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Come On Lyrics


B2K Omarion, Lil Fizz, Raz B, J Boog
Come on, come on
Leave em alone
Omarion, first verse
Peek-a-boo, little fine lady I see you
Little man knows what he wanna do
After school, you know that it's okay
Truth or dare, I won't play
Baby if you're scared
Sweetheart let him go so that I will know
Come on, I know what you want
No need to front
Come on, leave him for me
What a pretty little thing like you
Gonna do with a fool like him
When you could be with me?
Come on, wait a minute
Come on, I know what you want

No need to front
Come on, leave him for me
What a pretty little thing like you
Gonna do with a fool like him
When you could be with me?
Come on, wait a minute
Hide and seek if I come catch you
Would you be with me baby
Can you feel my flow
If not, you can go baby, that's fa sho
I'll satisfy
If you give me the time and recognize
Sweetheart let him go, so that I will know
Come on, I know what you want
No need to front
Come on, leave him for me
What a pretty little thing like you
Gonna do with a fool like him
When you could be with me?
Come on, wait a minute
Come on, I know what you want
No need to front
Come on, leave him for me
What a pretty little thing like you
Gonna do with a fool like him
When you could be with me?
Come on, wait a minute
Come on, I know what you want
No need to front
Come on, leave him for me
What a pretty little thing like you
Gonna do with a fool like him
When you could be with me?
Come on, wait a minute
Omarion, J Boog, Raz B, Lil Fizz
You feel me
B2K on the track, baby
Blowin' up
Here we come
Year 2000
Dance, dance, dance, dance
Dance, dance, dance, dance
Get him out your life
Baby don't be a fool
Five minutes with me
No other guy will take my place
Don't be dumb
He's playin' in your face
Get with me, baby
Don't leave me
No need to front I know what you want baby
What a pretty little thing like you
Gonna do with a fool like him
When you could be with me?
Come on, wait a minute
Ooh I'm alone
Leave him for me
What a pretty little thing like you
Gonna do with a fool like him
Leave him for me
Girl I want you, girl
Come on, wait a minute
What a pretty little thing like you
Gonna do with a fool like him
When you could be with me?
Come on, wait a minute

Enjoy the lyrics !!!
Big Head Todd & the Monsters is a rock band formed in 1986 in Colorado. The band has released eight studio albums since 1989 with their 1993 album Sister Sweetly going well beyond platinum in the US. The band has developed a sizeable live following especially in the Mountain States of the US.
Big Head Todd and The Monsters – singer-guitarist Todd Park Mohr, bassist-singer Rob Squires, drummer-singer Brian Nevin and keyboardist-guitarist-singer Jeremy Lawton -- could have begun resting on their laurels back in 1993, when their Top 10 singles “Bittersweet,” “Broken Hearted Savior,” “Circle” and “It’s Alright” pushed the album Sister Sweetly to platinum certification. However, Mohr says, “I’ve fought throughout our career not to be a one-trick pony, to be the kind of band that has depth and diversity in its catalogue. I’m a fan of this band, and I’m constantly looking forward to what comes next.”
The essence of Big Head Todd and The Monsters – a rootsy, emotionally direct variety of rock ’n’ roll that lends itself particularly well to a live setting – has been winning fans since Mohr, Rob Squires and Brian Nevin started playing together in high school (Jeremy Lawton joined in 2004). Needless to say, the three never expected to be in the same band at this late date, but, as Mohr points out, “It was a really fortunate combination of musical personalities, and we’re still partners in every sense of the word.”
The band spent seven years developing their chemistry and amassing a following, boosted significantly by the independent releases Another Mayberry (1989) and Midnight Radio (1990), before being “discovered” by the listening public at large with 1993’s Sister Sweetly. After a major-label stint (Sister Sweetly, 1994’s Stratagem, 1997’s Beautiful World), during which the trio increasingly found itself frustrated artistically, they reclaimed their independent status (2001’s Riviera, 2004’s Crimes of Passion). “If it were not for our ability to do things for ourselves, we would have disappeared a long time ago,” Mohr allows.


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Big Head Todd And The Monsters