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Dope Boy Life - Yo Gotti



     
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Dope Boy Life Lyrics


[Quality Street Music]CHORUS 1
Man I promise this that dope boy life,
(Aight)
I'm just tryin' to keep my dope boy stripes.
(Aight)
In the club fresh to death err night,
(Err Night)
Poppin' bottles tryin' to fuck a nigga's wife.
(Aight)
Man I promise this that dope boy life,
(Aight)
I'm just tryin' to keep my dope boy stripes.
(Aight)
Fresh to death in the club err night,
(Err Night)
Poppin' bottles tryin' to fuck a nigga wife.
(Aight)
VERSE 1

This that dope boy shit,
(Boy Shit)
Man I'm tryin' to hit a dope boy lick.
(Boy Lick)
I been lookin' for a dope boy bitch,
(Boy Bitch)
So I can hit her wit that dope boy dick.
(Boy Dick)
I been posted in them dope boy houses,
(Boy Houses)
I been tryin' to stack them dope boy thousands.
(Boy Thousands)
Six-figure nigga still in the projects,
(Dope)
Wit them chickens in my baby momma duplex.
(Dope)
She won't keep her stupid ass out the night club,
(Bitch)
I beat her ass she right back the next night cuz.
(Bitch)
People keep on sayin' imma go to Jail,
(Go to Jail)
For real?
(For Real?!)
Oh well..
(Oh Well)
CHORUS 2
Man I promise this that dope boy life,
(Aight)
I'm just tryin' to keep my dope boy stripes.
(Aight)
In the club fresh to death err night,
(Err Night)
Poppin' bottles tryin' to fuck a nigga's wife.
(Aight)
Man I promise this that dope boy life,
(Aight)
I'm just tryin' to keep my dope boy stripes.
(Aight)
Fresh to death in the club err night,
(Err Night)
Poppin' bottles tryin' to fuck a nigga's wife.
(Aight)
[[Dope boy life, fuck wit it]]VERSE 2
Big motor, big rims, loud pipes,
(Yup)
Lil' nigga, fresh to death, big ice.
(Yo Gotti)
Niggas say they smokin kush, they ain't smokin' regular,
(For Real?)
It's a drought so I whip it, I ain't sellin' regular.
(For Real..)
Cause I can take a quarter thing,
Whip it right,
Get a extra half a quarter,
And drop the price.
That's that dope boy shit if you ain't never heard,
How to get a half a chicken off of every bird.
Nigga that's my word,
(Nigga That's My Word)
you got the nerves,
(Got The Nerves)
Work wit them people,
(What)
Go tell on your people.
(What?!)
Nigga you's a bitch,
(Bitch)
Nigga you's a snitch,
(Snitch)
I just might catch you slippin',
I might just bust your shit.
You rap niggas,
(Rap Niggas)
Keep rappin' bout it, (Uhh)
But I was in the North, straight up sellin' dope up out it.
(Yup)
My brother home,
(Yup)
My money long,
(Yea)
My plug on the way and imma be gone.
CHORUS 3 (OUTRO)
Man I promise this that dope boy life,
(Aight)
I'm just tryin' to keep my dope boy stripes.
(Aight)
In the club fresh to death err night,
(Err Night)
Poppin' bottles tryin' to fuck a nigga's wife.
(Aight)
Man I promise this that dope boy life,
(Aight)
I'm just tryin' to keep my dope boy stripes.
(Aight)
Fresh to death in the club err night,
(Err Night)
Poppin' bottles tryin' to fuck a nigga's wife.
(Aight)
[[Bitch told, me, alright,
All she listens to is Yo Gotti and Gangsta Grillz,
She said that's all the dope boys rock to.
She asked me if I could introduce her to Yo Gotti,
And could she get Gangsta Grillz.
(HaHaHa)
I said which one you wanna do first,
We can make that happen.]]

Enjoy the lyrics !!!
Mario Mims (born May 19, 1981 in Memphis, Tennessee), better known by his stage name Yo Gotti, is an American rapper signed to Cash Money Records. Formerly known as Lil Yo in the 90's, he released his first album, From Da Dope Game 2 Da Rap Game, in 2000. Since then he has released 2001's Self-Explanatory, 2003's Life, 2006's Back 2 Da Basics, 2008's Cocaine Muzik, 2009's CM2 (Cocaine Muzik 2 hosted by DJ Drama), and The Pyrex King: Street Runnaz Special Edition.

