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Briefcase Boogie - Frank Zappa



     
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Briefcase Boogie Lyrics


Frank zappa (guitar, synclavier)
Steve vai (guitar)
Ray white (guitar, vocals)
Tommy mars (keyboards)
Chuck wild (piano)
Arthur barrow (bass)
Scott thunes (bass)
Jay anderson (string bass)
Ed mann (percussion)
Chad wackerman (drums)
Ike willis (vocals)
Terry bozzio (vocals)
Dale bozzio (vocals)
Napoleon murphy brock (vocals)
Bob harris (vocals)
Johnny "guitar" watson (vocals)Harry: (to thing-fish)
Anything you say, master! take me, I'm yours!Rhonda: (broadway-style fake singing)
Jingle bells, jingle bells,

Jingle all the way!
Oh, what fun it is to ride
To chicago every day, oh...Thing-fish:
Oooh, lawd! lookit you, boy! chain thoo de nipples 'n evvy goddam thing! you a sick white muthafucker, ain'tcha?Rhonda:
Bells on bob-tail ring,
Making spirits bright!
Oh, what fun it is to ride
To chicago every night, oh...Harry:
For chrissake, rhonda! have you no shame?Thing-fish:
Y'all make up y'mind yet, 'bouts de mammy o' yo' dreams?Harry:
You bet! I've waited all my life for this moment! my heart is fluttering! if only I could submit myself on approval, for a limited time only...to ...to that nasty little rubber mammy on your kneThing-fish:
Sister ob'dewlla 'x'? de mys'try sister? y'all wants t'party hearty with de min'yature rubber mammy wit de string out de back? yow! dintcha get 'nuff 'buse fum de other bitch when y'was livin' i
Card-bo'd hut?Rhonda:
Harry...harry...hey! harry! fucking wor-r-r-mmmmmmmmmm! I want a divorce, harry!Harry:
Not now, dearest, please! this is serious! little mammy, what'll it be? hips or lips?Harry snatches sister ob'dewlla 'x' away from thing-fish, bashing himself with it in an irrational manner.Rhonda un-zips the santa claus costume, revealing the rubber body suit, hoping for some sign of interest from her deranged husband. there isn't any...he's beating the fuck out of himself and lov
Very minute of it.She squeezes her rubber tits, as if to squirt them at him. still no interest.Rhonda:
You're a wor-r-r-r-mmmmmmm! a fucking wor-r-r-r-m-m-m-m-mmmmmmmmmmm! these are my tits, harry! I have tits! look! look at me! look at my wonderful tits, you fucking wor-r-r-r-r-mmmmmmmm! I'm goi
Pretend I'm squirting them on you! whoo! wheeeee! almost gotcha!Harry:
Not now, rhonda! ow! oof! oh, I love this! hurt me! hurt me! oh, pull my chain, you tiny potato-headed whatchamacallit!Rhonda:
They're almost squirting, harry! look! look! whoooooo! whooooo! whoooo! you fucking worm!Thing-fish:
Ob'dewlla! is y'awright? don't be pullin' de boy's chain too hard dere! he gots 'nuthuh show t'do t'morrow! don't put dat in yo' mouf, girl! I knows y'cain hep y'seff wit dat crazy muthafucker '
' you like dat, but jes' hang on a lil' longuh...he be droppin' de wad putty soon now!Rhonda: (pinching her nipples, jiggling her tits)
Jingle bells, jingle bells...Harry:
Oh! this is divine!Rhonda:
This is my pussy, harry! look! see it? you know what I'm gonna do with it, you worm? I'm gonna make it fuck something! that's right! you won't get any of it...because you're disgusting! an' I do
Eed you, mr. first-nighter! my wonderful, wonderful pussy doesn't need you! I have my briefcase, harry! I'm going to fuck my briefcase! I'm going to...look! look at this! I got it right over her
Ere! see it? my big, brown, briefcase! my briefcase! it's big, harry! it's full of business papers...from my career!A tan and brown briefcase, seven feet tall, is lowered in. francesco watches it land near his window. he exits the bungalow with a can of crisco and a violin case. n pantomime, he cautiously int
Ts rhonda's monologue, suggesting that she examine the contents of the case. it contains a strap-on dildo of such ridiculous proportions that a chain leading from just behind the head of it must
Ooked to a leather dog collar around rhonda's neck, in order to hold it up. francesco recommends the crisco as a lubricant, daubs on a bit with a miniature doll's foot, finally indicating that s
Nceal her pubic hair with a cardboard box, in the manner preferred by famous singing christians.Rhonda reaches inside the briefcase and locates her 'special atomic glasses' (with tiny doll arms reaching out through tiny cardboard boxes), and puts them on.She reaches in again and finds an artificial hamburger with a red ribbon on it. she mounts it on top of her head, tying the ribbon in a neat bow below her chin. ready at last, she humps the brie
Vigorously.Rhonda: (contd.)
I'm gonna put my glasses on, harry! I'm gonna put my hair up in a bun! then, I'm going fuck fuck fuck! ha-ha-ha-hahhhhh! look! see me? see how I got my hair up? whooo! I'm really doing it! unngh
Gh!Harry:
Rhonda...have you no shame! keep the briefcase closed, for chrissake! all your documents are falling out!Rhonda: (as over-sized file folders emerge)
Unngh! I'm good! oh God I'm good! harder! faster! unngh! unngh! this is terrific! boy, I need it so bad...Harry:
Those are the warner brothers files, aren't they dear? don't you think there'll be some questions about the condition of the blue paper?Thing-fish:
Girl! bes' be careful wit de latch!Rhonda: (with the handle in her mouth, semi-intelligible)
I'm sucking the handle now, harry! look! mmmmmm! it tastes good! mmmmmm! mmmmmm! the handle! the handle!Harry:
Hurt me, ob'dewlla! make me whimper and beg for your tiny rubber love!After nibbling on it as if it were a giant piece of corn-on-the-cob, thing-fish hands rhonda an oversized pink fountain pen with her name on the clip.Rhonda:
I've got a fountain pen, harry! I've got a fountain pen with my initials on it! I'm putting it in my mouth, harry! I'm gonna get it wet! I'm gonna stuff it up my asshole and ride the briefcase a
You disgusting perverted bastard worm! I'm gonna do it! look, harry! whooo! unngh! unngh! god-damit, harry! watch me! this is for your own good!
Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Frank Vincent Zappa (1940-1993) was an American composer, guitarist, singer, bandleader and producer. He was one of the most prolific musicians of his time, releasing over fifty albums of original material spanning over a thirty-five year career.

