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Boom Boom Lyrics


Boom boom boom boom
I'm gonna shoot you right down,
Right offa your feet
Take you home with me,
Put you in my house
Boom boom boom boom
A-haw haw haw haw
Hmm hmm hmm hmm
Hmm hmm hmm hmm
I love to see you strut,
Up and down the floor
When you talking to me,
That baby talk
I like it like that
Whoa, yeah!
Talk that talk, walk that walkWhen she walk that walk,
And talk that talk,
And whisper in my ear,

Tell me that you love me
I love that talk
When you talk like that,
You knocks me out,
Right off of my feet
Hoo hoo hoo
Talk that talk, and walk that walk
Songwriters
QUINTANILLA, A.B., III/GIRALDO, LUIGI/MARTINEZ, CRUZPublished by
Lyrics © Sony/ATV Music Publishing LLC, BMG RIGHTS MANAGEMENT US, LLC, Roba Music Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Big Head Todd & the Monsters is a rock band formed in 1986 in Colorado. The band has released eight studio albums since 1989 with their 1993 album Sister Sweetly going well beyond platinum in the US. The band has developed a sizeable live following especially in the Mountain States of the US.
Big Head Todd and The Monsters – singer-guitarist Todd Park Mohr, bassist-singer Rob Squires, drummer-singer Brian Nevin and keyboardist-guitarist-singer Jeremy Lawton -- could have begun resting on their laurels back in 1993, when their Top 10 singles “Bittersweet,” “Broken Hearted Savior,” “Circle” and “It’s Alright” pushed the album Sister Sweetly to platinum certification. However, Mohr says, “I’ve fought throughout our career not to be a one-trick pony, to be the kind of band that has depth and diversity in its catalogue. I’m a fan of this band, and I’m constantly looking forward to what comes next.”
The essence of Big Head Todd and The Monsters – a rootsy, emotionally direct variety of rock ’n’ roll that lends itself particularly well to a live setting – has been winning fans since Mohr, Rob Squires and Brian Nevin started playing together in high school (Jeremy Lawton joined in 2004). Needless to say, the three never expected to be in the same band at this late date, but, as Mohr points out, “It was a really fortunate combination of musical personalities, and we’re still partners in every sense of the word.”
The band spent seven years developing their chemistry and amassing a following, boosted significantly by the independent releases Another Mayberry (1989) and Midnight Radio (1990), before being “discovered” by the listening public at large with 1993’s Sister Sweetly. After a major-label stint (Sister Sweetly, 1994’s Stratagem, 1997’s Beautiful World), during which the trio increasingly found itself frustrated artistically, they reclaimed their independent status (2001’s Riviera, 2004’s Crimes of Passion). “If it were not for our ability to do things for ourselves, we would have disappeared a long time ago,” Mohr allows.


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Big Head Todd And The Monsters