Del's Nightmare - Del the Funky Homosapien



     
Page format: Left Center Right
Direct link:
BB code:
Embed:

Del's Nightmare Lyrics


Advisory - the following lyrics contain explicit language:
Let me tell you a little story about the slave master
Use a whip on your ass so you behave faster
You got chains on your neck and the man's respect
You'll work all damn day but you will never see a check in the fieldCotton you yield, your skin peels off your back
From the crack of the whip, it won't heal
Ya wish, you had a shield 'cause he wields iron
So when you act up, he smokes ya and keeps firing and it's tiringForget about recreation
One wrong move and it's death you're facing
White mothafuckaz got the ball and chain
On your leg and in the form of religion on your brainThey say, you the devil, you say, who the devil?

Some of us was house niggers, some of us was rebels
Some tried to get along the best they could
And didn't nobody use the phrase, it's all good, would you?They got you living like a shrew
They throw you pig lips and chicken gizzards then you make a stew
They give us a white Jesus to appease us
We talk among ourselves and hope nobody sees usThey had our brothers beating us, called us creations
Plus monkeys, they just junkies mistreating us
The master said, "If you don't whip 'em, you're dead"
It was fucking with his head but he beat us instead and we bledRed blood flowing like a flood
Then he'd rape your mother stick her face in the mud
They were ruthless! If you tried to front, you'd be toothless
Some tried to run even though it seemed uselessVirginity was torn, soon babies was born
That was half white and now his skin is kind of light
You think you're special, because they let you oversee the carnage?
But I bet you will get hung, even if you stick out your tongue
'Cause they pull out the shank and stick it right through your lungNow it's 96 and white people say, forget it, it's all in the past
And some even regret it 'cause they think we'll set it
Now my missions to get federal
So I can raise a black family with a true devil
And you know how that goesThe slave master watching over you
Always trying to tell you what the fuck to do
The slave master watching over you
But ain't nothing gonna stop me and my crewThe slave master watching over you
Always trying to tell you what the fuck to do
The slave master watching over you
But ain't nothing gonna stop me and my crewThis is for you kids trying to get signed
Just a little something you should keep in mind
The labels are slave masters, artists are slaves
Don't get too raunchy, they want you to behaveYou get signed, you're thinking this is great
But wait you never knew what was at stake
Creative control they withhold, you sell your soul
When you sign on the dotted line hoping to go goldBut you'll never see that, not without promotion
The label'll just throw your shit out and got it floatin'
You think your shit is potent but ain't nobody buying it
If they ain't never heard of it, ain't nobody trying it
If they ain't never heard of it, your record' they murder it
You can complain but they are not concerned a bit'Cause when they signed you, they thought you'd make a hit
'Cause of who you were affiliated with and all that bullshit
Frustrations, all these rules and regulations
Just so you can have your shit heard by the nation and be patient'Cause by the time they find a lead release, your shit is ancient
You think they're working your album? You're mistaken
And if you flop, you get dropped, 'cause you ain't the star
You didn't go pop, just straight up hip hop, time to get a mop
'Cause without no promotion, of course sales dropPeep the break down if tapes cost ten
You'll probably only get to see a dollar in the end
That you cannot spend 'cause your budget gets recouped
So you never get cash unless your record is shoopYou better hope you get shows, which will not happen
If you don't have a record that's the main attraction
Even if you sell a million, you'll get burned
'Cause they keep half your cash just in case of returnsFor a while, you wonder why rappers don't smile
'Cause to them, you're not an artist, you're just another file
Another nigger used to make another buck
They don't give a fuck and if your shit don't blow up, toughBut the star gets both promotion and devotion
From the whole fucking staff, at you, they laugh
The star probably don't know that he the house nigger
Thinking he bigger 'cause he's the, pick of the litterThese labels think backwards
They push the acts that need it the least
So they can get all the money they can when it's released
They take you to a restaurant for a feast
And then expect you to pick up the check?That's why I give props to niggaz who is independent
'Cause they make they own money, plus decide how to spend it
Splendid and lets end it and don't get offendedThe slave master watching over you
Always trying to tell you what the fuck to do
The slave master watching over you
But ain't nothing gonna stop me and my crewThe slave master watching over you
Always trying to tell you what the fuck to do
The slave master watching over you
But ain't nothing gonna stop me and my crew
Hieroglyphics

