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Guillotine (swordz) - Raekwon



     
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Guillotine (swordz) Lyrics


Allow me to demonstrate the skill of Shaolin
The special technique of shadowboxing'
Poisonous, poisonous
(Word, word, word)
I should slap all y'all niggaz for comin'
In my fuckin' face with that shit
Alright cool yeah, go ahead man
Poisonous
Poisonous paragraphs, smash ya phonograph
In half, it be the Inspectah Deck on the warpath
First class leavin' mics with a cast
Causin' ruckus like the aftermath when guns blast
Run fast, here comes the verbal assaulta
Rhymes runnin' wild like a child in a walker
I scored from the inner slums abroad
And my thoughts are razor sharp I sliced the mic from the cord
First they criticize, but now they have become
Mentally paralyzed with hits that I devise

Now I testify, the rest is I, Rebel in S
Ya highness, blessed to electrify
With voltage of an eel, truth that I reveal'll
Rush the amateurs who screamed to keep it real
Caesar black down hoodied up and fatigues
Part time minor leagues receive third degrees
Attack like a wolf pack, once I pull back
Then guard you, and bust through like a fullback
Yo, you fourteen carat gold slum computer wizard
Tappin' inside my rap vein causes blizzards
Do I like the kills for ice trife like botta digits
Gorillas injected with strength of eighty midgets
The Earth spins, ruins, rap exotic blends
Let my peeps in, niggaz gaspin' swallowin' aspirins
What a dosage, you overdosed in rap
High explosives my post-its hypnotize with hypnosis
I sell goods, my whole Clan is on the run like Natural Born Killers
Record-breakin' the album Thriller
Now access the jig who has bombs and rocket launchers
Float like dope killer bees is what I sponsor
Ya entrepreneur, pens and gear like Shakespeare
When I fuck I grab hair, collect drawers as souvenirs
Fuck yeah, my crew down German beers
My career is based on guns, throwin' cats in wheelchairs
Etcetera, damage any lame ass competitor
Who try to front, get broken and passed like leathers
Whatever hot hard heads get shattered like mirrors
Beretta shots splatter your goose, scatter ya feathers
Say never poetry chumps crumbs deal with graphic
Blew my family overseas in mansions
If rap was crack, fully packed I be tour cats
Tax the kingpin of the rap drug traffickin'
Village niggaz get slapped in Manhattan
For rappin', big Ghost steps off laffin'
Were you just using
The Wu-Tang school method against me?
I've learned so many styles, forgive me
Sit back relax, fake niggaz don't get turns
Watch me massage ya brain with slang that's king
Projects filled with young men 'cause threats
Who is that? Thousand dollar chains and techs
Focus, the brokest niggaz of life shit
These mics is like cocaine Sun, check the suicidal hype shit
Exchange mad blunts taste the sweepstakes
Keepin' up on fakes outta state for cakes
No doubt, plus nobody amount, we makin' dough off of
Puttin' fifty on the Land and Allah, it's like that
Pull ya shoes up black, matta of fact just adapt
Tie up, ya black Nike's and tight hats
Corners, stay surrounded with foreigners
Whattup dread? Feds caught you grudgin' for his bread
But regardless, peace to jail niggaz with charges
Unify layin' in the guard with La
My Clan done ran from Japan to Atlanta, with stamina
Clingers and gamblers, and gram handlers
Tical like the Isle, so God, let's get steamed
Infrared guard yo' Beem, so seek nuff respect
Rude bwoy you bet, keep it movin' par shallah
Pro black like tar
Designin' the fly shit and stay shinin'
And the RZA pours more beats than Cristal's fine wine
Concrete raps go to black
With 50 other niggaz on the other side of the map
Knew it's all good and all done what, we want some
Mike Tyson of this rap shit, pullin' out Macs for fun
The nigga don't get mad, I got mad styles of my own
And it's shown when my hands grip the chrome microphone
Verbally I catch bodies with cordless shotties
Intriguin' emcees, I keep 'em trained like potties
I bomb facts, my sword is an axe
To split backs invisible, like dope fiend tracks
Sky's the limit, niggaz are timid, and nobody knows
How we move like wolfs in sheep clothes
Producin' data, microchips or software
Undaground and off air, the Land of the Lost
Notorious henchman from the North
Strikin' niggaz where the Mason-Dixon line crossed

Enjoy the lyrics !!!
Corey Woods (born January 12, 1970) is an American rapper most well known as Raekwon (the Chef), one of the nine Wu-Tang Clan members. Raekwon joined Wu-Tang Clan, a hip hop group based in Staten Island, New York in 1992. When the time came for him to release his first solo album, Only Built 4 Cuban Linx... (1995), hip-hop, once again, underwent a momentous transformation. The album moves from track to track like a film moves from scene to scene. With its invigorating instrumentals and dramatic lyrical tales, Raekwon painted vivid pictures and presented powerful imagery through his enchanting verbal expression.

Rae's groundbreaking debut album helped to bring the flavour of flossing to wax as well as the use of the moniker among Wu brethren and other prominent emcees. The single "Verbal Intercourse" featured the first appearance of Nas Escobar, Nas' alter ego. Similarly, Raekwon and Ghostface Killah, who served as Rae's partner in rhyme throughout the entire Cuban Linx album, also developed a slew of other identities. Identities like Lex Diamond, one of the flashy, witty and intellectually stimulating personas of the multifaceted Raekwon.

In the years after the release of Cuban Linx, Raekwon continued to record several albums with the Clan including the platinum Wu-Tang Forver (1997) and The W (2000), as well as the gold Iron Flag (2001). He also starred in the critically acclaimed film Black and White, before releasing his second solo album, Immobilarity in 1999. Four years later, it's time for another masterpiece from Raekwon.

The Lex Diamond Story, Raekwon's forthcoming third solo album is that desperately needed effort. This new LP is as much a reflection of his first musical triumph Cuban Linx, as it is a manifestation of the future and what is to come from this great emcee. Raekwon is like the E.F. Hutton of hip-hop: when he speaks, everyone listens. The current void in hip-hop is filled with this rap veteran's
crafty verbal gymnastics and artistic form of storytelling. The Lex Diamond Story takes the top shelf elements of the Wu's first album and the finest sentiments of Raekwon's debut and joins them together to deliver another classic album to the masses.

A lyrical gourmet meal, The Lex Diamond Story shows that The Chef still possesses the recipe to cook up a jambalaya of words with the main ingredient being superior skills. Animated and intense, Raekwon's stealth delivery is filled with emotion, skilled cadence and an array of diverse stories, hooks, and topics. The track, "All Over Again (The Way We Were)" touches on the flavour of "Can It Be All So Simple" with its tale of street survival. Meanwhile, "Pit Bull Fights" is reminiscent of the ferocious lyrical beating inflicted on "Incarcerated Scarfaces." Raekwon is indisputably at his creative beast. Unchained and uninhibited, he is assertive with his music and focused on his goals.

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