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Eulogy - Tool



     
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Eulogy Lyrics


He had a lot to say
He had a lot of nothing to say
We'll miss him
We'll miss himHe had a lot to say
He had a lot of nothing to say
We'll miss him
We'll miss himWe are going to miss him
We are going to miss himSo long
We wish you well
You told us how you weren't afraid to die
Well then, so long
Don't cry
Or feel too down
Not all martyrs see divinity
But at least you triedStanding above the crowd
He had a voice that was strong and loud
We'll miss him
We'll miss himRanting and pointing his finger

At everything but his heart
We'll miss him
We'll miss himWe are going to miss himNo way to recall
What it was that you had said to me,
Like I care at all
So loud.
You sure could yell.
You took a stand on every little thing
And so loudStanding above the crowd,
He had a voice so strong and loud and I
Swallowed his facade cuz I'm so
Eager to identify with
Someone above the ground,
Someone who seemed to feel the same
Someone prepared to lead the way, with
Someone who would die for me
Will you? will you now?
Would you die for me?
Don't you fuckin' lie
Don't you step out of line
Don't you step out of line
Don't you step out of line
Don't you fuckin' lieYou've claimed all this time that you would die for me.
Why then are you so surprised when hear your own eulogy?
He had a lot to say.
He had a lot of nothing to say
He had a lot to say.
He had a lot of nothing to say
Come down
Get off your fuckin' cross
We need the fuckin' space to nail the next fool martyr
To ascend you must die
You must be crucified
For our sins and our lies
Goodbye
Songwriters
ADAM JONES, DANIEL CAREY, MAYNARD JAMES KEENAN, PAUL M D'AMOURPublished by
Lyrics © Warner/Chappell Music, Inc., BMG RIGHTS MANAGEMENT US, LLC Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Formed around 1990 in Los Angeles, California, United States, by drummer Danny Carey, guitarist Adam Jones, vocalist Maynard James Keenan, and original bassist Paul d'Amour, Tool is a band that is most noted for combining alternative metal with a wide variety of progressive structures, irregular time signatures and lyrics that range from angry diatribes to meditations on philosophical and social matters.

After performing a handful of shows in the Los Angeles area and up the West Coast, they toured in the United States with Primus in the summer of 1992 in support of their EP Opiate. Their first full length recording, Undertow, was released in 1993.

Emerging with a groovy heavy industrial sound on their first release, when the genre was dominated by post-punk, they were later seen at the top of the industrial metal movement with the release of their second full-length studio album Ænima in 1996, the first recording the band made after original bassist Paul D’Amour left the band, replaced by Justin Chancellor. After an ongoing evolution of their sound and continuous efforts to unify musical experimentation, visual arts, and a message of personal evolution on Lateralus (2001), their most recent album 10,000 Days (2006), as well as respective tours, they are generally described as a style-transgressing act and part of progressive and art rock.

Their aspirational work features exceptionally long or complex releases, controversial lyrics and cover art, and unorthodox music videos, which results in a rather ambivalent relationship between the band and today’s music industry, at times marked by censorship, and the band’s ongoing struggle for privacy.

Nevertheless, Tool has won Grammy Awards and continues to perform worldwide and receive critical acclaim. Lateralus and 10,000 Days both debuted number one on the US Billboard 200 as well as topping the charts in numerous other countries. Between album releases, the band takes extended breaks that allow for collaboration with other artists in designing award-winning album packaging, the creation of elaborate light shows, and band member involvement in notable side-projects.

They currently have 6 major releases:
Opiate (1992)
Undertow (1993)
Ænima (1996)
Salival (Live) (2000)
Lateralus (2001)
10,000 Days (2006).

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Tool