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Bullets, Bombs & Bigotry - KMFDM



     
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Bullets, Bombs & Bigotry Lyrics


One for hatred two for hell
Three for the lowest high that you sell
Gotta four for a try but don't stop the lie
Five for the piss and poke in your eyeSix for the silver that you wrench
Seven for the gold that'll never quench
Eight and nine for the thirsty fly
And ten for the one who drinks 'til I dieI must receive and Ill believe
Come on trust in me
With all my greed give to those in need
Come on lust with meI will be true but shall deceive
Come on lie with me
My little pill my guilty thrill
Come on die with meSin, sex, sodomy
Time to end this parody
Terror torture tyranny
The carcass of democracyPower pills, poverty
Victors rewrite history
Bullets bombs and bigotry

Brace yourself for world war threeThis testament to the truest torture
Beg for release from the lie that I bought you
You started high your endings nigh
Get it hard for the lord of lardI'm a vacuous and a callous whore
Bend right over and beg for more
A lie for a lie and a noose for a noose
Don't complicate yourself with the truthI'm designing Im the master
Keep on waiting as I die of laughter
Get on down covered in fleas
I screw best in twos and threesThe teasing pleasing little thrill
The twisted knife that begs to kill
Wistful thinking and whiskey drinking
It all makes sense when your fists are thinking
Songwriters
Hodgson Julian Lewis; Konietzko Sasch Kegel; Cifarelli Lucia Mia; Selway Andrew John WilliamPublished by
KMFDM ENT US Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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KMFDM is an industrial rock band and the brainchild of founding member Sascha Konietzko. It was founded in Hamburg, Germany on February 29, 1984 as a joint effort between Konietzko and German painter/multi-media performer Udo Sturm to perform for the opening of an exhibition of young European artists at the Grand Palais. Typically featuring a revolving lineup, Konietzko is the only member to be on every album. However, the current lineup has been stable for the four most recent albums.

Notable contributors include Nivek Ogre of Skinny Puppy, Bill Rieflin of Ministry and R.E.M. (among others), Raymond Watts, Nina Hagen, Abby Travis, Chris Connelly, FM Einheit of Einstürzende Neubauten and Tim Skold of Shotgun Messiah, Skold and Marilyn Manson. Former members En Esch and Günter Schulz are now the duo Slick Idiot.

KMFDM’s first two proper albums (which were preceded by a cassette-only release, Opium 1984) What Do You Know, Deutschland? and Don't Blow Your Top, were dominated by samples and abrasive electrofunk. Both are influenced by Frank Zappa and On-U-Sound; particularly the latter album, which was mixed by Adrian Sherwood. Wax Trax! licenced Don't Blow Your Top for America, making it their first US release.

Raymond Watts left to form Pig. The remaining members added Rudolph Naomi and Morgan Adjei to record UAIOE, which significantly expanded their sonic palate: the album experiments with reggae (Loving Can Be An Art), metal (En Esch), and industrial funk (More and Faster, released as a single). This record, and the subsequent non-LP singles Virus (a dub-influenced record) and Godlike (their first embrace of Metallica-like guitar work, which is actually a slight sped up sample from Slayer's Angel Of Death ) began to attract a substantial fanbase.

Signing outright to Wax Trax, the band—having lost Adjei, added guitarist Svet Am, and having opened for Ministry on their Mind tour—released Naive, another stylistically varied record that became their first notable college radio hit. The title track and Leibslied demonstrated their dance-industrial sound (as did a subsequent non-LP single, Split), Piggyback and Die Now-Live Later crossed their metal leanings with their electrofunk roots.

In 1992, the band released Money; its singles, Money, Vogue, and Help Us Save Us Take Us Away (the final single on Wax Trax before the TVT merger), were all well-received, and a subsequent tour solidified the group’s standing as a preeminent industrial band. Another non-LP single, Sucks, was a statement of purpose for the group — anti-corporate and anti-pop music.

With 1993’s Angst, the group had narrowed its range of styles, embracing heavy metal on almost every track (the notable exception being the female-sung The Problem). The album’s first four songs, Light, A Drug Against War, Blood, and Lust, run together like an industrial-metal symphony; the rest of the album is more conventional post-Ministry industrial metal.

Watts returned for Nihil in 1995, and the rejuvinated band rebounded with a strong album featuring Juke Joint Jezebel, a bouncy, poppy track that infamously appeared in an episode of Beverly Hills 90210. The album proved their biggest commercial success.

Expectations were high for 1996’s Xtort, and upon release it became their first record to enter the Billboard album charts. But the record proved artistically disappointing, with too many songs reprising previous material. Nicole Blackman’s spoken-word piece, Dogma, was the record’s highlight.

The current lineup, which has been stable since the departure of Raymond Watts, includes Lucia Cifarelli (vocals and songwriting), Sascha Konietzko (songwriting, vocals, bass, synths, programming and percussion), Jules Hodgson (guitar, bass, keyboards), Andy Selway (drums) and Steve White (guitar).

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