Enjoy the lyrics !!!
Del tha Funkee Homosapien is an alternative hip-hop artist. Del was born Teren Delvon Jones, August 12, 1972, in Oakland, California. Del was part of his cousin Ice Cube’s backing band Da Lench Mob and made his first solo album, I Wish My Brother George Was Here, with support from his cousin in 1991. Critics and fans had mixed opinions about the album, many feeling that Del’s and Cube’s styles weren't an ideal match. Del decided to part ways with his cousin for his next album, No Need for Alarm, which allowed him to find his own style and subject matter, and also start his own crew, Hieroglyphics.

In 1996, Del was ready to release his Future Development album. However, just before its release, Del was released from his recording contract with Elektra Records. Around this same time, Souls of Mischief, Extra Prolific and Casual (all members of Del's Hieroglyphics group) were all released from their recording contracts with Jive Records. Frustrated, Del and the rest of Hieroglyphics decided to start their own record label, called Hieroglyphics Imperium. Because of the problems with Elektra, Future Development was available only on cassette via the Hieroglyphics website for a time, until its eventual widespread release on CD in 2002, six years after its proposed release date.

The mistreatment of Del & Hieroglyphics by their record labels became infamous in hip-hop circles, as a perfect example of "industry rule #4080" (record company people are shady). After Hieroglyphics' successful reemergence with their own independent label, Del & Hieroglyphics became an inspiration for some rap artists to start their own labels while keeping the lion's share of the money for themselves. Arguably the efforts of Del & Hieroglyphics paved the way for other famous independent rap labels known today, such as Roc-a-Fella Records or Rawkus Records.

In 1998, Hieroglyphics came out with their first full length album, Third Eye Vision, in which Del shined. The album was well received by both fans and critics. Two years later, Del came out with Both Sides of the Brain, and in 2001, he released Deltron 3030 with Dan the Automator Nakamura and Kid Koala, which garnered extreme praise for its combination of beats and flow and futuristic style. Deltron 3030 helped expand Del’s audience, though not quite to the commercial mainstream.

Del collaborated with Gorillaz for two songs on their debut album, both of which became singles: "Clint Eastwood" and "Rock the House". In their videos he was portrayed as a clown-like ghost. 2003 saw the release of Full Circle, a second album with the Hiero crew. This latest album has gotten many mixed reviews, with some people liking its originality and display of talents of the entire crew, whereas some have complained that Del was seen only sporadically on the album, acting more like a guest artist.

Del’s lyrics often reflect his imaginative interests, offering humor and themes not usually found in most new hip hop, including video games, bad hygiene, intergalactic rap battles, and more. In 2000, the song "Positive Contact" from Deltron 3030 was featured in the game Mat Hoffman's Pro BMX. In 2001, the song "If You Must" was featured in the game Tony Hawk's Pro Skater 3. In 2003, the song "Positive Contact" was again featured in a video game - this time in Tony Hawk's Underground. In 2005, the song "Burnt" featuring Hieroglyphics was featured in the game Tony Hawk’s American Wasteland. In 2006, his song "Catch a Bad One" was featured in the game Mark Ecko's Getting Up: Contents Under Pressure.

Eight years following his last solo album, Both Sides of the Brain, in March 2008 Del released his newest solo, titled Eleventh Hour, under the Definitive Jux record label.

In 2009, Del released Del's Leak Pack #1 (download) & #2 (download) via his MySpace page. In April of 2009 he released his 6th solo album, Funk Man (The Stimulus Package). The album was released online and can be downloaded for free here. He also released a second new solo album, Automatic Statik, via his BandCamp site in September of 2009. October of 2009 saw the release of Del's collaboration with Tame One, entitled Parallel Uni-verses.
Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

View All

Del The Funky Homosapien