Born on 21st December 1940 in Baltimore, Maryland, Zappa's earliest influences were 1950s pop and rock (such as doo-wop and rhythm and blues), and 20th-century classical composers including Igor Stravinsky and Edgard Varèse. His output was divided between adventurous instrumental compositions and succinct, catchy rock songs with ribald, satirical, or comically absurd lyrics. On stage he demanded virtuosity and spontaneity from his musicians, and employed many performers who would later go on to achieve fame in their own rights. He directed and released a number of films featuring himself, his musicians and entourage, including 200 Motels and Baby Snakes.

His career started in 1955. His earliest recordings date from the mid-1960s, and include collaborations with his school friend Captain Beefheart. In 1965 he joined a bar-band called The Soul Giants, quickly dominating its musical direction and rechristening it The Mothers. Their first release (as The Mothers of Invention; the name alteration requested by their record company) was the 1966 double album Freak Out!. The line-up of the Mothers gradually expanded to accommodate Zappa's increasingly ambitious and avant-garde music, but by 1969 he decided to work outside the band structure, focusing on his solo career, and effectively disbanding the Mothers in 1971.

The beginnings of his solo career in the late sixties and early seventies was characterised by a strong free jazz influence, with albums containing little, if any, lyrical content, such as Hot Rats, Waka/Jawaka and The Grand Wazoo. Towards the mid-seventies his albums became more rock-orientated, with a combination of jazz fusion instrumentation and rock song structures. This more accessible sound bore reasonable mainstream appeal, especially with the release of the well-advertised albums Over-Nite Sensation and Apostrophe (') (which both went Gold), but Zappa's unpredictably eclectic output never led to solid mainstream recognition. He receieved uniformly lukewarm reviews from popular music publications such as Rolling Stone throughout his career. In his late seventies' output, the gulf between his humorous songs and more lengthy, complex instrumental music widened, and albums, such as Zappa In New York, Joe's Garage: Acts I, II & III, and Sleep Dirt displayed, by track, both sides firmly segregated.

Zappa saw a second run of success in the early eighties with the release of many albums with predominantly comedic rock songs, but later continued to experiment with virtually every style of music through the eighties, and was productive as ever until his death. His output in this later-career period included two albums of strikingly original classical music with the London Symphony Orchestra, an electronic take on 18th-century chamber music (written by the obscure Italian composer 'Francesco Zappa', no relation), an album of synclavier compositions (misleadingly titled Jazz From Hell which garnered a Grammy award), a double-CD release of electric guitar instrumental music (the laconically titled Guitar) and a plenitude of official live releases, revisiting fan-favourites as well as showcasing Zappa's talent for reinventing the music of others; his version of Stairway To Heaven becoming a word-of-mouth favourite.

Zappa produced almost all of his own albums, spending many hours in the studio recording and manipulating tracks, and was always at the forefront of emerging technologies; from tape editing, collage, multitrack and overdubbing in the sixties to digital recording, electronic instruments and sampling in the eighties. Conversely, Zappa was also a obsessive self-archivist, recording virtually every one of his live performances, and often using live recordings of new material without needing to enter the studio. The archive of tapes at his family home in Los Angeles continues to be a source of posthumous releases for the Zappa Family Trust. He was also noted as a spotter of talent and his shifting line-up of musicians included Lowell George, Jean-Luc Ponty, Terry Bozzio, Chad Wackerman, George Duke, Mike Keneally, Adrian Belew and Steve Vai, as well as giving Alice Cooper his first break in music and working again with his old collaborator Captain Beefheart when his career was in decline.

In the late 1980s he became active in politics, campaigning against the PMRC's music censorship scheme and acting as culture and trade representative for Czechoslovakia in 1989; and considered running as an independent candidate for president of the US.

His death in Los Angeles, California, on 4th December 1993 came three years after he was diagnosed with prostate cancer.

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Frank Zappa