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Erasers Fantasy Pt. IV - Giant Claw



     
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Dark Web doesn’t sound “like the internet.” It sounds like therapy for a generation who grew up with the internet, where the density and modularity of music has flourished at such a rate that we never get time alone with just one song or idea anymore. A latticework of strangely cohabitant pop partials, trap clicks, and piano rolls skipping around in bottomless MIDI-space; a clipped and thrifty collage, reflection, and superimposition of pop art through a trippy mash-up mechanism made of recycled SoundCloud footwork singles and YouTube R&B remixes. Dark Web’s fractured sonics work according to our current economy of space — they uncover shared emotional resonances across a variety of genres (trap, pop, classical music, vaporwave, footwork) at a stunning quickness. For a generation that by necessity has to be selective in its listening habits, this is less experimental than savvy. Dark Web is a document of bubbly eclecticism in 2014 passed from web guru Keith Rankin to a listener in need of a digital tour guide. A distinctly instructive art object, a confident curation of the weirdest parts of the now age.
– Adam Devlin (tinymixtapes) Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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Giant Claw