DamnLyrics - The center provides all the lyrics


     
Page format: Left Center Right
Direct link:
BB code:
Embed:

Black Beehive Lyrics


Twenty-seven years old
She could not keep control
Of her broken-hearted soul
And the reckless way she goShaking that gutter tambourine
And a 57 microphone
Black beehive, tattooed arms
Singing that soul song can't go onRed flower in her hair
Tragic twenty-seven she rolls like
Janis and Jimi running down drinks
Black beehive I miss you so
Sassy as any supreme, her eyes as black as coal
Walked away and the sun went down
Singin' that soul song till no one's aroundBack to black was
Her kind of rhythm and blues
Fade out to black was
Her kind of rhythm and bluesLay your lamp down low
Suicide doors on that Lincoln
Take in that final drag, well

You're so intoxicating
And the evening's afterglow
Turns into a bad hangover
Black beehive
Ten thousand demons
You cheated yourself but you had your reasonsBack to black was
Her kind of rhythm and blues
Fade out to black was
Her kind of rhythm and blues
Back to black
She had nothing but the whole world to lose
Fade out to black was
Her kind of rhythm and blues
Songwriters
TODD PARK MOHRPublished by
Lyrics © BMG Rights Management Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

Enjoy the lyrics !!!
Big Head Todd & the Monsters is a rock band formed in 1986 in Colorado. The band has released eight studio albums since 1989 with their 1993 album Sister Sweetly going well beyond platinum in the US. The band has developed a sizeable live following especially in the Mountain States of the US.
Big Head Todd and The Monsters – singer-guitarist Todd Park Mohr, bassist-singer Rob Squires, drummer-singer Brian Nevin and keyboardist-guitarist-singer Jeremy Lawton -- could have begun resting on their laurels back in 1993, when their Top 10 singles “Bittersweet,” “Broken Hearted Savior,” “Circle” and “It’s Alright” pushed the album Sister Sweetly to platinum certification. However, Mohr says, “I’ve fought throughout our career not to be a one-trick pony, to be the kind of band that has depth and diversity in its catalogue. I’m a fan of this band, and I’m constantly looking forward to what comes next.”
The essence of Big Head Todd and The Monsters – a rootsy, emotionally direct variety of rock ’n’ roll that lends itself particularly well to a live setting – has been winning fans since Mohr, Rob Squires and Brian Nevin started playing together in high school (Jeremy Lawton joined in 2004). Needless to say, the three never expected to be in the same band at this late date, but, as Mohr points out, “It was a really fortunate combination of musical personalities, and we’re still partners in every sense of the word.”
The band spent seven years developing their chemistry and amassing a following, boosted significantly by the independent releases Another Mayberry (1989) and Midnight Radio (1990), before being “discovered” by the listening public at large with 1993’s Sister Sweetly. After a major-label stint (Sister Sweetly, 1994’s Stratagem, 1997’s Beautiful World), during which the trio increasingly found itself frustrated artistically, they reclaimed their independent status (2001’s Riviera, 2004’s Crimes of Passion). “If it were not for our ability to do things for ourselves, we would have disappeared a long time ago,” Mohr allows.


User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.

View All

Big Head Todd And The Monsters