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Bossy (Ft. Too $hort) (Produced by Bangladesch) - Kelis



     
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Bossy (Ft. Too $hort) (Produced by Bangladesch) Lyrics


Aye Yo...
You don't have to love me...
You don't even have to like me...
But you will respect me...You know why cause I'm a bossYou know, it's a hard pill to swallow
When they tell you you strange
You ain't hot
Then in the blink of an eye
They got on what you got
That means I'm a boss!Uh uh... watch the beat go...
Uh uh... watch the beat go...
Uh uh... watch the beat go...
Uh uh... watch that beat go...[Kelis]
I'm bossy
I'm the first girl to scream on a track
I switched up the beat of the drum
That's right I brought all the boys to the yard
And that's right, I'm the one that's tattooed on his arm
I'm bossy

I'm the chick y'all love to hate
I'm the chick that's raised the stakes
I told John Sterling he should switch debate
I'm back with an 808 cause I'm bossyOoh lemme slow it down so ya can catch the flow
Screw it up make it go extra slow
Real girls get down on the flow
(On the flow get down, on the flow)
Ooh I gave you a taste you want some more
Touch down I got on it like a pro
I ride the beat like a bicycle, I'm icy cold
Ooh from the 6-4 hoppers up in Crenshaw
The money makin' playas up in Harlem
Don't want no problems
We gonna keep it pumpin while the 808 is jumpin'Diamonds on my neck, diamonds on my grill
Diamonds on my neck, diamonds on my grillI'm bossy
I'm the first girl to scream on a track
I switched up the beat of the drum
That's right I brought all the boys to the yard
And that's right, I'm the one that's tattooed on his arm
I'm bossy
I'm the chick y'all love to hate
I'm the chick that's raised the stakes
I told john sterling he should switch debate
I'm back with an 808 'cause I'm bossyOoh (I bet I bet I bet)
I betcha never heard it like this before
My baby be closin' them phantom doors
Got the bar poppin' this that you can't afford (can't afford)
Ooh I'm drinkin blastin the crowds it's all smokin'
All the while I'm all open
Me and my girls we stay fly and we love to stay high
Ooh from the 6-4 hoppers up in Crenshaw
To the money makin' playas up in Harlem
Don't want no problems
We gon' keep it pumpin while the 808 is jumpin'Diamonds on my neck, diamonds on my grill
Diamonds on my neck, diamonds on my grillI'm bossy
I'm the first girl to scream on a track
I switched up the beat of the drum
That's right I brought all the boys to the yard
And that's right I'm the one that's tattooed on his arm
I'm bossy
I'm the chick ya'll love to hate
I'm the chick that's raised the stake
I told young stunna he should switch debate
I'm back with an 808 cause I'm bossy[Too $hort]
It's bout time that she get with me
Can't stop starin', she's fine and she's pretty
Damn girl, don't hurt em
If niggas don't back back, you gon' work em
Put your mack down, I know your background
Whatchu want girl, you gettin' mad now
That's how you do it, huh?
Well I'm the coolest one
In fact, bitches in the back bring 'em to the front, bitch!
Tell that man you's a boss bitch
Make some noise, raise your hand if you's a boss bitch
I don't think he understand you's a boss bitch
Get some help if you can cause he lost it
Ain't no refunds, she spent the cash mayne
In your Benz with her friends in the fast lane
Flossin, you say "How much it cost me?"
About a million dollars playa, she's bossy[Kelis]
I'm bossy
I'm the first girl to scream on a track
I switched up the beat of the drum
That's right I brought all the boys to the yard
And that's right I'm the one that's tattooed on his arm
I'm bossy
I'm the chick y'all love to hate
I'm the chick that's raised the stake
I told John Sterling he should switch debate
I'm back with an 808 cause I'm bossyUh uh... watch the beat go...
Uh uh... watch the beat go...
Uh uh... watch the beat go...
Uh uh... watch the beat go...
Uh uh... watch the beat go...
Uh uh... watch the beat go...
Uh uh... watch the beat go...
Uh uh... watch the beat go...
Uh uh...
Songwriters
Crawford, Shondrae L / Stevenson, Alonzo Mario / Cameron, Jasper / Garrett, Sean / Rogers, KelisPublished by
Lyrics © Sony/ATV Music Publishing LLC, BMG RIGHTS MANAGEMENT US, LLC Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Kelis Rogers-Jones (born Kelis Rogers on August 21, 1979), is known simply by her first name Kelis (pronounced Kuh-lees). Her name is an amalgamation of her parents' first names, her black father Kenneth and Chinese-Puerto Rican mother Eveliss. Growing up in Middle Class Harlem, New York Kelis' childhood was not a deprived one. But she was not without problems, after her parents realised they could not cope with her unruly behaviour (Kelis shaved all her hair off at age 13, soon afterwards dyeing the regrowth the colors of the rainbow), Kelis moved out of the family home, continuing her private education.

