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Cinderella Search - Marillion



     
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Cinderella Search Lyrics


On the rebound, fumbling all the lines
The light at the ends of the bottle alcoholic alphabet
Through the looking glass the proof in my own reflection
Five senses down and reeling on the Cinderella search
Cinderella searchOn the rebound, fumbling all the lines
Decay on the vertical hold with a horizontal aim
Conversation needs translation
Three dimensions down dissolving on the Cinderella search
Cinderella search, Cinderella search
SearchOn the rebound, fumbling all the lines
Dreaming bartenders, bourbon and saxophone
Out of luck, out of charm
Out the game of rejections in a cigarette city
Only courting the homing of direction on the Cinderella search
Cinderella searchBut the Samaritan of the heartbroken, heartbroken
Swam through the nicotine seize and we exchanged the kiss of life
Resurrection in a trance, the model, the grail
In a marquee of promises I touched the dream

I hold the dream, I have the dream
To end the Cinderella search
Cinderella search, oh no more, no more
No more, no moreExposing bedside manners on a work extension
Awaiting development with paranoid Polaroid eyes
Polaroid eyesThe footman memorized the number
But the prince still holds both the slippers
And would you leave a palace for a bedsit
And Canterbury tales, Canterbury tales?Maybe it was infatuation or the thrill of the chase
Maybe you were always beyond my reach
And my heart was playing safe
But was that love in your eye I saw or the reflection of mine?
I'll never really know for sure you really gave me time
Give me time, won't you give me that timeWelcome back to the circus
Welcome back to the circus
Welcome back to the circusI always use the cue sheets but never the nets
Always the cue sheets but never the nets
Never the nets, never the nets, nevertheless
Nevertheless, nevertheless, nevertheless, neverthelessWelcome back to the circus

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Marillion are a rock band formed in Aylesbury, England . Their 30-year career is marked by two distinctive phases; the early years fronted by Fish which saw their greatest commercial success, and much longer period fronted by Steve Hogarth in which the band have constantly re-invented themselves so as to continue to be relevant into the 21st century.

The Fish era is often categorized as neo-progressive. They originally started as "Silmarillion" (from Tolkien's book) with heavy influences from classic Genesis but went on to develop their own distinctive sound. The band was formed in 1979 by Mick Pointer (drums), Steve Rothery (guitar), Doug 'Rastus' Irvine (bass), and others, soon adding vocalist Fish (real name Derek W. Dick), Diz Minitt (bass), and Brian Jelliman. By the time of their first album, 1983's Script For A Jester's Tear, the bass position had been taken over by Pete Trewavas and keyboards by Mark Kelly.

The studio albums Fugazi (1984), Misplaced Childhood (1985), and Clutching At Straws (1987), as well as the 1984 live album Real to Reel all sold respectably, and the band scored a hit single in Britain with Kayleigh in 1985.

When Fish left the band in 1988 after four albums he was replaced by Steve Hogarth. A former member of The Europeans and some-time collaborator with The The and Julian Cope, Hogarth brought a new energy to the band.

Across a further ten albums, Hogarth – along with existing members Rothery, Kelly, Trewavas, and Mosley – have reinvigorated and constantly redefined Marillion’s sound. They forged into new musical territories with a succession of inventive, emotional albums, displaying little regard to the vagaries of hit charts or radio playlists.

After the release of 1999’s marillion.com the band freed themselves from record company pressure once and for all by launching their own record label, the Intact imprint.

Thanks to their pioneering embrace of the Internet through their website http://marillion.com, Marillion have developed a unique and intimate relationship with their fans. From sponsoring entire tours of the USA to funding the recording of recent albums, Marillion’s global fan-base is unique in its affection and dedication. As a result, such passionate, wholesale support has allowed Marillion to step outside of the conventional music industry and find their own path.

In 2001 Anoraknophobia saw Marillion take the groundbreaking step of asking fans to pre-order an album 12 months before release. An amazing 12,000 people signed up, helping to finance the recording. The band once again took pre-orders for the 2004 release Marbles, but this time the money was channelled into a campaign fund to promote its launch. The success of singles Don't Hurt Yourself and You're Gone – the latter making it all the way to number 7 – vindicated the band's independent strategy.

Their 2007 album Somewhere Else reached number 24 in the UK album chart with their most recent single Thankyou Whoever You Are hitting the UK singles chart at number 15. The band shows no signs of fading away after more than 25 years of activity.

Their 15th album, "Happiness is the road", was physically released in October 2008 but was originally available exclusively from the band's website. It was released with little promotion and a deluxe pre-order package was made available as with Marbles. 'Happiness is the Road' is the second studio double album of a long career (2004's Marbles was the other). A UK and European tour followed the album's release, and the band is taking special effort to record every show in the "Happiness on the Road" tour, making the recordings available from the band's website.


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Marillion