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Demonspeed - White Zombie



     
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Demonspeed Lyrics


Raw deal institution
Wreck that I call myself
City slam penetration
Play it like a fool
Need born invention
Puts the war in your face
Payback time execution
Demon speed crackdown
Compute the kill
Blackmarket war
Damnation sings
Brain waves roar
Escape the pain
In a pit of power
Deep sixer sleep
Like a devil flower

Raw deal institution
Wreck that I call myself
City slam penetration
Play it like a fool
Need born invention
Puts the war in your face
Payback time execution
Demon speed crackdown
Give the world
Blood syphony
How low is your
False sypathy
Justice claws
A death horizon
Freak-zone flesh
Maggot man rising
I am your satisfaction
I am your memory
I am your suffocation
I am your sanity
Demon speed too fast for you
Cry in the night
So lonely
Obsession
The only
Money talks
You listen
Hungry game
Submission
Demon speed too fast for you
Innocent
The big time
Avenging
My mind
Generate
A smooth gain
Live in fear
With no pain
Demon speed too fast for you
Fade away in the silence
Speed racer baby is
Lost in love
I see a blood sucker soul
Come on baby push to shove
Squeeze a drop of mercy
Place yourself outside of life
I see a blood sucker soul
Come on baby push to shove
---
Lyrics submitted by Leandra.

Enjoy the lyrics !!!
White Zombie was a metal band from New York City, New York who were active between 1985 and 1998. In their most popular lineup, they consisted of Rob Zombie (vocals, guitar), Jay Yuenger (guitar), Sean Yseult (bass), and John Tempesta (drums). They were considered part of the industrial metal, groove metal and alternative metal genres, although they originally began as a noise rock band. After they disbanded, Rob Zombie would go on to a wildly successful career as a solo artist, film director and screenwriter.

Named after the 1932 Bela Lugosi film, White Zombie's musical style was sample-heavy, based around groovy riffs and Rob Zombie's snarling vocals. The samples that filled their records were mostly from obscure horror films, but used creatively to create a kind of carnival freak-show vibe.

Rob Zombie, still known at this time as Rob Cummings, supported himself through multiple jobs, including working as a cycle courier. Most famously, he was a production assistant on Pee-Wee's Playhouse, but he also worked as a designer on pornographic magazines. At this time, he became involved with Shauna Reynolds, another up-and-coming designer. Together they shared a love of classic horror and sci-fi, heavy music, and the weirder corners of American underground culture. They decided to form a band that would draw upon all these influences and White Zombie was formed. Rob took vocals and the name Rob Straker (later changed to Rob Zombie), while Reynolds became the bassist and assumed the name of Sean Yseult. They became the only constants in the often-fluctuating band line-up.

White Zombie best showed their signature style on their final two studio albums. La Sexorcisto: Devil Music, Vol. 1 and Astro-Creep: 2000 Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head were impressive displays of their sample/riff style, thanks to higher production values.

In 1998, Rob Zombie founded his own label, Zombie-A-Go-Go, signing surf and horror acts like The Bomboras and The Ghastly Ones, as well as compiling the mix album Halloween Hootenany. He was managing the new band of his brother Michael, now known as Spider One, the punk-tinged Powerman 5000, but also looked to his own solo career.

After huge opening week sales of his first solo album, Hellbilly Deluxe that dwarfed those of any White Zombie release, it was announced that the band had split up. Bassist Sean Yseult left to form female horror-rockers Famous Monsters and, later, Rock City Morgue. Rob Zombie went on to continued success with his solo music project, and new acclaim as a successful film director.

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White Zombie