Future Development - Del the Funky Homosapien



     
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Future Development Lyrics


Advisory - the following lyrics contain explicit language:
Earth to Del, Earth to Del, Earth to Del, do you read me?
Do you copy Del? It seems we've lost radio contact
Descend for warp speed, so you can receive transmissionEach rap is texture-mapped to perfection
A 3D world for you to step in
I leave MC's stranded on asteroids
Floatin' through the void of spaceDel the black man, African back again
Crackin' windshields, so I can heal your souls
When you feel my flows
A wild beast when I piece together beats like puzzles
MC's feel muzzled like Doberman

It's over when you try duplicateAnd then you're due for 8 for tryin' to sink your teeth in
Meetin' your maker, Del the caretaker here break your life
Away from you faker the Tammy Faye Baker
I shake your brain up like Quaker Oats
For tryin' to memorize my moniacle quotes
The funk coats your eardrums, Oakland's where we're fromThe deviant, workin' feverishly but easily
Eagerly awaiting your arrival
Hide all you cowards, you're powerless
I'm live and in Technicolor and tumorous
Your humorous, my rhymes are numerousI'm too elaborate in my habitat
With words that hit your skull like a battle ax, imagine that
I'm actually destined cause I'm actual perfection
Equals natural selection with rhymes as my secret weaponThis involvement in my newest installment
Is dissolved in the chains on your brains like solvent
I can't call it, all it means is my genes
Comes from supreme beings and sess that cha can't step taNo way out come right in, writin' incredible shit
They can't meddle with us
Future development is too intelligent
Future development, too, too intelligent
No way out come right in, writin' incredible shit
You can't meddle with usAnd you say it
And niggaz are still frontin' with that old technology shit
Why is this soundin' garbage?"To many fans and not enough artists
Niggaz frontin' heartless like they packin' ultra cartridges
You ain't gonna smoke me, you smoke weed
I've seen some sick characters and they ain't scared a yaThe true soldiers who will unload on your intersect
Not me I'm into Tex and Mex
Giant robots and ponos and road shows
I like a blow doe on the latest not the status quo though
More pull than yo yo Duncan, quit pashin' in my rappin'
Like a tongue kissin' right on by the hundredsWith no bass the foundation crumbles
Like niggaz bumble they whole life over rumbles
Scandals, sure you got mad skills
But unless you gonna be a boxer who's gonna offer
Your hand script, nobodyI used to program computers
Now I make maneuvers on the mic to screw ya
On the ole, how it goes how the flow for the uninitiated
Plus on the side, get my own life satiated
You know writin' lyrics in between lines
Play some Samaurai Spirits, oopsDrop funky like deification, poop
Leavin' ya mute moose, speechless
Niggaz blackin' out like an eclipse
No defense for your pretense
Which is just a feat to proposal
Towards your disposalDel flow solo, fully mobilized the wise words
So niggaz can get the total
Perception, perfection destined for greatness
Etched in your consciousness, metaphorically monstrousNo way out come right in, writin' incredible shit
They can't meddle with us
Future development is too intelligent
Future development, too, too intelligent
No way out come right in, writin' incredible shit
You can't meddle with usFuture development is too intelligent
Future development too too intelligent
Future development too too intelligent

Enjoy the lyrics !!!
Del tha Funkee Homosapien is an alternative hip-hop artist. Del was born Teren Delvon Jones, August 12, 1972, in Oakland, California. Del was part of his cousin Ice Cube’s backing band Da Lench Mob and made his first solo album, I Wish My Brother George Was Here, with support from his cousin in 1991. Critics and fans had mixed opinions about the album, many feeling that Del’s and Cube’s styles weren't an ideal match. Del decided to part ways with his cousin for his next album, No Need for Alarm, which allowed him to find his own style and subject matter, and also start his own crew, Hieroglyphics.

In 1996, Del was ready to release his Future Development album. However, just before its release, Del was released from his recording contract with Elektra Records. Around this same time, Souls of Mischief, Extra Prolific and Casual (all members of Del's Hieroglyphics group) were all released from their recording contracts with Jive Records. Frustrated, Del and the rest of Hieroglyphics decided to start their own record label, called Hieroglyphics Imperium. Because of the problems with Elektra, Future Development was available only on cassette via the Hieroglyphics website for a time, until its eventual widespread release on CD in 2002, six years after its proposed release date.

The mistreatment of Del & Hieroglyphics by their record labels became infamous in hip-hop circles, as a perfect example of "industry rule #4080" (record company people are shady). After Hieroglyphics' successful reemergence with their own independent label, Del & Hieroglyphics became an inspiration for some rap artists to start their own labels while keeping the lion's share of the money for themselves. Arguably the efforts of Del & Hieroglyphics paved the way for other famous independent rap labels known today, such as Roc-a-Fella Records or Rawkus Records.

In 1998, Hieroglyphics came out with their first full length album, Third Eye Vision, in which Del shined. The album was well received by both fans and critics. Two years later, Del came out with Both Sides of the Brain, and in 2001, he released Deltron 3030 with Dan the Automator Nakamura and Kid Koala, which garnered extreme praise for its combination of beats and flow and futuristic style. Deltron 3030 helped expand Del’s audience, though not quite to the commercial mainstream.

Del collaborated with Gorillaz for two songs on their debut album, both of which became singles: "Clint Eastwood" and "Rock the House". In their videos he was portrayed as a clown-like ghost. 2003 saw the release of Full Circle, a second album with the Hiero crew. This latest album has gotten many mixed reviews, with some people liking its originality and display of talents of the entire crew, whereas some have complained that Del was seen only sporadically on the album, acting more like a guest artist.

Del’s lyrics often reflect his imaginative interests, offering humor and themes not usually found in most new hip hop, including video games, bad hygiene, intergalactic rap battles, and more. In 2000, the song "Positive Contact" from Deltron 3030 was featured in the game Mat Hoffman's Pro BMX. In 2001, the song "If You Must" was featured in the game Tony Hawk's Pro Skater 3. In 2003, the song "Positive Contact" was again featured in a video game - this time in Tony Hawk's Underground. In 2005, the song "Burnt" featuring Hieroglyphics was featured in the game Tony Hawk’s American Wasteland. In 2006, his song "Catch a Bad One" was featured in the game Mark Ecko's Getting Up: Contents Under Pressure.

Eight years following his last solo album, Both Sides of the Brain, in March 2008 Del released his newest solo, titled Eleventh Hour, under the Definitive Jux record label.

In 2009, Del released Del's Leak Pack #1 (download) & #2 (download) via his MySpace page. In April of 2009 he released his 6th solo album, Funk Man (The Stimulus Package). The album was released online and can be downloaded for free here. He also released a second new solo album, Automatic Statik, via his BandCamp site in September of 2009. October of 2009 saw the release of Del's collaboration with Tame One, entitled Parallel Uni-verses.
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Del The Funky Homosapien