Can't Hold Us Back - Public Enemy & Paris



     
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Can't Hold Us Back Lyrics


Today we are together, we are unified and on runnin' cower
When we are together we got power
That is why we gathered today, celebratin' our own...We spit flows on foes
Listen to the message that you never know
Got a plan for the man and it's federal
The rhyme animal, back to play the part again
Clear the madness, and put the message in
D, the Enemy is back to rip the mic
We come together, so don't believe the hype
Check my tone, there's a war here at home
We united and strong, and never move alone
We rep justice, equality and freedom now
Put fam first, man, woman and child
Never mild, keep it hostile 'til we raise
Where we say, what we mean and we mean what we say
It's been a long time comin' that we mob as one
Guerrilla Funk, Hard Truth nigga, that's what's up
No peace on the street 'til the justice come

From the ballot to the bullet, if it's on, it's onI ain't lettin' nothin' hold me back or block me
They gon' have to pop me to stop me
See, I ain't lettin' nothin' hold me back or block me
They gon' have to pop me to stop me
Believe, I ain't lettin' nothin' hold me back or block me
They gon' have to pop me to stop me
My brother, I ain't lettin' nothin' hold me back or block me
They gon' have to pop me to stop me
That's real talk on the one
Yo, yo, yo, yo, I'm a target, I got proof
My buildin' got an 'X' on it
Bloomberg threw the hex on it
It's like a pistol with effects on it
On a nigga with arrest warrants
Hittin' pigs in their chests Quadrant where they vest wasn't
Now he dead cousin
All you snitches hit the red buttons, we some Uncle-Tom killers
Mini-nina concealers, political cap-peelers for this freedom for rillaYo, if police stop the whip you got to eat them trees
I ain't got no 'G' to give it to them crackers and court fees
You know my steez, security first, prepare for the worst
Never caught slippin' if you stay on alert
Malcolm X said send them to the cemetery if they touch you
A revolutionary virtue, a dull blade'll hurt you
I'm up early workin' my machete
In war, it ain't no warning, you just got to be readyI ain't lettin' nothin' hold me back or block me
They gon' have to pop me to stop me
My nigga, I ain't lettin' nothin' hold me back or block me
They gon' have to pop me to stop me
My nigga, I ain't lettin' nothin' hold me back or block me
They gon' have to pop me to stop me
You see, I ain't lettin' nothin' hold me back or block me
They gon' have to pop me to stop me, yeah, uhaYeah, my nigga it's bigger than rap
You really think you gon' be left alone
On sayin' that you believe and ain't gon' have to get your scrap on?
Then yap on, and will see if that's the right route
While I get my clap on and turn niggas' lights out
I tried to be nice, now we gon' have to bleed them
I'm willin' to do a killin' for the price of freedom "that's right"
Comin' from the left, nigga, hood is how we kept it "right"
So prison or death is just somethin' I done accepted
So we'll murder a snake, and we'll kill a skunk "that's right"
This ain't the word of a fake, it's Guerrilla Funk
So right now is the time and you turf the location
Y'all about to see the Rebirth Of a Nation
Even if some got de-rebelized
The revolution still will not be televised
U.S. Government tellin' hell of lies
And it's evident, when you look in this president's devil eyesI ain't lettin' nothin' hold me back or block me
They gon' have to pop me to stop me
Yeah, I ain't lettin' nothin' hold me back or block me
They gon' have to pop me to stop me
No homie, I ain't lettin' nothin' hold me back or block me
They gon' have to pop me to stop me
My brother, I ain't lettin' nothin' hold me back or block me
They gon' have to pop me to stop meThat's real talk on the oneThat is why, I challenged you now
To stand together, raise your fists together
And engage in our national black messiness
Do it courage and determination.
I AM, "I AM" - SOMEBODY "SOMEBODY"
I AM, "I AM" - SOMEBODY "SOMEBODY"
I LIVE IN POOR "I LIVE IN POOR"
BUT I AM, "BUT I AM" SOMEBODY "SOMEBODY"
I NEED YOUR WELFARE "I NEED YOUR WELFARE"
BUT I AM, "I AM" SOMEBODY "SOMEBODY"
I'm MAYBE YOUR SEAL "I'M MAYBE YOUR SEAL"
BUT I AM, "BUT I AM" SOMEBODY "SOMEBODY"
I AM "I AM" BLACK "BLACK" BEAUTIFUL "BEAUTIFUL" RAW "RAW"
I MUST BE EFFECTIVE "I MUST BE EFFECTIVE"
I MUST BE PROTECTED " I MUST BE PROTECTED"
WHAT TIME IS IT? "UNIFICATION"
WHEN WE STAND TOGETHER, WHAT TIME IS IT?
WHEN WE SAY NO MORE?? WHAT TIME IS IT?
WHAT TIME IS IT?
WHAT TIME IS IT?
Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

Enjoy the lyrics !!!
Public Enemy, also known as P.E., is a seminal Golden Age era Hip-Hop group known for their densely layered production and politically charged lyrics demonstrating their interest in the concerns of the African American community.

