DamnLyrics - The center provides all the lyrics

Fuck U Pay Me - Yo Gotti



     
Page format: Left Center Right
Direct link:
BB code:
Embed:

Fuck U Pay Me Lyrics


Black diamonds,
black mink in the black Cadillac
See how I pull up and the bitch'll come out like I don't
Don't you want to get up under a pimp of magnificent lyricism
Bad bitches with rhythm
When the women come to making their money, they only doing shit to benefit em
All of the tricks be happy when they get up with 'im
On top of the world after doing business with 'im
Hardly gone, a feminine up in em
It'll have em moving so as if they got the ventilator venom
And it's sicker to get em in trouble
In the bubble, I only want to see em rolling up the kush
And all of my bitches is thick
If you do not believe me, then just take a look
They spending their money cause I got the ho and she look too fly on the track
Straight pimping like Bishop cause Crooked to Twista is like Superfly and The Mack
And I know you think I'm bogus cause I'm telling these bitches
To go on and peel back they purses

For me talking about the way I pimp these verses
Tell them fuck you, pay me
No matter how much green I have, bitch
I'll never fill your bank account
Bitch, my dick is better than your pussy
Uh oh, here we go
C-R-double O, I'm bout to pimp me a ho
My deadbeat pops had pimping in his genes
The only thing he gave me since a embryo
Now I'm bout to put her in a video
D-boys give her them rubber band stacks
Now I got dirty money like Diddy, though
I'm a butterfinger burglar, mayne
I'mma drop that jewel
Let me explain, I'mma fill your brain with game
But if you come lame, girl, we not that cool
I'mma lean my top hat and pop that tool
Get my guap back, you'll
Know that I'm that dude from a top mack school
And a block that rule -- read my tattoo
That's C.O.B., it mean cash over bitches
Crip or Blood, conducting organized business
Circle of bosses, cartel of ballers
Cussing out broads and we crossing over bridges
Help a nigga get rich and richer
Do you get the picture?
When the pimping hits ya I
Clock game from Mister Twista
He taught me how to rock like Twisted Sister
I put her on the block til she get some blisters
I put her on the map til the vixen bitches fly
Put her on her trap like she's spitting a written to the rhythm with Mister I
The pimp game's so ominous
And you know Dominick's not synonymous with monogamous
Nah, it ain't misogynist
It's a metaphor to tell you that hip-hop is my bottom bitch

Enjoy the lyrics !!!
Mario Mims (born May 19, 1981 in Memphis, Tennessee), better known by his stage name Yo Gotti, is an American rapper signed to Cash Money Records. Formerly known as Lil Yo in the 90's, he released his first album, From Da Dope Game 2 Da Rap Game, in 2000. Since then he has released 2001's Self-Explanatory, 2003's Life, 2006's Back 2 Da Basics, 2008's Cocaine Muzik, 2009's CM2 (Cocaine Muzik 2 hosted by DJ Drama), and The Pyrex King: Street Runnaz Special Edition.

As one of the six epicenters of Southern hip hop, Memphis has always had a thriving underground capable of producing major platinum superstars such as Eightball & MJG, 3-6 Mafia and Project Pat,Skip a.k.a Gianni Booker. All of the above-mentioned artists at one point in time literally dominated the city’s underground rap scene before going on to become national superstars. Next up to bat is Yo Gotti, M-Town’s current underground rap kingpin. Like his namesake John Gotti, the Memphis based rapper has been running the Southern underground scene with an iron fist for the past. Known and respected throughout the South for his skill and finesse on the microphone, Yo Gotti is one the South’s most respected young rappers.
Born Mario Mims, Yo Gotti grew up in the infamous Ridge Crest Apartments in a North Memphis neighborhood called Frazier. His childhood was typical for a poor ghetto youth in the Deep South. Raised in a family of hustlers and exposed to hard times 24 hours a day the Tennessee rap titan soon turned to the only thing that he knew could get him paid, hustling. “Being from the hood things like hustling will come your way,” says Yo Gotti. “Everybody in my family hustled in some kinda way.” Ironically, hustling is what ultimately led Yo Gotti to rapping.
Taking his cue from Memphis rap legends such as Eightball & MJG, Al Kapone, Gangsta Black, Triple 6 Mafia and Kingpin Skinny Pimp, all of whom he lists as influences, Yo Gotti released his own underground tape entitled, Youngster on the Come Up and placed it on consignment at local mom & pop record stores as well as hustling it out the trunk. The tape sold like hotcakes on the street and made Yo Gotti the hottest rapper on the streets of Memphis. From the Dope Game to the Rap Game, Yo Gotti’s sophomore effort sold so well that Select-O-Hits, a local based independent distributor offered him a small deal and the Memphis rapper more than doubled his fan base with absolutely no marketing or promotions. Soon he found himself ranked among the city’s top rappers. In addition to being featured on the cover of Murderdog Magazine along side his idols Kingpin Skinny Pimp and Al Kapone his record From the Dope Game to the Rap Game made the list for the magazine’s top independent record for the year 2000.
Two years later he inked a distribution deal with TVT Records and released the critically acclaimed album Life, which did respectable numbers for an independent label. “It sold about 40 or 50,000, with no promotions or video,” says Yo Gotti. “That record did what it did on its own.” But as the old saying goes when one door is closed another opened. Gotti’s reputation as the king of Memphis continued to spread and that eventually led him to a production deal with Cash Money/Universal records for his group the Block Burnaz. With his TVT sophomore album entitled Back 2 Da Basics, Yo Gotti returns with the same hardcore street flavor that his die-hard fans have come to know and love, only this time around the true king of Memphis has elevated his game a bit. Given the fact that his last record didn’t do the type of big number he’d hope for you’d think that Yo Gotti would switch up his style to reach a larger audience. Right? Wrong! According to Gotti his street credibility with his underground fans means more to him than gold or platinum status.
“The one thing that you have to understand is that when you create a fan base off of street product the last thing you wanna do is disrespect them by changing because of the record companies and stuff like that. When you do that you change what created you. To me it is very important that I keep in tune with the people that helped to sell 40,000 records independently. That’s why I call my record Back 2 Da Basics.”
Produced by DJ Thoomp, Mannie Fresh, Carlos Brody and newcomers Street Tunes, Back 2 Da Basics offers fans a gritty, insider’s view into the real streets of Memphis as seen through the eyes of Yo Gotti. Nowhere is this viewpoint more intense than on “Full Time,” the amped up lead single –and featured in the MTV Films’ Hustle & Flow movie - with a thunderous bass and intoxicating beat that espouses Gotti’s formula to success –hustle full time.
“A lotta cats wanna be a rapper or a street hustler but they don’t wanna put in the time that it takes,” says Yo Gotti. “They want the money and the cars and the girls, but they don’t wanna work hard for it. But to be successful at anything you gotta grind for it.” On the song “Mama We Gone Be Alright,” he waxes introspective by reflecting on all of the hard times that he and his family have suffered through the years and offers her hope-filled words encouragement. “Mama We Gone Be Alright” along with the gripping tune “My Story” emerges as two of the most interesting songs on Back 2 Da Basics. These three titles along with club banging songs like “Shorty” featuring Baby make Back 2 Da Basics one of the best albums of the year.

User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.

View All

Yo Gotti