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Boom - Royce da 5'9"



     
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I'm the verbal-spit Smith & Wesson<br /> I unload with sick spit<br /> The quick wit could split a split-second<br /> Bomb with a lit wick expression<br /> You here a tick tick then you testin'<br /> My saliva and spit can split thread into fiber and bits<br /> So trust me, I'm as live as it gets<br /> Everybody claiming they the best and they head the throne<br /> Since B.I.G is gone, if you ask me, they "Dead Wrong"<br /> My flow is hotter than the flash from the click<br /> When the hammer slaps the bullet on the ass from the clip<br /> You wind up in a room full of my dogs<br /> I'll have you feeling like a fire hydrant in a room full of dogs<br /> So come, come now, get pissed on, shitted on<br /> Tough talk turns to, "Can't we all just get along"<br /> You get blazed when the mic's off, shot when it's on<br /> You probably ducked when they laid the gun shot in your song<br /> My gun stutters when it speaks to you<br /> Utter shit to repeat to you<br /> Nothing the clip, then give a speech to you<br /> Me and Premier, we kind of the same in ways<br /> We both speak with our hands in dangerous ways<br /> Rap now is a circus of clowns<br /> A whole lot of lip from cliques I'd probably rap circles around<br /> I'm the next best to reach a peak formerly known<br /> As the best keep secret, I guess that I just leaked it"Tragic like the havoc of a nuclear bomb"<br /> "Boom..boom, bam, God-damn!"<br /> "Royce 5'9"<br /> "Tragic like the havoc of a nuclear bomb"<br /> "Boom..boom, bam, God-damn!"<br /> "Royce 5'9"I'm a motherfuckin' star, I don't battle no mo'<br /> I provide the gun clapping a round of applause after your show<br /> We can go toe-to-toe cause they calling you hot<br /> Stepping around all your punches like, "That's all you got?"<br /> Everyday I'm meeting somebody and all of they peeps<br /> Quick to shake a nigga's hand and show me all of they teeth<br /> And these bitches I be patting they asses<br /> They be all dumb and googly-eyed looking at me, batting they lashes<br /> Rappers think Detroit niggas not as down as them<br /> Or since I'm down with Slim that I sound like him<br /> Quick to judge me and tell me that my hook might sell<br /> And say faggot shit to me like I look like L<br /> My advice quit talking it's over<br /> I was knocking niggas out when you was knocking sticks off of their shoulders<br /> I got dirt done in my past, I know y'all sweat<br /> I got regrets older than some of you so called vets<br /> Niggas say I found God with the flow<br /> Bring the police to the studio and bring the bomb squad to the show<br /> Ain't a nigga touching mines<br /> When you listen to my shit - you don't chew, you don't breathe<br /> You'll miss a fucking line<br /> Every time I spit, I tick to show you it's hot<br /> Leave me in the deck too long I blow up your box: boom!Lyrics provided by TANCODEhttps://damnlyrics.com/" readonly=""/>

Boom Lyrics


I'm the verbal-spit Smith & Wesson
I unload with sick spit
The quick wit could split a split-second
Bomb with a lit wick expression
You here a tick tick then you testin'
My saliva and spit can split thread into fiber and bits
So trust me, I'm as live as it gets
Everybody claiming they the best and they head the throne
Since B.I.G is gone, if you ask me, they "Dead Wrong"
My flow is hotter than the flash from the click
When the hammer slaps the bullet on the ass from the clip
You wind up in a room full of my dogs
I'll have you feeling like a fire hydrant in a room full of dogs
So come, come now, get pissed on, shitted on
Tough talk turns to, "Can't we all just get along"
You get blazed when the mic's off, shot when it's on
You probably ducked when they laid the gun shot in your song
My gun stutters when it speaks to you

Utter shit to repeat to you
Nothing the clip, then give a speech to you
Me and Premier, we kind of the same in ways
We both speak with our hands in dangerous ways
Rap now is a circus of clowns
A whole lot of lip from cliques I'd probably rap circles around
I'm the next best to reach a peak formerly known
As the best keep secret, I guess that I just leaked it"Tragic like the havoc of a nuclear bomb"
"Boom..boom, bam, God-damn!"
"Royce 5'9"
"Tragic like the havoc of a nuclear bomb"
"Boom..boom, bam, God-damn!"
"Royce 5'9"I'm a motherfuckin' star, I don't battle no mo'
I provide the gun clapping a round of applause after your show
We can go toe-to-toe cause they calling you hot
Stepping around all your punches like, "That's all you got?"
Everyday I'm meeting somebody and all of they peeps
Quick to shake a nigga's hand and show me all of they teeth
And these bitches I be patting they asses
They be all dumb and googly-eyed looking at me, batting they lashes
Rappers think Detroit niggas not as down as them
Or since I'm down with Slim that I sound like him
Quick to judge me and tell me that my hook might sell
And say faggot shit to me like I look like L
My advice quit talking it's over
I was knocking niggas out when you was knocking sticks off of their shoulders
I got dirt done in my past, I know y'all sweat
I got regrets older than some of you so called vets
Niggas say I found God with the flow
Bring the police to the studio and bring the bomb squad to the show
Ain't a nigga touching mines
When you listen to my shit - you don't chew, you don't breathe
You'll miss a fucking line
Every time I spit, I tick to show you it's hot
Leave me in the deck too long I blow up your box: boom!