PE formed in Long Island, New York, in 1982 around a WBAU radio show as Spectrum City. After one less-than-successful single, they regrouped and signed to the still developing Def Jam record label after Rick Rubin heard Chuck D freestyling on a demo. Their debut, ‘Yo! Bum Rush The Show’, was released in 1987 to mild critical acclaim, although the Hip-Hop climate changed dramatically due to sampling during the time of release. As a response, they went on to release the revolutionary ‘It Takes a Nation of Millions to Hold Us Back’ in 1988, which performed better in the charts than their previous release, and included the hit single ‘Don’t Believe the Hype’.

Slightly less militant than their previous releases Public Enemy’s, ‘Fear Of A Black Planet’ was officially recognised as being the most successful and influential of the Public Enemy recordings when, in 2004, it became one of 50 recordings, chosen that year by the Library of Congress, to be added to the National Recording Registry. Sales-wise it was the most successful of any of their albums to date. It included the powerful and controversial singles ‘911 is a Joke’ (which criticized emergency response units for taking longer to arrive at emergencies in the black community than those in the white community), and ‘Fight the Power’, which is considered by many to be the group’s premier self-describing anthem. The song is considered to be amongst the most popular and influential in Hip Hop history and was the theme song for Spike Lee’s landmark film ‘Do The Right Thing’.

Public Enemy are to be considered musical pioneers for a broad variety of reasons. For instance, Terminator X elevated DJing to a refined art. Some of his most innovative scratching tricks can be heard on the track ‘Rebel Without A Pause’. PE’s production team, ‘The Bomb Squad’, offered up a web of innovative samples and beats; critic Steven Thomas Earlewine declared that PE “brought in elements of free jazz, hard funk, even musique concrète, via their [production] team, the Bomb Squad, creating a dense, ferocious sound unlike anything that came before.”

PE revolutionized the rap world with their political, social and cultural consciousness. These themes became infused into skilled and poetic rhymes with jazzy backbeats. They are recognised as the first Hip Hop group to make extended world tours, leading to huge popularity and influence within the Hip Hop communities of Europe and Asia. They also changed the internet’s music distribution capability by being the first group to release MP3 albums, a format virtually unknown at the time.

Public Enemy, in keeping with their ‘pioneer’ status, also helped to form and define the so-called ‘crossover’ genre of music (heavy rock music spliced with hip hop) by collaborating with New York thrash metal outfit Anthrax in 1991. The single ‘Bring The Noise’ was a remarkable potpourri of semi-militant pro-black lyrics, grinding guitars and sporadic humour. The two bands, cemented by a mutual respect, and the personal friendship between Chuck D and his Anthrax counterpart Scott Ian, introduced a hitherto alien genre to rock fans.

During the seemingly unlikely tour of Anthrax and Public Enemy, Flavor Flav made his famous pronouncement onstage that “They said this tour would never happen” (heard on Anthrax’s Live: The Island Years CD). This has become something of legendary significance in both rock and rap circles. There is some justification for the theory that without this unlikely musical partnership, bands such as Rage Against The Machine and Linkin Park would not have existed, and the genres of rap rock, nu metal and their related offshoots might have never developed.

Members of Public Enemy

Chuck D
Real name: Carlton Douglas Ridenhour
Role: Group leader, lyricist, main vocalist, and artwork
Birthdate: August 1, 1960

Flavor Flav
Real name: William Jonathan Drayton, Jr.
Role: Lyricist, vocalist, hype-man, and comic relief.
Birthdate: March 16, 1959

Professor Griff
Real name: Richard Griffin
Role: Head of S1W, liaison between PE and S1W, road manager. Ensured that the chaotic Flavor Flav was available when needed. Occasional vocalist and/or producer, plays drums at live shows.
Birthdate: August 1, 1960 (the same as Chuck D)

Terminator X
Real name: Norman Rogers
Role: DJ, Producer
Birthdate: August 25, 1966

Dj Lord
Real name: Lord Aswod
Role: DJ, Producer

The following are a part of The Bomb Squad, the revolutionary production group which is closely associated with (and sometimes considered a part of) Public Enemy:

Hank Shocklee
Real name: Hank Boxley
Bill Stephany
Keith Shocklee
Eric “Vietnam” Sadler
Chuck D - often listed as a member of the Bomb Squad under the pseudonymn “Carl Ryder”, a shortened form of his real name.

The S1W’s are sometimes considered a part of Public Enemy, as well.

There are three other groups named Public Enemy:

2) The first Public Enemy, an Oi!/punk band formed in 1984 who released one LP album (England's Glory) and one 7 inch (Skinheads). This band was never white supremacist and has no connection to the "revived" Public Enemy:

3) White Power group from the UK, formed by Paul Burnley (of No Remorse). Released 3 CDs: “Paul Burnley Is The Real Public Enemy”, "There is only one..." and “Archives”.

4) Public Enemy was a Hardcore/Punk group from Tuscon, Arizona. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Public Enemy & Paris