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Fuck You - Immortal Technique



     
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Fuck You Lyrics


I dunno exactly what's wrong with your nigga's neck
It's ain't my fault if he lookin'
You 'spose to keep his ass in check
'Cause every time I come near all he do is stare
And I can see it in his eyes that he wants some
He know what's in the prize, it's Red Rum
To any of these hoes that come
Stand next to me and look like bums
They make pennies and all I do is stack the paper
Just in case I run into some complications
I'm set for life, never in debt
And you frustrated when I get all the niggas attention
You fall off guess you was born to make the coffee for us
Writin' bitches with a higher position
With Brat talk niggas listen, go get a nine to five
'Cause you can't keep up with the shit I cook up
I can't help it if you're nigga wanna hook up
Gotta man but he keep lookin' at me

Like he really wanna drop ya bad
'Cause I'm the shit and I know you mad
But I don't give a fuck
You got some dough but your paper ain't as long as mine
And ya really wanna stop me bad
But fix your face bitch, I'm here to stay
And I don't give a fuck, you
And I'm ma make sure that my niggas keep on lookin'
Tell you broads to calm down, there ain't no competition
I'm flawless as the rocks on my left pinky
And I love it when y'all wanna get at me
And make me think my shit don't stink
Evidently you ain't satisfied at home
She ain't got no style of her own
Nobody of her own
Not roaming in the V12
You turned on because I bought it myself
What other bitch do you know like this?
That's tight as a hot curl, known to rock worlds
Once I'm spotted you will probably drop your girl
My intimidation to niggas is challengin' to 'em
He fiendin' to get in my Vicky's Secrets
And underneath my Gibaud and my boxer shorts
I rock ice burg sports and Brat prints of all sorts
Interestin' to you, 'cause I got some dough
You thinkin' if you and me get together
You'll never go broke
Gotta man but he keep lookin' at me
Like he really wanna drop ya bad
'Cause I'm the shit and I know you mad
But I don't give a fuck
You got some dough but your paper ain't as long as mine
And ya really wanna stop me bad
But fix your face bitch, I'm here to stay
And I don't give a fuck, you
Gotta man but he keep lookin' at me
Like he really wanna drop ya bad
'Cause I'm the shit and I know you mad
But I don't give a fuck, you
You got some dough but your paper ain't as long as mine
And ya really wanna stop me bad
But fix your face bitch, I'm here to stay
And I don't give a fuck, you

Enjoy the lyrics !!!
Felipe Andres Coronel (born February 19, 1978), better known by the stage name Immortal Technique, is a Peruvian rapper, and an urban activist. He was born in Lima, Peru and raised in Harlem, New York. Most of his lyrics focus on controversial issues in global politics. The views expressed in his lyrics are largely a mixture of socialist commentary on issues such as class hierarchy, poverty, religion, government and institutional racism.

Immortal Technique has voiced a desire to keep control over his production, and has stated in his music that record companies, not artists themselves, profit the most from mass production and marketing of music. He claimed in an interview to have sold close to 200,000 units of his three official releases.


Biography
Early life
Coronel is African-Peruvian and was born in 1978 in a military hospital in Lima. His family emigrated in 1980 to Harlem to escape the ongoing internal conflict in Peru. During his teenage years he was arrested multiple times due in part to what he has said was "selfish and childish" behavior. He attended Hunter College High School on the Upper East Side of Manhattan. Shortly after enrolling in Pennsylvania State University, he was arrested and charged with assault-related offenses due to his involvement in an altercation between fellow students, the charges stemming from this incident led to him being incarcerated for a year. After being paroled, he took political science classes at Baruch College in New York City for two semesters at the behest of his father, who allowed Coronel to live with him on the condition that he go to school. Honing his rapping skills in jail, and unable to find decent wage-paying employment after his release, Coronel began working on the restaurants of New York while bad mouthing MCs whenever the opportunity arose. This, coupled with his victories in numerous freestyle rap competitions of the New York underground hip hop scene such as Rocksteady Anniversary, Braggin Rites and others, led to his reputation as a ferocious Battle MC.

Revolutionary Vol.1 and Vol.2
In 2001 , Immortal Technique released his first album Revolutionary Vol. 1 without the help of a record label or distribution, instead using money earned from his rap battle triumphs. Revolutionary Vol. 1 also contained the underground classic Dance With The Devil. In November 2002, he was listed by The Source in its "Unsigned Hype" column, highlighting artists that are not signed to a record label. The following year, in September 2003, he received the coveted "Hip Hop Quotable" in The Source for a song entitled "Industrial Revolution" from his second album. Immortal Technique is the only rapper in history to have a "Hip Hop Quotable" while being unsigned. He released his second album Revolutionary Vol. 2 in 2003. In 2004, Viper Records and, in 2005, Babygrande Records re-released Immortal Technique's debut, Revolutionary Vol. 1, to make it available to a wider audience. "Point of No Return" from Revolutionary Vol 2 was used as the entrance theme for Rashad Evans during the UFC 88 Main Event between Chuck Liddell and Rashad Evans.

The 3rd World and The Middle Passage

Between 2005 and 2007 Immortal Technique began working on The Middle Passage and The 3rd World, the two albums that would serve a follow up to Revolutionary Vol. 2 and complete the series. He was also featured on several movie soundtracks and video game soundtracks, all the while touring relentlessly and becoming heavily involved in visiting prisons to speak to youth and working with immigrant rights activists and raising tens of thousands of dollars for children’s hospitals overseas. He invested his money not in items that are usually associated with fame but rather in large pieces of farmland in Latin America. He created a writing grant program for high school students as well.

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Immortal Technique