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Crane Style (feat. Busta Rhymes) - Raekwon



     
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Crane Style (feat. Busta Rhymes) Lyrics


[Intro: Raekwon]
Come on, man, you a wild dude, Chef
Talk to them niggas, man, stop playing, man
For real, man[Raekwon:]
Redskin leather, Indian sex
Pair of fresh Mocs on, lighting Lear on my flesh
Let my arm roll, fresh off the honor roll, platinum bottles of Cru'
All my niggas do what I got 'em for
Extra flashy grind, hit 'em with a crisp rhyme
Lines is nothing, blunt out, fuck him
All we know is jewelry and I mashed that, everybody excited
To see whatever bling on, smash that
Clever, more like a fox and ox together
Two stainless glocks, rocks and a feather
Yeah, I'm from the lead era, shoot at
Anything that move, and move out America
And all we ever want is needed, seen it
Like a young Filipino in Kuwait getting treated

Heavy horror armor, spike a bitch like her
Half a pound of good weed, then float through Gowanus
Brilliant master, sixteenth chapel in the Apple
Flooded up, Warridge wackos
Park Hillians getting hillions, that means millions
All on feet like Nigerian[Busta Rhymes:]
Shallah, I got 'em
Heat-seeking missile spit, don't even try to hide, nigga
Sizzle through your skin bars, call me cyanide, bitch
Try me if you want, homey, violation's a no-no
I am the health hazard, skull & bone, poisonous logo
Unleash the dragon, massacre the scene
I'm spitting, burn a hole through the speaker,
And start melting the street up
Somebody please call the fire department
And I'm a strong believer,
Ya'll know that I ain't the one to start with
Cause once the fuse is lit and we strike a match and the spark smell
My fangs bleed and we nam them up like ox tail
Ya'll see what's happening, ya'll know what the truth is
Somebody please ask Shallah Rae why he making me do this
Cause once I finish dudes, it's unfortunate for them yappers
Throw them in the trash, they ain't no recycling bin for rappers
I microphone control, it's the current dominant factor
The records been bodied, I personally request the pastor, gone

Enjoy the lyrics !!!
Corey Woods (born January 12, 1970) is an American rapper most well known as Raekwon (the Chef), one of the nine Wu-Tang Clan members. Raekwon joined Wu-Tang Clan, a hip hop group based in Staten Island, New York in 1992. When the time came for him to release his first solo album, Only Built 4 Cuban Linx... (1995), hip-hop, once again, underwent a momentous transformation. The album moves from track to track like a film moves from scene to scene. With its invigorating instrumentals and dramatic lyrical tales, Raekwon painted vivid pictures and presented powerful imagery through his enchanting verbal expression.

Rae's groundbreaking debut album helped to bring the flavour of flossing to wax as well as the use of the moniker among Wu brethren and other prominent emcees. The single "Verbal Intercourse" featured the first appearance of Nas Escobar, Nas' alter ego. Similarly, Raekwon and Ghostface Killah, who served as Rae's partner in rhyme throughout the entire Cuban Linx album, also developed a slew of other identities. Identities like Lex Diamond, one of the flashy, witty and intellectually stimulating personas of the multifaceted Raekwon.

In the years after the release of Cuban Linx, Raekwon continued to record several albums with the Clan including the platinum Wu-Tang Forver (1997) and The W (2000), as well as the gold Iron Flag (2001). He also starred in the critically acclaimed film Black and White, before releasing his second solo album, Immobilarity in 1999. Four years later, it's time for another masterpiece from Raekwon.

The Lex Diamond Story, Raekwon's forthcoming third solo album is that desperately needed effort. This new LP is as much a reflection of his first musical triumph Cuban Linx, as it is a manifestation of the future and what is to come from this great emcee. Raekwon is like the E.F. Hutton of hip-hop: when he speaks, everyone listens. The current void in hip-hop is filled with this rap veteran's
crafty verbal gymnastics and artistic form of storytelling. The Lex Diamond Story takes the top shelf elements of the Wu's first album and the finest sentiments of Raekwon's debut and joins them together to deliver another classic album to the masses.

A lyrical gourmet meal, The Lex Diamond Story shows that The Chef still possesses the recipe to cook up a jambalaya of words with the main ingredient being superior skills. Animated and intense, Raekwon's stealth delivery is filled with emotion, skilled cadence and an array of diverse stories, hooks, and topics. The track, "All Over Again (The Way We Were)" touches on the flavour of "Can It Be All So Simple" with its tale of street survival. Meanwhile, "Pit Bull Fights" is reminiscent of the ferocious lyrical beating inflicted on "Incarcerated Scarfaces." Raekwon is indisputably at his creative beast. Unchained and uninhibited, he is assertive with his music and focused on his goals.

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