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Edith & The Kingpin - Joni Mitchell



     
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Edith & The Kingpin Lyrics


The big man arrives
Disco dancers greet him
Plainclothes cops greet him
Small town, big man, fresh lipstick glistening
Sophomore jive
From victims of typewriters
The band sounds like typewriters
The big man he's not listening
His eyes hold Edith
His left hand holds his right
What does that hand desire
That he grips it so tightEdith in the ring
The passed-over girls are conferring
The man with the diamond ring is purring
All claws for now withdrawn
One by one they bring
His renegade stories to her
His crimes and his glories to her

In challenge they look on
Women he has wanted grow old too soon
He tilts their tired faces
Gently to the spoonEdith in his bed
A plane in the rain is humming
The wires in the walls are humming
Some song-some mysterious song
Bars in her head
Beating frantic and snow blind
Romantic and snow blind
She says-his crime belongs
Edith and the Kingpin
Each with charm to sway
Are staring eye to eye
They dare not look away
You know they dare not look away
Songwriters
MITCHELL, JONIPublished by
Lyrics © Sony/ATV Music Publishing LLC, Joni Mitchell/Crazy Crow Music/Siquomb Music Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Joni Mitchell, CC, (born Roberta Joan Anderson; 7 November 1943 - Fort Macleod, Alberta, Canada) is a musician, singer-songwriter, poet and painter. Mitchell began singing in small nightclubs in her native Western Canada and then busking on the streets of Toronto. Her writing and art talent emerged before her exposure as a gifted musician performing in Western Canada, including Winnipeg, where she met Neil Young. She then associated with the burgeoning folk music scene of the mid-1960s in New York City.

Recording her début album in 1968 and achieving fame first as a songwriter ("Urge for Going", "Chelsea Morning", "Both Sides, Now", "Woodstock") and then as a singer in her own right. Finally settling in Southern California, Mitchell played a key part in the folk rock movement then sweeping the musical landscape. Blue, her starkly personal 1971 album, is regarded as one of the strongest and most influential records of the time. Mitchell also had pop hits such as "Big Yellow Taxi", "Free Man in Paris", and "Help Me", the last two from 1974's best-selling Court and Spark.

In 1975 Joni released "The Hissing of Summer Lawns" which can be seen as an artistic turning point, and the beginning of her unique blend of folk, jazz and rock. It was intended as a concept album of sorts, with the "concept" being the contrast being freedom and slavery, and the idea that wealth and status sometimes ironically place a great many constraints on people's behavior.

Mitchell is also an accomplished visual artist. She has, through photography or painting, created the artwork for each of her albums, and has described herself as a "painter derailed by circumstance". A blunt critic of the music industry, Mitchell has stopped recording over the last several years, and now focuses mainly on her visual art, although she released a new album - Shine on 25th September 2007.

Official website: http://www.jonimitchell.com

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Joni Mitchell