As one of the six epicenters of Southern hip hop, Memphis has always had a thriving underground capable of producing major platinum superstars such as Eightball & MJG, 3-6 Mafia and Project Pat,Skip a.k.a Gianni Booker. All of the above-mentioned artists at one point in time literally dominated the city’s underground rap scene before going on to become national superstars. Next up to bat is Yo Gotti, M-Town’s current underground rap kingpin. Like his namesake John Gotti, the Memphis based rapper has been running the Southern underground scene with an iron fist for the past. Known and respected throughout the South for his skill and finesse on the microphone, Yo Gotti is one the South’s most respected young rappers.
Born Mario Mims, Yo Gotti grew up in the infamous Ridge Crest Apartments in a North Memphis neighborhood called Frazier. His childhood was typical for a poor ghetto youth in the Deep South. Raised in a family of hustlers and exposed to hard times 24 hours a day the Tennessee rap titan soon turned to the only thing that he knew could get him paid, hustling. “Being from the hood things like hustling will come your way,” says Yo Gotti. “Everybody in my family hustled in some kinda way.” Ironically, hustling is what ultimately led Yo Gotti to rapping.
Taking his cue from Memphis rap legends such as Eightball & MJG, Al Kapone, Gangsta Black, Triple 6 Mafia and Kingpin Skinny Pimp, all of whom he lists as influences, Yo Gotti released his own underground tape entitled, Youngster on the Come Up and placed it on consignment at local mom & pop record stores as well as hustling it out the trunk. The tape sold like hotcakes on the street and made Yo Gotti the hottest rapper on the streets of Memphis. From the Dope Game to the Rap Game, Yo Gotti’s sophomore effort sold so well that Select-O-Hits, a local based independent distributor offered him a small deal and the Memphis rapper more than doubled his fan base with absolutely no marketing or promotions. Soon he found himself ranked among the city’s top rappers. In addition to being featured on the cover of Murderdog Magazine along side his idols Kingpin Skinny Pimp and Al Kapone his record From the Dope Game to the Rap Game made the list for the magazine’s top independent record for the year 2000.
Two years later he inked a distribution deal with TVT Records and released the critically acclaimed album Life, which did respectable numbers for an independent label. “It sold about 40 or 50,000, with no promotions or video,” says Yo Gotti. “That record did what it did on its own.” But as the old saying goes when one door is closed another opened. Gotti’s reputation as the king of Memphis continued to spread and that eventually led him to a production deal with Cash Money/Universal records for his group the Block Burnaz. With his TVT sophomore album entitled Back 2 Da Basics, Yo Gotti returns with the same hardcore street flavor that his die-hard fans have come to know and love, only this time around the true king of Memphis has elevated his game a bit. Given the fact that his last record didn’t do the type of big number he’d hope for you’d think that Yo Gotti would switch up his style to reach a larger audience. Right? Wrong! According to Gotti his street credibility with his underground fans means more to him than gold or platinum status.
“The one thing that you have to understand is that when you create a fan base off of street product the last thing you wanna do is disrespect them by changing because of the record companies and stuff like that. When you do that you change what created you. To me it is very important that I keep in tune with the people that helped to sell 40,000 records independently. That’s why I call my record Back 2 Da Basics.”
Produced by DJ Thoomp, Mannie Fresh, Carlos Brody and newcomers Street Tunes, Back 2 Da Basics offers fans a gritty, insider’s view into the real streets of Memphis as seen through the eyes of Yo Gotti. Nowhere is this viewpoint more intense than on “Full Time,” the amped up lead single –and featured in the MTV Films’ Hustle & Flow movie - with a thunderous bass and intoxicating beat that espouses Gotti’s formula to success –hustle full time.
“A lotta cats wanna be a rapper or a street hustler but they don’t wanna put in the time that it takes,” says Yo Gotti. “They want the money and the cars and the girls, but they don’t wanna work hard for it. But to be successful at anything you gotta grind for it.” On the song “Mama We Gone Be Alright,” he waxes introspective by reflecting on all of the hard times that he and his family have suffered through the years and offers her hope-filled words encouragement. “Mama We Gone Be Alright” along with the gripping tune “My Story” emerges as two of the most interesting songs on Back 2 Da Basics. These three titles along with club banging songs like “Shorty” featuring Baby make Back 2 Da Basics one of the best albums of the year.

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