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Every Soldier In The Hood - Raekwon



     
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Every Soldier In The Hood Lyrics


Yo, yo, yo, yo
This is for homies and fools, man
Don't stand over there
Shaolin over here and I hear
Chill, chill, chill, police man
To every soldier in the hood, go in
To every real nigga holding, keep your ones on folding
Take it from a ninja in scribes, stay alive
Keep rolling and keep your guns on swollen
To every soldier in the hood, go in
To every real nigga holding, keep your ones on folding
Take it from a ninja in scribes, stay alive
Keep rolling and keep your guns on swollen
Aiyo, joint loaded, Lotus, big chain cobras
Clothe the certain way, notice
My style's new now, with generals Luau
Drugs, guns, chilling on the cool out
Don't make me pop you, this is not cool

Guaranteed to give you something that works, your dump in the dirt
Shitting up blood, fingers is burnt
Many cycles when you fight in my walls
It's like Michael and the Bulls, see a flying piece of iron, no lying
No fib and no bullshitting, the shines is forbidden
We like Crouching Tiger, you just a fucking kitten
'Bout to get that wig re-open and then smoked in
Bitches is watching, snatch you in the open, yo
Twenty-four, seven, we legends, the myth, the riff, the gift
Shaolin bounded with more wiff
Clap 'em with them get down boys, we call them, them niggas
Who want it with us, we the belt holders in the business
To every soldier in the hood, go in
To every real nigga holding, keep your ones on folding
Take it from a ninja in scribes, stay alive
Keep rolling and keep your guns on swollen
To every soldier in the hood, go in
To every real nigga holding, keep your ones on folding
Take it from a ninja in scribes, stay alive
Keep rolling and keep your guns on swollen
(Yeah ah, man)
Ay, the streets be calling and shit
A lot of veterans be calling it quits
They be calling my flow ill but still I'm never calling in sick
This is Meth Man, New York niggas calling me piff
Fuck the cops that be calling me Cliff
Flag me down on the Concord, police dogs all up in my whip
I get cake women all in my mix, they wanna jump in the six
And groupie niggas wanna jump in your flicks
We live the life, Starfaces and guns, I used to fight for crumbs
Throw a ace, kick the dice and run
Plead your case, you ain't nice as son, I got the drive to win
So where you niggas get your license from?
Bite a ear, Mike Tyson, uh, that means dough and my nose itch
And coke fiends is blowing they noses
My team got cream and you know this
So nigga get yours, before the door to opportunity closes
To every soldier in the hood, go in
To every real nigga holding, keep your ones on folding
Take it from a ninja in scribes, stay alive
Keep rolling and keep your guns on swollen
To every soldier in the hood, go in
To every real nigga holding, keep your ones on folding
Take it from a ninja in scribes, stay alive
Keep rolling and keep your guns on swollen

Enjoy the lyrics !!!
Corey Woods (born January 12, 1970) is an American rapper most well known as Raekwon (the Chef), one of the nine Wu-Tang Clan members. Raekwon joined Wu-Tang Clan, a hip hop group based in Staten Island, New York in 1992. When the time came for him to release his first solo album, Only Built 4 Cuban Linx... (1995), hip-hop, once again, underwent a momentous transformation. The album moves from track to track like a film moves from scene to scene. With its invigorating instrumentals and dramatic lyrical tales, Raekwon painted vivid pictures and presented powerful imagery through his enchanting verbal expression.

Rae's groundbreaking debut album helped to bring the flavour of flossing to wax as well as the use of the moniker among Wu brethren and other prominent emcees. The single "Verbal Intercourse" featured the first appearance of Nas Escobar, Nas' alter ego. Similarly, Raekwon and Ghostface Killah, who served as Rae's partner in rhyme throughout the entire Cuban Linx album, also developed a slew of other identities. Identities like Lex Diamond, one of the flashy, witty and intellectually stimulating personas of the multifaceted Raekwon.

In the years after the release of Cuban Linx, Raekwon continued to record several albums with the Clan including the platinum Wu-Tang Forver (1997) and The W (2000), as well as the gold Iron Flag (2001). He also starred in the critically acclaimed film Black and White, before releasing his second solo album, Immobilarity in 1999. Four years later, it's time for another masterpiece from Raekwon.

The Lex Diamond Story, Raekwon's forthcoming third solo album is that desperately needed effort. This new LP is as much a reflection of his first musical triumph Cuban Linx, as it is a manifestation of the future and what is to come from this great emcee. Raekwon is like the E.F. Hutton of hip-hop: when he speaks, everyone listens. The current void in hip-hop is filled with this rap veteran's
crafty verbal gymnastics and artistic form of storytelling. The Lex Diamond Story takes the top shelf elements of the Wu's first album and the finest sentiments of Raekwon's debut and joins them together to deliver another classic album to the masses.

A lyrical gourmet meal, The Lex Diamond Story shows that The Chef still possesses the recipe to cook up a jambalaya of words with the main ingredient being superior skills. Animated and intense, Raekwon's stealth delivery is filled with emotion, skilled cadence and an array of diverse stories, hooks, and topics. The track, "All Over Again (The Way We Were)" touches on the flavour of "Can It Be All So Simple" with its tale of street survival. Meanwhile, "Pit Bull Fights" is reminiscent of the ferocious lyrical beating inflicted on "Incarcerated Scarfaces." Raekwon is indisputably at his creative beast. Unchained and uninhibited, he is assertive with his music and focused on his goals.

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