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Genie on a Table Top - Al Stewart



     
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Genie on a Table Top Lyrics


I went floating down the street one day
With a song playing in my mind
Hopping and bopping like a ricochet
Bad news was hard to find
There was a hint of syncopation
Coming from the sidewalk and the street
There was a glint of scintillation
Hanging over everyone you'd meet
And it makes me feel okay
Like a big yellow tractor going mowing through a field of hay
Like a genie on a table top surfing through the month of May
I saw a world in the window of a knick-knack shop
And I tossed it in the air
A girl went by with a forget-me-not
And she wore it in her hair
There was a peak of pixillation
And I never noticed it before
There was a jump of jubilation

And it seemed to promise more and more
And it makes me feel okay
Like a big yellow tractor going mowing through a field of hay
Like a genie on a table top surfing through the month of MayOh she loves me and she loves me
Better than I've ever loved myself
She knows me and she loves me
Better, now I want nobody else
Oh she loves me and she loves me
Better than I've ever loved myself
She knows me and she loves me
Better, now I want nobody else
Percolating through the noonday sun
With wings upon my shoes
I was jumping about in front of everyone
No dignity to lose
There was a rush of animation
Bubbling about inside my soul
There was a rin-tin-tabulation coming
It was so hard to control
And it makes me feel okay
Like a pig with a bucket full of truffles in a French cafe
Like Louis Armstrong playing trumpet on the judgment day
Like a flying boat captain with an amethyst lake below
Like a winner of a marathon rolling in a field of snow
Like a figure skating gigolo looking for a heart to steal
Like a simulated orgasm suddenly becoming real
Like a big yellow tractor going bowling through a field of hay
Like a genie on a table top surfing through the month of May
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Al Stewart (born in Glasgow, Scotland on 5 September 1945) is a British songwriter and musician. He is best known for his 1976 single Year Of The Cat and its 1978 follow-up Time Passages (both produced by Alan Parsons). Stewart's inspiration for his songs primarily comes from the past; indeed, he is credited with creating his own genre, "historical folk rock". At one time in his life, Stewart took guitar lessons from King Crimson guitarist Robert Fripp.

Stewart grew up in the coastal resort town of Bournemouth, Dorset. According to Songfacts, in days of youthful folly Stewart played in a beat group with later BBC DJ Tony Blackburn before moving to the capital to seek fortune and fame.

Having bought his first guitar from future Police guitarist Andy Summers, Stewart traded in his electric guitar for an acoustic guitar when he was offered a weekly slot at Bunjies Coffee House in London's Soho in 1965. From there, he went on to compete at the Les Cousins folk club on Greek Street, where he played alongside Cat Stevens, Bert Jansch, Van Morrison, Roy Harper and Ralph McTell

Although he had his share of the breaks, including a tenure at Bunjees coffee house and a record deal with CBS, life wasn't always easy for the young troubadour; his first serious love affair ended in disaster, and he experienced all the usual insecurities of the stranger in the big city trying to find his way.

In January 1970, Melody Maker named his second release Love Chronicles its Folk Album Of The Year, but in spite of his obviously carving out quite a name for himself, it was not until Year Of The Cat - the single and even more so the monster album - that he really shot to fame.

He emigrated to the United States as his career took off in the mid 1970s, and still lives in California. While studio albums are now few and far between, he still tours extensively in the United States, and, most years, in Europe. Recordings of concerts are often made available through his fan clubs.

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Al Stewart