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Eye For An Eye (your Beef Is Mines) - Mobb Deep



     
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Eye For An Eye (your Beef Is Mines) Lyrics


As time goes by, an eye for an eye
We in this together son your beef is mine
So long as the sun shines to light up the sky
We in this together son your beef is mines
As time goes by, an eye for an eye
We in this together son your beef is mine
So long as the sun shines to light up the sky
We in this together, son your beef is mine
Let me start from the beginning, at the top of the list
Know what I mean, have a situation like this
Another war story from a thirsty young hustler, won't trust ya
I'd rather bust ya, and leave your corpse for the cops to discover
While I be dippin' in the range rover
All jeweled like Liberace
You watch me while Jakes tryin' to knock me and lock me
But I'll be on the low sippin' Asti Spumante
Niggaz try to creep on the side of my jeep
Stuck the heat through the window rocked their ass to sleep

Over a 3-pack, it was a small thing really, yeah
But keep lettin' them small things slide and be a failure
If I'm out of town one of my crew'll take care of ya
The world is ours and your team's inferior
You wanna bust caps I get, all up in your area
Kidnap your children make the situation scarier
Life is a gamble, we scramble for money
I might crack a smile but ain't a damn thing funny
I'm caught up in the dirt where your hands get muddy
Plus the outcome turns out to be lovely
Got G's in my pocket hit off my main squeeze
Push back, the sunroof, let the cold air breeze
Through the butter soft leather upholestry
But mostly, keep the gat closely, 'cause niggaz wanna toast me
Yo I gotta get mines, no matter what the con-sequences
Count up my blessings, add up my weapons
Cock back the gat and let my nine serve purpose
Sling do my thing organize fiend servants
Tryin' to make a mil is stress you know the deal
So we sling drills get your cap peeled, 'cause everything is real
'Cause I wanna chill, laid up in a jacuzzi
Sippin' bubbly, with my fingers on the uzi
Try to infiltrate my fort get caught
Dead up in new york, my brain is packed with criminal thoughts
Get your life lost never found again my friend
Mission completed, watch you drop in less than ten
On my road to the riches, hittin' snitches off with mad stitches
Your last restin' place'll be a ditch kid
No one can stop me try your style's sloppy
You want to be me, you're just an imitation copy
My theme is all about making the green
Livin' up in luxury, pushin' phat whips and livin' comfortably
As time goes by, an eye for an eye
We in this together son your beef is mine
So long as the sun shines to light up the sky
We in this together son your beef is mine
As time goes by, an eye for an eye
We in this together son your beef is mine
So long as the sun shines to light up the sky
We in this together son your beef is mine
A drug dealer's dream
Stash cream keys on a triple beam
Five hundred SL green, ninety-five nickle gleam
Condominium, thug dressed like a gentleman
Tailor made ostrich, chanel for my women friend
Murderin', numbers on your head while I'm burglarin'
Shank is servin' 'em, whassup to all my niggaz swervin'
New York metropolis, the bridge brings apocalypse
Shoot at the clouds feels like, the holy beast is watchin' us
Mad man my sanity is goin' like an hourglass
Gun inside my bad hand I sliced tryin' to bag grams
I got hoes that used to milk you
Niggaz who could've killed you
Is down with my ill crew of psychoes
Nas Escobar movin' on your weak production
Pumpin' corruption in the third world we just bustin'
Hold up and analyze the wildcats slang cracks
They swing an axe, the new routines, be my eyes black's
Playin' corners glancin' all up in your cornea
Corner ya, seen cats snatch monies up on ya
But late night, candlelight fiend with a crack pipe
It's only right, feelin' higher than an airplane right
Word yo, I want to get this money then blow
Take my time, blast a nine, if you front you go
Sip beers, the German ones, hand my guns to sons
Shaolin, and Queensbridge we robbin' niggaz for fun
But still, write my will out to my seeds then build
Mahalia sing a tale but the real we still kill
As time goes by, an eye for an eye
We in this together son your beef is mine
So long as the sun shines to light up the sky
We in this together son your beef is mine
As time goes by, an eye for an eye
We in this together son your beef is mine
So long as the sun shines to light up the sky
We in this together son your beef is mine
Uh, lay back, word up, just bless 'em with the bulletproof
Mobb Deep, Nas, Chef creation
For your nation, yeah

