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Chaos (Ft. Bahamadia) - Talib Kweli



     
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Chaos (Ft. Bahamadia) Lyrics


[Talib Kweli]
We your rhyme sayers we lead you like a beacon
of light out of the chaos cuttin down overzealous
players who stare we're the winners of the game
Walk in we'l prepared climbin the stairways
to heaven while you scared of the people livin under
ground heard the sound of the clap made you wonder
If it was a gun the crowd or some thunder
All of that was out my window when I was younger
Now I'm much older, lyrical clap MC's
If you don't know by now, let me aquaint you with my steez
(C'mon) I don't get on stage and waste your time
Niggaz got a lot to say but they just can't rhyme
They just babies, I snatch em out they incubators
Attach them to respirators, they breathin hard like Darth Vader
Hard as candy and suck like Now or Laters
After a while your style's tasteless and it GOT NO FLAVOR[Bahamadia]
Projects my eyesights to the heavens like dead or wise sages

Release what I hold save it through my book of rhyme pages
Scripts be ageless, like scrolls from dead sea
The cadence off and on like the motion of Tai Chi
Ba-ha-ma-D, wor-dy, to Reflect, Eternally
Science to a remedy to help and get my people free, but
little support, got my thesis on freeze
My only option's doin bootlegs for the Japanese
Get about eight G's, a heavy buzz overseas
Sacrifice a pill to mainstream and do what I believe, cause
down to the chromosomes I'm a purist to this artform
Enlighten who I touch and let the world catch on[Talib Kweli + Bahamadia]
Yeah, we your rhyme sayers, who lead you like a beacon
of light, out of the chaos, cuttin down overzealous
players who stare, we're the winners of the game
Walk in well prepared, climbin the stairways
to heaven while you scared of the people livin under-
-ground heard the sound of the clap, made you wonder
If it was a gun, the crowd, or some thunder
All of that was out my window when I was younger[Bahamadia]
Oppose for the nine, how no content sections of the earth
Walkin vexed, out of my sticks, laced on every verse
My cells begin to peak at least a hundred thousand hertz
Meanin my joint's prevalent in Fat Beats and Footworks
I cater to these markets first, cause they gravitate to me
And appreciate the vision of what I do musically[Talib Kweli]
Mmm, mmmm, mmmm, mmm!!
I walked in and they stared, see how they screwin me
Break you down, til you ain't the man you used to be
Domination of my jurisdiction, people's addiction to lies
It blurs the lines between the fact and fiction
Now we back omission, I fix your face for you, keep yappin
You start to hate the man in the mirror like Michael Jackson[Bahamadia]
Majors they try to hold me captive but mine are figure factions
But the foundation of hip-hop hold my braincells for ransom
I chance none, fuck them spots on charts and number one
If it's meant, then I'll accept it gracious when the time comes
This grassrooted curriculum, got me sprung like twisted ankles
Experience is missable, so I approach it from all angles and
inject some substance deep inside of rap's core
Take an MC and back to where it was before[Talib Kweli]
Call us Liberty like the Bell of Philadelphia scenery
Me and Bahama-D, style free like Mumia need to be
Seein me, feelin me, we right here on the level
Turnin hardrocks to pebbles, exposin the devil
Lyrical olympian like John Carlos winnin gold medal
Take that bass out yyour voice you talk to me in treble
I'm _Serious_ as Steady B so you know I ain't playin
I'm stimulatin, makin crowds MOVE like organizations in Philly
Keep it positive, my prerogative is exercise
See through the chaos with my third eye
Word I exhibit the exquitiness, since a child I was vivid
Throw your hands in the air if you with it, dig it[Talib Kweli + Bahamadia]
Yeah, we your rhyme sayers, who lead you like a beacon
of light, out of the chaos, cuttin down overzealous
players who stare, we're the winners of the game
Walk in well prepared, climbin the stairways
to heaven while you scared of the people livin under-
-ground heard the sound of the clap, made you wonder
If it was a gun, the crowd, or some thunder
All of that was out my window when I was younger[Talib Kweli]
Seven-eighteen, to five-one-three
We meet at two-one-five
Reflection Eternal, Bahamadia, yes yes[Xzibit]
Yo listen the fuck up y'all
It's Mr. X to the Z Xzibit
Broadcastin with the home grown
That's right, they straight out of my backyard
The Beat Junkies, on Rawkus Records understand me?
It's Soundbombing 2!
Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

Enjoy the lyrics !!!
Talib Kweli Greene (born October 3, 1975 in Brooklyn, New York) is an American MC known as one of the most prominent rappers in underground hip-hop, and is critically acclaimed frequently, despite not being commercially successful. Kweli first gained recognition through Black Star, a collaboration with fellow MC Mos Def. He released his solo debut album Quality in 2002 and has since released 2004's The Beautiful Struggle, 2005's mixtape album Right About Now, 2007's Eardrum and 2011's Gutter Rainbows. He has also released two albums with Hi-Tek under the name Reflection Eternal and a collaboration album with Madlib in 2007 plus two albums with Res under the name Idle Warship.

His name is Arabic, meaning 'the seeker' or 'student of truth and knowledge'. His parents were both college professors: his mother an English professor, his father a sociology professor. As a youth, he was drawn to Afrocentric rappers, such as De La Soul and other members of the Native Tongues Posse and in 1995 began recording with producer Hi-Tek and rapper Mos Def who he met at central park, and later attended New York University with. With Mos Def (together the pair were known as Black Star), Kweli achieved some mainstream success with Mos Def & Talib Kweli Are Black Star (1998). Also noted are Kweli and Mos' central input on Rawkus Records' compilation album Soundbombing (1997). Soundbombing also include collaborations between Kweli and DJ Hi Tek as Reflection Eternal. Together they released Train of Thought in 2000, which sold better than most alternative hip hop albums at the time. He has since released a critically acclaimed solo debut, Quality in 2002. In 2004, he released his second solo album, The Beautiful Struggle. His third solo album Ear Drum was released on August 21st, 2007.

Kweli has created his own record label, Blacksmith Records and has recently signed acclaimed female rapper Jean Grae, with rumors continuing to grow that underground veteran MF DOOM is the next artist to be picked up. He left Geffen Records and has signed with the Warner Music Group.

He has since broken through slightly more towards the mainstream, thanks in large part to several appearance on the comedy show Chappelle's Show, both solo and with long-time collaborator Mos Def, this is due to a friendship between the host and creator of the show, comedian Dave Chappelle and the rapper. He also had a guest spot on friend and frequent collaborator Kanye West's widely successful debut album The College Dropout on the track "Get 'Em High". West has also produced some of Kweli's songs, including his biggest commercial hit "Get By". Kweli can also be seen in a commercial for the NCAA's Big Ten Conference, rapping about the league's basketball teams. Talib Kweli provided the voice for the main character, Trane, in the video game Marc Ecko's Getting Up, released in 2006.

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