Count On Me - Trout Fishing In America



     
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Count On Me Lyrics


(K. Grimwood/E. Idlet)
Well, you can count on your fingers,
And you can count on your toes,
Count the freckles on your freckledy face,
Or the hairs in Daddy's nose.
But you can count on me, 'cause I'll ways be your friend.
Count on me, I'll say it time and time again.
Yeah, when things get a little weird,
Hey and everything goes crazy,
You know I won't disappear,
'Cause weird doesn't even faze me,
But you can count on me through all these mixed-up days.
Count on me, you know I'm never far away.
There are oysters in the ocean
Making pearls from little grains of sand,
And there's coal beneath the mountain that turns to diamonds.
Well, I can turn your darkest night
Into the brightest day you've ever had.

So count to ten if you're angry, but count on me if you're sad.
Sometimes I act a little spoiled
And sometimes I lose my patience,
Hey, and I can get so worked up and worried
That my good sense escapes me,
But you can count on me,
'cause I can put these things behind me.
Count on me, you'll always know where to find me.
Count on me, 'cause I'll always be your friend.

Enjoy the lyrics !!!
Trout Fishing in America is the long-standing musical partnership of Keith Grimwood and Ezra Idlet. The name taken from a Richard Brautigan novel, seems almost as incongruent and intriguing as a picture of this musical duo - Ezra Idlet (guitar) stands six feet nine inches and Keith Grimwood (bass), five feet five and one half inches. What is more intriguing is the musical career these two have carved out in three decades of writing, recording and performing together. Trout Fishing in America can look back at a body of work that is impressive and know they are just hitting their stride. On the heels of their fourth Grammy nomination Big Round World, and the release of their second children's book/cd Chicken Joe Forgets Something Important, it is no wonder that Trout Fishing in America sees the future as the brightest part of their successful career.

A brief history of Trout Music: Grimwood's professional musical experience began when, as the precocious teenage bass player, he began sitting in with jazz musicians who had socks older than him. Always the good student, he earned a degree in music from the University of Houston and then quickly landed a position with the Houston Symphony. By that time Idlet had given up his spot on the bench of a local junior college basketball team to pursue a life of rock & roll. It was shortly thereafter that Idlet and Grimwood met as members of the Houston based eclectic folk/rock band St. Elmo's Fire which became the perfect percolator for Trout Fishing in America. As St. Elmo's dissolved in 1979, Trout Fishing in America was officially born. Idlet and Grimwood had become best of friends and musical partners.

Success happens when opportunity meets preparation. After years of accumulating original songs and polishing their performance TFIA was ready when the CD revolution took place. TFIA was in the first wave of artist owned labels (Trout Records) to successfully record and market their own music. Their infectious mix of folk/pop and family music is tempered by the diverse influences of reggae, latin, blues, jazz and classical music. TFIA recordings have garnered three National Indie Awards and multiple Parents Choice Gold and American Library Awards as well as 4 Grammy nominations. TFIA has also expanded their touring territory to over forty states and several Canadian provinces.

Sharing knowledge and encouraging art has become another musical mission of TFIA. In the past few years they have developed a variety of song writing workshops for teachers and students which illustrate how art and music come from the fabric of everyday life. Their willingness to make fun of our most annoying and sometimes disgusting habits in one song then touch our hearts with tender and passionate images of family life in the next is what makes the connection between Trout Fishing in America and their audience so real.

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Trout Fishing in America