Enjoy the lyrics !!!
Mobb Deep is a hip-hop duo made up of Havoc and Prodigy. Both members are natives of Queensbridge, New York; located in Long Island City. They are perhaps most famous for their landmark album, The Infamous, and the accompanying hit single, Shook Ones Pt. II.

1992–1994: Early Career

Prodigy and Havoc met one another while attending the prestigious High School of Art & Design in Manhattan. Coming from similar backgrounds, the duo broke into the rap game in 1992. Growing up in hostile environments that included the prevalence of poverty, drugs, and gang violence, Mobb Deep attempted to express their life experiences through rapping circa 1992. Before Havoc and P were known as Mobb Deep they were a couple of teenaged rappers known as Poetical Profits. The world first heard of them via the Source's Unsigned Hype column and this is the demo track that was quoted in that feature. The song would later see the light of day on their debut LP Juvenile Hell.

"Flavor 4 The Non Believers" (demo version) They released their first album, Juvenille Hell, in 1993. At a time when East Coast hip hop was dominated by the jazziness of A Tribe Called Quest and De La Soul, and the Afro-centric stylings of Brand Nubian and Public Enemy, their style of music eschewed the popular conscious hip hop of the time, and reflected the harsh climate of New York City in the late-1980s and early-1990s. Because both Prodigy and Havoc were still in their teens at the time of their debut, many were surprised by the violent nature of the album. Although the album was not well-received by the public, it displayed the raw talent of the duo; the unique chemistry of Prodigy's lyrical delivery combined with Havoc's melancholy beats. Through this unique style, the duo were signed by Loud Records, and began recording their sophomore album, The Infamous, in 1995, which would establish the duo in the Hardcore hip hop community.

1995–2000: Rise to Success

Following its release, The Infamous became perhaps one of the most influential hip hop albums of the East Coast hardcore rap genre. Still at a young age, the duo powered themselves to the top of the hardcore rap scene through their straight forward narration of street life. As with their first lyrical production, Mobb Deep portrayed the struggles of living in New York City's Queensbridge. Their production also was noticed as the beats were often hard hitting and direct, a testament to Havoc, who produced the duos' tracks almost exclusively throughout their careers. Furthermore, the hit single Shook Ones Pt. II, received acclaim as one of the greatest rap songs ever. Their third album, Hell On Earth was released in 1996, debuting at number six on the Billboard album chart. The album continued their portrayal of harsh street life, while further pushing them to the forefront of the hardcore rap scene, along with contemporary East Coast rappers such as Notorious B.I.G., The Wu-Tang Clan collective, Jay-Z, and fellow Queensbridge associate, Nas.

In 1999, the duo released the highly anticipated Murda Musik album. Despite extensive bootlegging (nearly thirty songs of unreleased material leaked onto the internet) and countless delays, the album debuted at number three on Billboard and quickly went platinum —further highlighted by the popular single, Quiet Storm. Shortly afterwards, Prodigy released his long awaited solo album H.N.I.C (2000), in which the rapper collaborated with other artists and producers (including The Alchemist).