After a short spell working as a model, 5'10" Kelis began appearing on songs by Neptunes produced rappers such as 'Got Your Money' by the late rapper Ol' Dirty Bastard. Soon afterwards, she released her debut album, Kaleidoscope in 1999 of which the first single was 'Caught Out There,' a song based on the time she caught her boyfriend cheating on her, and she beat him. The video feautures Kelis leading a pack of angry women down the street screaming 'I hate you so much right now!'. The album was released in USA, Europe and Asia, but did not find much audience in the USA. Not a great success, it only sold 249,000 copies to date.

After finding her largest audience in Europe, Kelis released her second album titled Wanderland (2001) in Europe only, which like her first album did not fare well. It only sold 80,000 copies and was entirely produced by The Neptunes (Pharrell Williams and Chad Hugo) again, similarly to her debut. Only one single was released 'Young Fresh N New'.

In 2003 Kelis finally found fame in her country with the single 'Milkshake,' which was a massive success in Europe, Asia and USA, and she began dating rapper Nas (born Nasir bin Olu Dara Jones). The single was from the album 'Tasty' which did not feature the Neptunes as heavily as her previous albums. Singles included the popular Dallas Austin produced 'Trick Me' and 'Millionaire', a collaboration with OutKast's Andre 3000. 'In Public's duet with Nas was the fourth single from the album, becoming a top twenty hit in the U.K. without a video.

In 2006, Kelis presented a new album to her fans, entitled Kelis Was Here, which was originally to be called 'The Puppeteer' which was released on 22 August but was due Fall 2005. No Neptunes tracks appeared on this album, but Kelis used other producers such as Max Martin, will.i.am (Black Eyed Peas) and Raphael Saadiq. Singles are the huge 'Bossy', 'Blindfold Me', and 'Lil Star'. Kelis wrote more of the material on this album than she did for Tasty, and carries off the sci-fi, electronica sounds so often considered Neptunes material without them. This is most evident on the brilliant 'Trilogy'. Kelis has said she wants to make her mark with this album, as it will be the last 'album like this' she will make.

In October 2007, Kelis was dumped by Jive Records, for poor sales of Kelis Was Here but a new album is in the pipeline. The Hits - a greatest hits collection - was released in March 2008, including tracks where she was a featured artist, eg, Got Your Money by Ol' Dirty Bastard , N.E.R.D's Truth or Dare, and Richard X's Finest Dreams.

Kelis is currently signed to Interscope records and released in 2010 an album entitled Flesh Tone, the first single from which was the David Guetta-produced Acapella.

Songfacts reports that 'Distance', the first single from Kelis’ sixth studio album received its first play during the June 30, 2012 show of The Beatnik Mix on London's Reprezent 107.3FM.

In the beginning of 2010, Kelis received a letter by animal rights organization PETA, in which she was informed about the cruelty that comes along with the production of fur coats. In her Myspace blog, she mocked PETA and stated that she would go on wearing fur, referencing several fur coats she had made from her pet dogs.

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Kelis