DamnLyrics - The center provides all the lyrics

Goodnight - Professor Green



     
Page format: Left Center Right
Direct link:
BB code:
Embed:

Goodnight Lyrics


I kick flows, rip shows, think it switched though
Shit no, it ain't any different when I get home
I shift po to get dough, lust P's if you ain't ever been broke
For you to judge me's an insult, it's my life an I'm living it
Agreed we all have choices but mine limited mostly by my decisions
If I knew then what I knew now I'd a lived live different
I'd be a different me but I didn't so this is me
Me in my position, what would you have done
Would you of done what I did? Am I what you would become?
My guess, my guess is you would of succumb like I did
The decision was mine but I was too young
And I picked the wrong path, I went the wrong way
Left school then got the grade, banged it out, got my pape's
Stacked my P's, copped a cake, I'm holding weight now
Made a brick of a ounce and ain't been in the jailhouse
I intend on staying free, free for me don't mean free from stress
Lay in bed but I ain't asleep
From I need rest I just blaze the tree's

Drift off hearing my nan say to me
Goodnight, God bless
I'll see you in the morning
Goodnight, God bless
I'll see you in the morning
I'm a dreamer but can only dream as
Long as I'm asleep I've been having trouble sleeping
See nanny, Edie ain't here to say goodbye no more
I had to say goodbye to her, inside is where resides the hurt
Now all I feel is pain, after that nothingness
After that nothing since after that there's nothing left
Some of her last words were I can't fight forever
Like she wanted to give up and of life she was fed up
She had to go but I wanted her to stay
'Cause ever since she left, things haven't been the same
I need a new shelter from the rain
My face looking weathered, a facety looking bredder, I'm fed up
I know not what to do
See, I'd love to say that I don't give a fuck but I do
The gift and curse that I'm blessed with
The pressures on road ain't nothing to the emotions that I wrestle with
Stress got me in a figure four, raw is what I'm thinking
I wonder what I'm living for, is it only to hurt first my great nan?
Now I gotta put my dad in the dirt
Back in the earth, I wished we could have patched it up first
I was so angry though, I just couldn't handle the hurt
Now you're in the back of a hurse
It hurts more than it ever did
Sometimes I wish that I had never lived
Feels as if it would have been better if I never did, live
I don't know how I'm ever gonna get through this shit
I swear down blood, I'm runnin' on empty
My life ain't nothing to be envied, so goodnight

Enjoy the lyrics !!!
Professor Green is an english rapper from Hackney, East London, currently signed to Virgin Records, after Mike Skinner's The Beats label closed, and ended a run of his own radio shows on BBC Radio 1.

He was signed to The Beats, a record label run by Mike Skinner and Ted Mayhem from 2006 until 12 February 2008, when the label terminated. He rose to success upon winning the inaugural JumpOff MySpace £50,000 battle rap tournament in July 2008. Following this in 2009, Manderson worked with Lily Allen on her 2009 concert tour.

Growing up on the Northwold estate in Upper Clapton, Green's familial situation saw him being raised by his grandmother while he traded up school attendance for just hanging on the estate, like kids do. The Read All About It Songfacts reports that he had a turbulent relationship with his father, who was rarely around during Manderson's childhood and committed suicide in 2008. In his hit single, Read All About It, Green responds to accusations made by his stepmother that his debut album, Alive Till I'm Dead, was "cashing-in" on his death.

While the usual nefarious stories of low budget living played a part in his life, Green's formative years were also characterised by fun: skating was big on the estate, etc. He also had an early inkling that the art of verbal sparring would somehow play a part in his life, confessing how, he always wanted to be a barrister or a lawyer. "I like debates and I've always been argumentative, I think that's helped me in battles a lot."

However, while becoming obsessed with hip-hop at the age of nine "Biggie [The Notorious B.I.G.] is my greatest hip-hop influence", Green only switched up from passive fan to active participant at a relatively late stage. After turning 18 years old, he coined his first rhyme completely off-the-cuff when put on the spot at an impromptu freestyle jam session round a friends house. Passing the test with aplomb and impressing his music making peers, the underground rap battle scene suddenly opened up before him.

After seeing a poster advertising a rap battle at the Lyric Pad night in London, Green turned up and won. From that he graduated to competing at the prestigious Jump Off events, performing at venues like The Scala and Sound in Leicester Square, and becoming the first ever contestant to win six straight weekly finals in a row. While his seventh showdown ended in defeat, he returned undeterred, put together a second run of consecutive victories and became the first string seven wins together. Throw in a further series of seven straight wins and a dalliance with pay battles, and Green became a man to fear on the battle circuit.

Cue a change of scene and a flight to the exotic climes of the Bahamas to spar for $50,000.

Entering the Power Summit battle against America's finest freestyle icons (think 8 Mile but with no holds barred), the crowd may have first viewed Green as this white English kid who's not going to do anything, but his gift of gab and ability to coin scathing punchlines saw him through to the final where he faced Jin, a member of DMXs much amped Ruff Ryders camp. The judges decided in Jin's favour, although with the Ruff Ryder man having been given a bye to the final and Green having already been through seven prior knockout bouts (including taking out representatives from Eminem's Shady Records camp), by his own admission it was "more a case of me losing it as opposed to Jin winning it."

Still, with a crowd featuring US big rap guns like Busta Rhymes and Saigon, Green made a name for himself and in September went off to Hawaii to compete in the battle again.

A performance at the B-Boy Championships last summer ultimately paid greater dividends and opened him up to a new audience in Mike Skinner of The Streets fame.

"Mike approached me after the B-Boy Championships and wanted to bring me on tour with The Streets" he recalls. I ended up doing an opening battle on the tour and we formed a great relationship from that. At first it wasn't about me looking for a record deal though it was more a case of us deciding to lay down some tracks and seeing where it went.

At the end of April 2006 he signed on the dotted line to release his debut album on Skinner's The Beats label. And while UK hip-hop's profile is certainly in the ascendancy thanks to acts like Skinnyman, Sway and Kano, Green has his eyes on breaking out beyond the usual urban tag affixed to British rappers.

Name-checking Portishead, Radiohead, Tracy Chapman and Suzanne Vega as song-writing influences, Green is well aware of the importance of adapting his lyrics from the immediacy of the live battle circuit to cater to the depth of the album format.

"The thing with hip-hop is if you take a lot of rap songs outside of rap then they aren't great songs, whereas with something like country if you take them outside of the genre then the song-writing skills are still incredible, he rationalises. And I'd like to take those skills into rap."

So while never completely leaving behind the entertaining punchlines that have characterised his battle persona, the album will take in everything from songs about his estranged parents to wish lists of things to do before he passes away and the plight of the average stereotypical man in the eyes of the average stereotypical female (see Stereotypical Man, complete with the catchphrase "'Til my breathings done I'll be reading page three of The Sun").

As Green concludes of his new goals "I wouldn't be happy to sell just 30,000 copies of my album. I don't think that there's anything wrong with aiming above that, giving people an album they can relate to, and wanting to be successful."


User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.

View All

Professor Green