2001–2004: Decline

Some time after the release of Murda Muzik, rapper Jay-Z, spoke out against the duo, leading to an increase in publicity. At the Hot 97 Summer Jam show of 2001, Jay-Z performed the freestyle, "Takeover", which he later re-recorded for the The Blueprint LP, dissing Prodigy. He also revealed photographs allegedly of Prodigy wearing a dance leotard in 1988. Mobb Deep subsequently released Infamy in 2001. The album marked a major stylistic change that saw the duo move away from the raw, minimalist, stripped-down beats of their hardcore roots, towards more commercial fare with such songs as Hey Luv. This transition fostered accusations of "selling out" — upsetting many long-time fans who did not wish to see them veer away from their original style. Although this stylistic adjustment opened up Mobb's audience to a wider variety, many critics and fans credit Prodigy's feud with Jay-Z with damaging Mobb Deep's gangster image and record sales (most evident when comparing the platinum-selling Murda Muzik to Infamy barely reaching the gold status). Not to be fazed, Prodigy noted that his lifelong bout with sickle cell anemia and his beef with Jay-Z had changed his outlook.

In 2003, the group split with Loud Records and released The Murda Mixtape which proclaimed "Free Agents" on the cover, addressing the group's split with Loud and search for a new label. Jive Records signed the duo later in the year and subsequently released Amerikaz Nightmare in 2004, which was seen by the general rap audience as a weaker release by the two - resulting in poor sales and the subsequent dropping of the duo from Jive.

2005–Present

In the spring of 2005, it was announced that the duo signed with G-Unit Records. This came as a surprise to many, as 50 Cent aimed a sly diss at them on the "Piggy Bank" track. The duo made it known that this was not the case as Havoc stated in an interview, "Mobb Deep isn't gonna change and when we first got here 50 was like, 'Listen, I want y'all to keep doing what you been doing.' That's it." 50 Cent has a connection to the duo, as he grew up in nearby Jamaica, Queens and also has used Havoc as a producer for several different beats. The relationship became deeper than business as the Mobb and 50 Cent got tattoos to pledge their loyalty to each other. Prodigy has the words "G-Unit" tattooed on his right hand and 50 has "Mobb Deep" tattooed on his wrist. Upon signing to G-Unit, both Prodigy and Havoc were given new Porsches, for two artists who have received very little monetary compensation in the past.

They currently have recorded their album, titled Blood Money which was released on May 2, 2006. It features G-Unit members 50 Cent, Lloyd Banks, Tony Yayo, and Young Buck. This marks their seventh release and has vaulted the duo into the hip-hop spotlight. As one of the most recognized names in hip-hop, it is hoped that G-Unit will help Mobb Deep attract a new fanbase. As Havoc stated shortly after the deal, “As an artist, you want to be able to reach the furthest audience as you can. We put in hard work on our previous albums and still hit our core fan base. The difference this time around is that more people will hear this product this time.” Despite this, many of the Mobb's longtime fans are skeptical as G-Unit is known for their mainstream crossover music, and fear that Mobb Deep will conform to this style.

Technique

Early on, Mobb Deep gained their critical acclaim for a dark, dynamic, grimey sound with haunting melodies--Havoc's production--that to many represented "street" in a way not done by many or any before. Additionally, Prodigy's penchant for starting off a verse with an attention-grabbing line, writing compelling rhymes based heavily on Queensbridge slang, and a rambling but clear delivery appealed to fans on the lyrical aspect.

For some time, Prodigy was the star MC of the duo, Havoc sounding less focused on the lyrical aspect and more on production. This continued until The Alchemist was brought in to do a few beats for each album, after which Havoc seemed to begin concentrating more on his verbal prowess, slowly developing his own style. After the beef with Jay-Z, Prodigy changed his style, rhyming words less and slowing down his delivery, while Havoc increasingly contributed more to the rhyme end of the duo. After being on independant labels, such as LOUD, and then a larger label JIVE, styles from the grimy, gritty styles from the QB duo changed greatly, much to the despair of the mainstream fans, never fully recovering from the Jay-Z beef, they were forced into the limelight, and after releasing the street wood effort of Infamy, never reclaiming the status of the best kept secret. Signing with G-Unit seems to have worsened their career and Blood Money, their first album released on G-Unit, only sold approximately 110,000 in its first week, coming in at #3 on the Billboard 200.

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