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Chelsea Monday - Marillion



     
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Chelsea Monday Lyrics


Catalogue princess, apprentice seductress
Hiding in her cellophane world in glitter town
Awaiting the prince in his white Capri
Dynamic young Tarzan courts the bedsit queen
She's playing the actress in this bedroom scene
She's learning her lines from glossy magazines
Stringing all her pearls from her childhood dreams
Auditioning for the leading role on the silver screen
Patience my tinsel angel, patience my perfumed child
One day they really love you, you'll charm them with that smile
But for now it's just another Chelsea Monday
Chelsea Monday
In the city of dreamers
Drifting with her incense in the labyrinth of London
Playing games with faces in the neon wonderland
Perform to scattered shadows on the shattered cobbled aisles
Would she dare recite soliloquies at the risk of stark applause
To Chelsea Monday

She'll pray for endless Sundays as she enters saffron sunsets
Conjure phantom lovers from the tattered shreds of dawn
Fulfilled and yet forgotten the St.Tropez mirage
Fragrant aphrodisiac, the withered tuberose
Of Chelsea Monday
Sweet Chelsea Monday
Patience my tinsel angel, patience my perfumed child
One day they really love you, you'll charm them with that smile
But for now it's just another Chelsea Monday
Sweet Chelsea Monday
Hello John, did you see the standard about four hours ago?
Fished a young chick out of the old father
Blond hair, blue eyes
She said she wanted to be an actress or something
Nobody knows where she came from, where she was going
Funny thing was she had a smile on her face
She was smiling
What a waste
Catalogue princess, apprentice seductress
Buried in her cellophane world in glitter town
Of Chelsea Monday
Chelsea Monday
She was only dreaming
She was only dreaming
Chelsea Monday
She was only dreaming
She was only dreaming
Chelsea Monday
She was only dreaming
She was only dreaming
She was only dreaming
She was only dreaming

Enjoy the lyrics !!!
Marillion are a rock band formed in Aylesbury, England . Their 30-year career is marked by two distinctive phases; the early years fronted by Fish which saw their greatest commercial success, and much longer period fronted by Steve Hogarth in which the band have constantly re-invented themselves so as to continue to be relevant into the 21st century.

The Fish era is often categorized as neo-progressive. They originally started as "Silmarillion" (from Tolkien's book) with heavy influences from classic Genesis but went on to develop their own distinctive sound. The band was formed in 1979 by Mick Pointer (drums), Steve Rothery (guitar), Doug 'Rastus' Irvine (bass), and others, soon adding vocalist Fish (real name Derek W. Dick), Diz Minitt (bass), and Brian Jelliman. By the time of their first album, 1983's Script For A Jester's Tear, the bass position had been taken over by Pete Trewavas and keyboards by Mark Kelly.

The studio albums Fugazi (1984), Misplaced Childhood (1985), and Clutching At Straws (1987), as well as the 1984 live album Real to Reel all sold respectably, and the band scored a hit single in Britain with Kayleigh in 1985.

When Fish left the band in 1988 after four albums he was replaced by Steve Hogarth. A former member of The Europeans and some-time collaborator with The The and Julian Cope, Hogarth brought a new energy to the band.

Across a further ten albums, Hogarth – along with existing members Rothery, Kelly, Trewavas, and Mosley – have reinvigorated and constantly redefined Marillion’s sound. They forged into new musical territories with a succession of inventive, emotional albums, displaying little regard to the vagaries of hit charts or radio playlists.

After the release of 1999’s marillion.com the band freed themselves from record company pressure once and for all by launching their own record label, the Intact imprint.

Thanks to their pioneering embrace of the Internet through their website http://marillion.com, Marillion have developed a unique and intimate relationship with their fans. From sponsoring entire tours of the USA to funding the recording of recent albums, Marillion’s global fan-base is unique in its affection and dedication. As a result, such passionate, wholesale support has allowed Marillion to step outside of the conventional music industry and find their own path.

In 2001 Anoraknophobia saw Marillion take the groundbreaking step of asking fans to pre-order an album 12 months before release. An amazing 12,000 people signed up, helping to finance the recording. The band once again took pre-orders for the 2004 release Marbles, but this time the money was channelled into a campaign fund to promote its launch. The success of singles Don't Hurt Yourself and You're Gone – the latter making it all the way to number 7 – vindicated the band's independent strategy.

Their 2007 album Somewhere Else reached number 24 in the UK album chart with their most recent single Thankyou Whoever You Are hitting the UK singles chart at number 15. The band shows no signs of fading away after more than 25 years of activity.

Their 15th album, "Happiness is the road", was physically released in October 2008 but was originally available exclusively from the band's website. It was released with little promotion and a deluxe pre-order package was made available as with Marbles. 'Happiness is the Road' is the second studio double album of a long career (2004's Marbles was the other). A UK and European tour followed the album's release, and the band is taking special effort to record every show in the "Happiness on the Road" tour, making the recordings available from the band's website.


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