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I made it
And now there's no turning back
I know there's no depth you wouldn't sink for the chance
I'm sorry, boy
I'm not cut for this no more
You came in
Yeah, you happened to me
So I waited and nothing else has since
I'm sorry, boy
But I'm no good for you no more
If it's your name in lights
And if the time is yours,
You'd be on your back
You'd be on the floor
It's the kind of night that I'd always hoped
And he's the kind of guy worth waiting for
There's always some baggage you've got to check

I'm trying
Hope that you'd understand
I'm sorry, boy
I'm not cut for this no more
Yes I loved you, boy
But I'm not cut for this no more

Enjoy the lyrics !!!
Milwaukee quartet the Scarring Party perform tuba, accordion and banjo driven end time music that draws on the influence of 20's and 30's music hall, Lomax folkways recordings and 70's punk. The quartet has attracted a growing following and shared a stage with a diverse range of acts, including Daniel Johnston, Why?, Tilly & the Wall, the Polyphonic Spree, the Ditty Bops, Cake and Southern Culture on the Skids.

Though the Scarring Party performances combine low-key showmanship with vaudevillian spectacle, the more confounding part of their aesthetic is the role of toy piano, typewriters, 40lb cast iron bells, the theremin-howl of mandolins, a host of Christopher Roberts' unorthodox percussion instruments and Daniel Bullock's warbling tenor delivered through the crackling victrola veneer of a hand-built copper microphone. While their sound and aesthetic may recall an age gone by, the Scarring Party's unique voice rests comfortably outside of the confines of any era.
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The Scarring Party