990), before being “discovered” by the listening public at large with 1993’s Sister Sweetly. After a major-label stint (Sister Sweetly, 1994’s Stratagem, 1997’s Beautiful World), during which the trio increasingly found itself frustrated artistically, they reclaimed their independent status (2001’s Riviera, 2004’s Crimes of Passion). “If it were not for our ability to do things for ourselves, we would have disappeared a long time ago,” Mohr allows.


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Big Head Todd And The Monsters