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Get It Together - James Brown



     
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Get It Together Lyrics


Don't guess why
Over what you're doing
Don't guess why
Over what you're doing
If I keep loving you
My life would be ruinedI ? hip
I'll be running round
Good God, hip, look here
To your running round
But do you know one thing
I'm gonna put you downOh, get it together
Get it together, look here
Get it together, get it togetherYou said that you wanted a brand new bag
You said you wanted
Look here, a brand new bag
But you, you were just jiving
You wanted to feel draggedYou ducked out of school
Before you got it down, you hear me

You ducked out of school
Before you got it down
Now you ain't hip
You're the biggest fool in townOh, get it together
Get it together, get it together
Get it together, oh MaceoDo the underdog
Get on a log
Do the underdog
Tell me, loveGet it, get it, shotgun
Sock it to 'em
Hey, hey, hey, hey
Good God, one more time
One more time now
One more timeNow look here, Maceo
Let me tell about this little bit
Let me tell about this little bitYou may dance good
You may have fast feet
You may dance good
You may have fast feet
But you ain't slick
Your business is in the streetNow look here, Maceo
Bring it down but I want you to blow
Lemme hear you, uh, get
All right now, come onSometime, sometime
Sometime, sometime
Oh, good God, hey, uh
Play it, play itAll right now, all right now
All right now, all right nowNow, horns, play out
That's right, look here now, ha
That's good nowThere's something
I wanna say right here
Now when I say uh
I want you to hit me one timeDo you hear me? Lemme hear you
Do you hear me? Do you hear me?
Jabone, do you hear me?
Now when I say uh, one time
You say uh, readyOne time, uh, good God, ha
Now I'm gonna ask for two
Can you give me two?
Can I get two, two times?
Uh, good GodIf you hear any noise
It's just me and the boys
So everybody be mellow
Somebody might drop their
Horn and things like that
But don't worry about thatI gotta say it three times
Can I get three fellows?
Three times, uh, good God, ha
All right now, all rightNow if I ask for four
Is it possible I can get four?
If I can get four
I got to open the door and leaveI can get four, gimme four
Uh, good God
Don't play so much, uh
Don't be so meanLike about that cold sweat
You came out, look here
Red, man, what kind of horn you play?
A trombone, trombone
Can I get a little taste of that trombone?
Right about nowUh, strike it, that's right
Now tell you what I'm gonna do
Jabone, stretch your nose
Joe, can you play a little bit over there?Come on, now Pee Wee
I'm not gonna ask you to play, Jack
'Cause your horn is too big
Man, you got too much horn over thereGimme a little extra scope there, Country
So I know you're playing guitar, yeahSinclair, since you're from
Augusta, Georgia, like I am
Let me hear you play your Baritone
You got to have some soul
Right about here, now, right nowAll right, all right, get it
Now, fellas, now just, just ease out of it
That's right, you keep playing, Maceo
'Cause the groove is thereNow tell you what I want you to do
Now when I say hit it
I want you to hit it
You hear me, Jabone
You hear me, BernardBut when I say quit it
I want you to quit it
You ready, hit it, hit it
Quit itWell, it looks like you
Got a bad night tonight
But you gonna be mellow
I know you're all right
Have another, nah, be coolAll right, you ready
Now hit it, come on
Quit itBud got tired and quit on us
All right, you still got the groove
You still got the groove
Bring it up, bring it up, come on
Bring it up, bring it up now
Bring it upAntoinette
Can you cut the thing down?
Fade me on outta here
'Cause I got to leave anyway
Fade it on out, I'm gone
Songwriters
BROWN, ALBERT JOSEPH III/ROSS, AMERY /Published by
Lyrics © EMI Music Publishing, Warner/Chappell Music, Inc., CARLIN AMERICA INC, BMG RIGHTS MANAGEMENT US, LLC Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

Enjoy the lyrics !!!
James Brown, (James Joseph Brown, May 3, 1933 – December 25, 2006) is recognized as one of the most influential figures in 20th century music. He was a seminal force in the evolution of gospel and rhythm and blues into soul and funk. He has also left his mark on numerous other musical genres, including rock, jazz, reggae, disco, dance and electronic music, and hip-hop music.

Joining Bobby Byrd's vocal group The Famous Flames in 1955, Brown's early recordings from the mid-50s, were fairly straightforward gospel-inspired R&B compositions, heavily influenced by the work of contemporary musicians such as Ray Charles and Little Richard. Little Richard's relations with Brown were particularly significant in Brown's development as a musician and showman.

Brown followed the success of his 1963 Live At The Apollo with a string of singles that, along with the work of Allen Toussaint in new orleans, essentially defined the foundation of funk music. During the mid-1960s, two of Brown's signature tunes Papa's Got A Brand New Bag and I Got You (I Feel Good), both from 1965, were his first Top 10 pop hits, as well as major #1 R&B hits, with each remaining the top-selling singles in black venues for over a month. As the 1960s decade neared its end, Brown continued to refine the new funk idiom. Brown's 1967 #1 R&B hit, Cold Sweat, sometimes cited as the first true funk song, was the first of his recordings to contain a drum break and the first that featured a harmony that was reduced to a single chord change.

Brown's recordings influenced musicians across the industry, most notably Sly and his Family Stone, Charles Wright & The Watts 103rd Street Rhythm Band, Booker T. & The M.G.'s and soul shouters like Edwin Starr, Temptations, David Ruffin, and Dennis Edwards. A then-prepubescent Michael Jackson took Brown's shouts and dancing into the pop mainstream as the lead singer of motown's The Jackson 5. Those same tracks were later resurrected by countless hip-hop musicians from the 1970s onward. As a result, James Brown remains to this day the world's most sampled recording artist, with Funky Drummer itself becoming the most sampled individual piece of music.

By 1970 Brown and Byrd employed a new band that included future funk greats, such as bassist Bootsy Collins, Collins' guitarist brother Phelps 'Catfish' Collins and trombonist and musical director Fred Wesley. This new backing band was dubbed The J.B.'s, and the band made its debut on Brown's 1970 single Get Up (I Feel Like Being a) Sex Machine.

Many of his sidemen and supporting players, such as Fred Wesley & The J.B.'s, Bobby Byrd, Lyn Collins, Vicki Anderson and Hank Ballard, released records on Brown's People label. The recordings on the People label, almost all of which were produced by Brown himself, exemplified his "house style". Songs such as I Know You Got Soul by Bobby Byrd, Think (About It) by Lyn Collins and Doing It To Death by Fred Wesley & The J.B.'s are considered as much a part of Brown's recorded legacy as the recordings released under his own name.

Although he would continue tour and rack up hit records into the 2000s, By the mid-1970s Brown's star-status was on the wane, and key musicians in his band such as Fred Wesley left to join Parliament and Funkadelic. The onslaught of the slickly commercial style of disco caught Brown off guard, as it superseded his raw style of funk music on the dance floor.

Brown is recognized by a plethora of (mostly self-bestowed) titles, including "Soul Brother Number One," "Mr. Dynamite," "the Hardest-Working Man in Show Business," "Minister of New New Super-Heavy Funk," "Universal James," and the best-known, "the Godfather of Soul." He is renowned for his shouting vocals, feverish dancing and unique rhythmic style.

In the 1960s and 1970s, Brown was a presence in American political affairs, noted especially for his activism on behalf of African Americans and the poor. James Brown died early on December 25, 2006, having been admitted to hospital suffering from pneumonia.

Years active: 1956-2006
Born in Barnwell, South Carolina

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James Brown