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Dilla Plugged In (Produced By J Dilla) - De La Soul



     
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Dilla Plugged In (Produced By J Dilla) Lyrics


("Are we on the air?") Uh-uh
("Are we on the air?") Yes, you are
("Hello, Ma! Uhh. I'd like to hear a new beat on the request line")
("Okay, you got it. Coming up.") {"Get down!" - }Aiyyo, answering any alter service
Perogative praised positively I'm acquitted
Enemies publicly shame my utility
But after the battle they're admitting I'm with it
Simply soothe will move, vinyl like groove
Transistors are never more shown with like
When vocal flow brings it all down in ruins
Designed with the sounds of Dilla, we call it Plug Tunin'("Are we on the air?") We in the D tonight, y'all
("Are we on the air?") We live with Dilla tonight
("Are we on the air?") Yo, shout out to Ma Dukes ("Hello, Ma!")
Aiyyo, gaze at the sight of a method
Dive beneath the depth of a neverending verse
Gasping and swallowing every last letter
Vocalised liquid holds the quench of your thirst
Reasons for the rhythm is for causes unknown

Different individuals are dazzled by the showbiz
Auditions are gathered but the Soul would just rather
Hold a count at three. and in the end leave it as it is
Flow to the sway of my do-re, mi
Leaving are fixed lunatics who will hawk
Words are sent to the vents of all humans
Then converted to a phrase called talk
Musical notes will send a new motto
Every last poem is recited at noon {"Get down!" - }
Focus is set, let your Polaroids click
As they capture the essence of Dilla with this Plug Tunin'
("Are we on the air?") We in the D tonight, y'all
("Are we on the air?") We live with Dilla tonight
("Are we on the air?") Yo, show love, it's Ma Dukes ("Hello, Ma!")Flowing in file with a new style
Barrels are cleaned and loaded for salute
Chanters with the choice standing steady like my mouthpiece
Paragraph preacher, now introduced
Drums are heard sounding off on each and every person
Vocal confetti is blown at top stage
Roses and violets aren't proper for throwing
When showing appreciation, why? This is a DA.I.S.Y. Age!
Hands won't sweat cause there's no threat
Mic will stay dry while placin Soul use
Rhymes aren't fables but stable to be on time
Cause they're marketed and labeled speaker 'Posdnuos'
This pitch will fit with every consumer
Microphone use in self will start blooming
Profit and cost should never be lost
All due to the sounds of Dilla, we call it Plug Tunin'("Are we on the air?") We in the D tonight
("Are we on the air?") We live with Dilla tonight, y'all
("Are we on the air?") Yeah, salute Ma Dukes ("Hello, Ma!")
("Are we on the air?") We in the D tonight
("Are we on the air?") We reppin Dilla tonight, y'all
("Are we on the air?") Yeah, and put it up for Ma Dukes ("Hello, Ma!")We get down tonight y'all...{"Paid the-" "Jay!"}
Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

Enjoy the lyrics !!!
De La Soul is a massively influential hip hop group, hailing from Amityville, New York, United States. They are best known for their eclectic sampling and quirky, surreal lyrics, and their contributions to the evolution of the jazz hop subgenre. They are the best known of the early alternative hip-hop acts. The members are Kelvin Mercer (Posdnuos, Mercenary, Plug Wonder Why, Plug One), David Jude Jolicœur (Trugoy the Dove, Dave, Plug Two) and Vincent Mason (Pasemaster Mase, Maseo, Plug Three). The three formed the group in 1987, while still in high school and caught the attention of producer Paul Huston (Prince Paul) with a demo tape of the song "Plug Tunin'".

Their debut album, 3 Feet High and Rising (1989), was a critical smash that saw the group labeled hippies due to the message of peace and love. They quickly became prominent members of the Universal Zulu Nation, along with A Tribe Called Quest, Black Sheep, Queen Latifah, Jungle Brothers and others. They were also members of the famed Native Tongues Posse and mentioned the group often in their music (though they have since left the group for various reasons). "Me Myself and I" became a huge hit, further cementing the group's popularity. However, rock group The Turtles sued the group for sampling "You Showed Me" without permission on De La Soul's "Transmitting Live from Mars". From that point on, sampling required permission from the sources before it was released.

After 3 Feet High and Rising, De La Soul was pegged by audiences as hippies and were expected to continue creating the same type of music. This greatly agitated the group, as they always envisioned their career as a constantly changing style. This would influence their next recording sessions.
De La Soul's second album, De La Soul Is Dead (1991) was a much darker album. It featured skits that criticized the direction that hip hop was heading in at the time, though it still managed to maintain a light sense of humor. While the album is a fan favorite today, it received mixed reviews and did not sell as well as 3 Feet High and Rising.

1993's Buhloone Mindstate and 1996's Stakes Is High saw the group evolve a new sound which - though it still failed to garner commercial success - cemented their position as mainstays in the alternative hip-hop movement.

Four years later, De La Soul announced that they would release a triple album series entitled "Art Official Intelligence" (or AOI). All three albums were intended to be released within a year, beginning with the release of Art Official Intelligence: Mosaic Thump. This was followed by AOI: Bionix in late 2001. After this, however, the public saw no release of the third and final album in the AOI series. For the next two years, the only De La Soul releases were singles or remix compilations. Jolicœur (Dave) stated in an interview that it usually takes about four years for the group to record an album, promote it with advertisements, touring and so on. The group was having trouble finishing the last AOI installment for many reasons, one of which being an ongoing struggle with Tommy Boy Records, who had been releasing their albums ever since their debut.

In 2004, De La Soul ended up releasing a new full album: The Grind Date on Sanctuary Records. Although it was not the new AOI album their fans had been anticipating, it was released to some critical acclaim and was well received by most fans. The album also receives recognition for being the seventh studio album from the group.

In 2005, they were featured on the Gorillaz single, "Feel Good Inc." and on the LA Symphony single "Universal" They also made an apearance on superFast Jellyfish on the album Plastic beach by Gorrilaz in early 2010

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De La Soul