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Field Nigga Boogie (xlr8r Remix) - Public Enemy



     
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Field Nigga Boogie (xlr8r Remix) Lyrics


[Paris]
Take it back to the days when we raised us up
'Fore coward-ass rap made the game corrupt
P-Dog in the cut back to bring the pain
Puttin wood on they ass can't stand the rain
And bring heat over beats, and scratch the itch
In a "No Spin Zone," fuck a scanadalous bitch
It's the return of the (Bush Killa) back to bust
Just us for the justice, in God we trust
I rush truth to the youth, and shine the light
Take the red pill, open up your eyes to life
In this land of these crack fiends sheep and moles
See us overthrow the hold of the devil control
And roll deep, keep it underground for the streets
I'm the last sayin, get 'em outta bounds, retreat
Like ants in this war dance, if one fall
Ten more's in his place to advance the cause, it's all[reggae chat interlude][various samples]
"This program includes dramatic re-enactments of scenes which depict real events

and contains material which is intended for" (HIP-HOP)
"Welcome to the show!"
[Dan Rather] "Today, more drugs are coming into America than ever before"
"We have the best intelligence in the world, we can stop anything we wanna stop"
"You still may know little about" - Dan Rather
"The C.I.A.'s involvement with drug lords"
"This was a, a multi-billion dollar business"
"Even more menacing" - D.R. "The C.I.A."
[D.R.] "Have gone into the drug trade, and are trying to take over the government"
"In the war", "on drugs" - D.R.
"Which side is the C.I.A. on?"
"We need a change! We need a change.." [x2]"One of these motherfuckers different"Bringing you back what you miss in hip-hop
Hard truth sol-sol-sol-sol-sol-sol-soldier radio
Word! "Pay attention real close, we just begun"[Immortal Technique]
Yeah! Immortal Technique, part of the rebel militia
Weapon I brandish, don't need the canvas to paint a picture
Fuck who you askin, I'll tell you what it is
It ain't music motherfucker it's the way that we live
Party crashin, leavin the door with a broke lock
And make a toast to the cancer of Rupert Murdoch
I got a hit, on the Grand Wizard and the cyclops
And I'll be snipin, campus security bike cops
Fuck around, and I'ma start blastin they kids
Payback, for what they did to John Africa's crib
These pigs talk a lot of shit, shit, wavin the badge
Can put it down and go the fuck home wrapped in a flag
I have nothin but, empty shells for enemies
Strike me down, that'll give birth to ten of me
Forbidden chemistry, my verse is the dirty bomb
Urban combat, next year nigga it's on

Enjoy the lyrics !!!
Public Enemy, also known as P.E., is a seminal Golden Age era Hip-Hop group known for their densely layered production and politically charged lyrics demonstrating their interest in the concerns of the African American community.

PE formed in Long Island, New York, in 1982 around a WBAU radio show as Spectrum City. After one less-than-successful single, they regrouped and signed to the still developing Def Jam record label after Rick Rubin heard Chuck D freestyling on a demo. Their debut, ‘Yo! Bum Rush The Show’, was released in 1987 to mild critical acclaim, although the Hip-Hop climate changed dramatically due to sampling during the time of release. As a response, they went on to release the revolutionary ‘It Takes a Nation of Millions to Hold Us Back’ in 1988, which performed better in the charts than their previous release, and included the hit single ‘Don’t Believe the Hype’.

Slightly less militant than their previous releases Public Enemy’s, ‘Fear Of A Black Planet’ was officially recognised as being the most successful and influential of the Public Enemy recordings when, in 2004, it became one of 50 recordings, chosen that year by the Library of Congress, to be added to the National Recording Registry. Sales-wise it was the most successful of any of their albums to date. It included the powerful and controversial singles ‘911 is a Joke’ (which criticized emergency response units for taking longer to arrive at emergencies in the black community than those in the white community), and ‘Fight the Power’, which is considered by many to be the group’s premier self-describing anthem. The song is considered to be amongst the most popular and influential in Hip Hop history and was the theme song for Spike Lee’s landmark film ‘Do The Right Thing’.