Enjoy the lyrics !!!
Ryan Montgomery A.K.A. Royce Da 5′9″ - born July 5, 1977 - is a rapper hailing from Detroit, Michigan, United States. In addition to his work as a solo artist, Royce has released material as a member of the "super group" Slaughterhouse (with Joe Budden, Joell Ortiz and Crooked I ) and with Eminem as the duo Bad Meets Evil.

The name “Royce” came from his R shaped Turkish link chain which was said to have resembled a Rolls Royce logo. During high school Royce was one of the shortest players on his basketball team, standing 5′9” at age 18.

Royce signed with Tommy Boy records in 1998 and later was slated to release his debut album Rock City. Though this relationship was premature, Royce ended up leaving the label citing creative differences.

Royce began working with well known Game Recordings who helped get him in front of the right people to negotiate a deal with Columbia Records. Royce’s Rock City debut was yet again plagued with delays, during which the album was heavily bootlegged. Though not in their favor, Columbia chose to release Rock City in limited quantity and quickly went out of print by the time Royce left Columbia.

Around this time Royce dropped the underground banger “Boom” with production by Dj Premier. Soon thereafter he joined up with Koch / Game Recordings and released Rock City (Version 2.0) independently.

Most well known for his association with Slim Shady – the two met at a concert while Slim was promoting his Slim Shady EP. The two formed a Duo called Bad Meets Evil, releasing a number of tracks including “Renegades” [Original Version], “Nuttin’ to Do”, “Scary Movies”, “She’s the One”, and “See You In Hell”, which appeared on Eminem’s album The Slim Shady LP, titled “Bad Meets Evil”.

In 2001 Royce was set to work with Dr Dre’s Chronic 2000 project as a ghostwriter. He contributed tracks including “The Message”, “The Throne Is Mine”, “Stay In Your Place” and the original version of “Xxplosive” titled “The Way I Be Pimpin’”.

Royce’s association with Dr. Dre ceased when his manager, Kino Childrey spoke to a reporter about Eminem and Dre in the studio. Royce refused to dismiss his manager and long time friend, ending his relationship with Dre.

Royce and Em had a mutual friendship with Proof. Though Royce had bad blood with D12 member, Bizarre, stemming from a earlier freestyle battle with Royce’s brother. Misscommunication escalated the beef between the pair, causing it to spiral out of control and include all members of the rap group D12.

In 2002, Royce called Eminem to request to be signed to Shady Records. Eminem declined and soon thereafter signed 50-cent to Shady Records instead.

Royce released several diss tracks including “Shit on U” (over D12’s “Shit on You”), taking shots at Bizzare of D12. Royce continued record dis tracks including “We Ridin’”, “Death Day”, and “Malcolm X”. There’s speculation that Royce and Em often wrote bars dissing each other subliminally.

From 2002-2003 Royce kept a low profile releasing releasing Build & Destroy, and Build & Destroy: The Lost Sessions Part 1 across the mixtape circuit.

In 2003, Royce’s beef with D12 finally reached its tipping point. Royce and Proof and their entourages spilled into the streets of Detroit arguing but the issue dissipated once firearms were drawn. The two rappers spent a night in jail, and settled their beef.

In 2004 Royce released his sophomore effort Death Is Certain on Koch records, as well as two mixtapes from his crew M.I.C. (Make it Count). The crew includes members Royce, Kid Vishis,and June.

2005 marked Royce’s third full length album release Independent’s Day on Trouble/M.I.C. Records.

Royce Da 5′9″ was sentenced to jail on September 19, 2006 for parole violation for a prior DUI charge. Royce was sentenced to one year in the clink at Oakland County Jail, Pontiac, Michigan. On January 9, 2007, Royce got out of jail on work-release.

Royce has a strong ghostwriting resume including the track “Tell Me” ft. Christina Aguilera for Diddy’s album Press Play.

In May 2007, Royce Da 5′9″ released a mixtape called The Bar Exam which features DJ Premier and Statik Selektah on the Wheels of Steel.

In 2008, Royce confirmed that he had officially resolved his longstanding differences with Eminem and celebrated with a reunion concert on July 12, 2008 at Saint Andrews Hall. A mixtape of the reunion concert was soon released thereafter.

Royce also had beef with other industry majors including Mistah Fab, Cashi$, and Joe Budden, Kanye West and the Ruff Ryders.

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Royce Da 5'9