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Broken Safety (feat. Jadakiss & Styles P.) - Raekwon



     
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Broken Safety (feat. Jadakiss & Styles P.) Lyrics


[**feat. Jadakiss & Styles P:]
[Kung Fu Sample:]
*sounds of fighting*
Heh, do you know any other styles?
I am very grateful!
Are you ready?
I'm ready...
[Jadakiss:]
Uh, down on 40 Deuce, when I was a shorty duke
That's when I first got the Naughty goose
Now I come through in a sported coupe
I know what you better do, stop talking bout what you outta do
My crack spot is still portable
Funerals are still affordable, I'm better than all of you
I'm in the hood scraping 'em, Jadakiss, Rae and 'em
Ya'll lame niggas, come uptown, spend a day with 'em
Bigger ones, bootleg liquor runs, blow something, nigga
Let the herb smoke hit your lung, get your guns

The economy is down, so you already know
It's gon' be a lot of homi's in the town
That's why I'm still bringing the seed back
The sneakers that I can't pronounce, that cost a G stack
Niggas in the yard, got this on repeat, black
Fuck saving hip hop, we bringing the streets back, what?
[Raekwon:]
Player spit snipping, different color wallies on
Bliffen had to take 'em off, they fucked up the soles, flipped it
I'm forever zooted, crushed up glass, I'm just flashing through it
Nine times out of ten, suede down at the Jumer
Maybach bloomers, playing rumors, card shark
Getting cash money, take a loan, hit this tuner
Put us together, he run sea, I run land, with one ruger
Stop playing, you know we run rap, you know we done that
Stop fronting, son, put the gun back
We came with the containers, besides having the flamers
My Mexican mans is famous
Running through the streets, the bulldog
Conehead hoodies on, eighteen five for footballs
Maxed like I'm under a good wall, good G
Good recipe, good status, a hood broad
[Styles P:]
I used to move brown rectangles
Roll you a blunt, then smoke you with death's angel
Chrome trey pound is making your neck dangle
Blue trey eight is leaving your chest mangled
It's math but the gun could kill you at all angles
Leave the toast home, I'm leaving you all strangled
Louis loafers on the Jaguar, gas peddles
You got the cops with you, you ain't even half ghetto
(Not even half) We neither here nor there
But if, you was over here, you would of been got aired
(Been got aired) Like a pair of white Nike's on a summer day
Pointing the gun away, I could kill you niggas a hundred ways
Mine's in a place that yours ain't, so I'm wearing war paint
For the day that I see the Lord saint
Blowing the purple haze, playing The Purple Tape
Fuck with Chef or the Ghost, get left with a purple face
[Kung Fu Sample:]
Too bad, your courage will be the death of you
*sounds of fighting*

Enjoy the lyrics !!!
Corey Woods (born January 12, 1970) is an American rapper most well known as Raekwon (the Chef), one of the nine Wu-Tang Clan members. Raekwon joined Wu-Tang Clan, a hip hop group based in Staten Island, New York in 1992. When the time came for him to release his first solo album, Only Built 4 Cuban Linx... (1995), hip-hop, once again, underwent a momentous transformation. The album moves from track to track like a film moves from scene to scene. With its invigorating instrumentals and dramatic lyrical tales, Raekwon painted vivid pictures and presented powerful imagery through his enchanting verbal expression.

Rae's groundbreaking debut album helped to bring the flavour of flossing to wax as well as the use of the moniker among Wu brethren and other prominent emcees. The single "Verbal Intercourse" featured the first appearance of Nas Escobar, Nas' alter ego. Similarly, Raekwon and Ghostface Killah, who served as Rae's partner in rhyme throughout the entire Cuban Linx album, also developed a slew of other identities. Identities like Lex Diamond, one of the flashy, witty and intellectually stimulating personas of the multifaceted Raekwon.

In the years after the release of Cuban Linx, Raekwon continued to record several albums with the Clan including the platinum Wu-Tang Forver (1997) and The W (2000), as well as the gold Iron Flag (2001). He also starred in the critically acclaimed film Black and White, before releasing his second solo album, Immobilarity in 1999. Four years later, it's time for another masterpiece from Raekwon.

The Lex Diamond Story, Raekwon's forthcoming third solo album is that desperately needed effort. This new LP is as much a reflection of his first musical triumph Cuban Linx, as it is a manifestation of the future and what is to come from this great emcee. Raekwon is like the E.F. Hutton of hip-hop: when he speaks, everyone listens. The current void in hip-hop is filled with this rap veteran's
crafty verbal gymnastics and artistic form of storytelling. The Lex Diamond Story takes the top shelf elements of the Wu's first album and the finest sentiments of Raekwon's debut and joins them together to deliver another classic album to the masses.

A lyrical gourmet meal, The Lex Diamond Story shows that The Chef still possesses the recipe to cook up a jambalaya of words with the main ingredient being superior skills. Animated and intense, Raekwon's stealth delivery is filled with emotion, skilled cadence and an array of diverse stories, hooks, and topics. The track, "All Over Again (The Way We Were)" touches on the flavour of "Can It Be All So Simple" with its tale of street survival. Meanwhile, "Pit Bull Fights" is reminiscent of the ferocious lyrical beating inflicted on "Incarcerated Scarfaces." Raekwon is indisputably at his creative beast. Unchained and uninhibited, he is assertive with his music and focused on his goals.

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