Public Enemy are to be considered musical pioneers for a broad variety of reasons. For instance, Terminator X elevated DJing to a refined art. Some of his most innovative scratching tricks can be heard on the track ‘Rebel Without A Pause’. PE’s production team, ‘The Bomb Squad’, offered up a web of innovative samples and beats; critic Steven Thomas Earlewine declared that PE “brought in elements of free jazz, hard funk, even musique concrète, via their [production] team, the Bomb Squad, creating a dense, ferocious sound unlike anything that came before.”

PE revolutionized the rap world with their political, social and cultural consciousness. These themes became infused into skilled and poetic rhymes with jazzy backbeats. They are recognised as the first Hip Hop group to make extended world tours, leading to huge popularity and influence within the Hip Hop communities of Europe and Asia. They also changed the internet’s music distribution capability by being the first group to release MP3 albums, a format virtually unknown at the time.

Public Enemy, in keeping with their ‘pioneer’ status, also helped to form and define the so-called ‘crossover’ genre of music (heavy rock music spliced with hip hop) by collaborating with New York thrash metal outfit Anthrax in 1991. The single ‘Bring The Noise’ was a remarkable potpourri of semi-militant pro-black lyrics, grinding guitars and sporadic humour. The two bands, cemented by a mutual respect, and the personal friendship between Chuck D and his Anthrax counterpart Scott Ian, introduced a hitherto alien genre to rock fans.

During the seemingly unlikely tour of Anthrax and Public Enemy, Flavor Flav made his famous pronouncement onstage that “They said this tour would never happen” (heard on Anthrax’s Live: The Island Years CD). This has become something of legendary significance in both rock and rap circles. There is some justification for the theory that without this unlikely musical partnership, bands such as Rage Against The Machine and Linkin Park would not have existed, and the genres of rap rock, nu metal and their related offshoots might have never developed.

Members of Public Enemy

Chuck D
Real name: Carlton Douglas Ridenhour
Role: Group leader, lyricist, main vocalist, and artwork
Birthdate: August 1, 1960

Flavor Flav
Real name: William Jonathan Drayton, Jr.
Role: Lyricist, vocalist, hype-man, and comic relief.
Birthdate: March 16, 1959

Professor Griff
Real name: Richard Griffin
Role: Head of S1W, liaison between PE and S1W, road manager. Ensured that the chaotic Flavor Flav was available when needed. Occasional vocalist and/or producer, plays drums at live shows.
Birthdate: August 1, 1960 (the same as Chuck D)

Terminator X
Real name: Norman Rogers
Role: DJ, Producer
Birthdate: August 25, 1966

Dj Lord
Real name: Lord Aswod
Role: DJ, Producer

The following are a part of The Bomb Squad, the revolutionary production group which is closely associated with (and sometimes considered a part of) Public Enemy:

Hank Shocklee
Real name: Hank Boxley
Bill Stephany
Keith Shocklee
Eric “Vietnam” Sadler
Chuck D - often listed as a member of the Bomb Squad under the pseudonymn “Carl Ryder”, a shortened form of his real name.

The S1W’s are sometimes considered a part of Public Enemy, as well.

There are three other groups named Public Enemy:

2) The first Public Enemy, an Oi!/punk band formed in 1984 who released one LP album (England's Glory) and one 7 inch (Skinheads). This band was never white supremacist and has no connection to the "revived" Public Enemy:

3) White Power group from the UK, formed by Paul Burnley (of No Remorse). Released 3 CDs: “Paul Burnley Is The Real Public Enemy”, "There is only one..." and “Archives”.

4) Public Enemy was a Hardcore/Punk group from Tuscon, Arizona.

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Public Enemy