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Habit Lyrics


Scene one, curtain upSee the couple, coffee shop
Beatniks beating out beebop
Rainy day, skies are gray
But the couple feeling gayBoy is laughing at her joke
Girl, embarrassed, takes a smoke
She should quit, yes, she knows
She's happy as she blowsDown the cafe, through the bar
Pass the hippies and the jars
Of the bean that they drink
Everyday, every weekThey should quit, coffee's bad
Makes you crazy, fucking mad
But they say in defense
With a pause for suspense"It's the stuff of the Gods
Sexy smart, hot rods
Roller coaster, hurricanes
Super-sonic jet planes"They should quit, yes, they know
But where the hell would they go?
They're like me, in a bind

Don't you see, love ain't blind?I could make a habit out of youScene two, same play
Same people, different day
In a car with no top
No speed limits, no copsGirl is driving, she's the queen
In control of this machine
She is talking much too loud
Excited by the soundThey are screaming, buzzing hard
Open road, super car
What they need is some speed
105 is the keyLife is short, so they say
Carpe diem, seize the day
Unlike me, in a bind
I don't get it, love ain't blindI could make a habit out of you
I could make a habit out of youScene three, city streetsBuying shit, selling too
Need a fix or some food?
Or some sex? There's a whore
Looking beautiful but boredLike to drink? There's a bar
Need a lift? Take my car
A stop for every whim
Your heart's desire lets you inIn this city, in this scene
At this party you are queen
You're addicted to the lights
To the sounds, to the sightsTo the pleasure, to the pain
The hot nights, the cold rain
To the smoke, to the drink
To the buzz, don't thinkTo danger, to the fear
To the speed, it's fifth gear
All the time, night or day
There is no choice, that's just the wayYeah, you should quit, yes, you know
Where the hell would you go?
You're like me, in a bind
Now you see, love ain't blindI could make a habit out of you
I could make a habit out of you
I could make a habit out of you
I could make a habit out of you

Enjoy the lyrics !!!
Jump Little Children (JLC or Jump) was formed in 1991 in Winston-Salem, North Carolina. Known for their unique sound, energetic live performances, and willingness to interact with fans, the band built a strong following over their fourteen years. They played their final show on December 30, 2005 in their adopted hometown of Charleston, South Carolina.

The band's name is taken from a song by blues musicians Sonny Terry and Brownie McGhee.

Jay Clifford, Matthew Bivins, Ward Williams, and Christopher Pollen met and formed Jump, Little Children at the North Carolina School of the Arts in 1991. They played their first show on January 1, 1992 as part of a New Year's Day festival in downtown Winston-Salem.

The group was performing Irish music at the time, and in the winter of 1992 Clifford, Bivins, and Pollen traveled to Ireland to learn their craft firsthand. Upon their return, Evan Bivins left the School of the Arts to join the band, and the quartet decided to move to Boston, MA. As they worked to finance the move, the band spent the summer of 1993 in Charleston, SC, where they met future member Jonathan Gray. After arriving in Boston in late 1993, Jump Little Children recorded and released a self-titled cassette featuring original songs and traditional Irish works. Pollen then left the group to join a religious community, and Clifford and the Bivins brothers returned to Charleston in the summer of 1994.

Jonathan Gray and Ward Williams joined the lineup soon thereafter and the band was frequently found busking on the corner of Church and Market Streets in Charleston. Their Irish influences began to blend with an alternative rock sound, and the public took notice. They continued to gain local notoriety and received regional radio airplay for the song Quiet. Jump Little Children recorded and released The Licorice Tea Demos in early 1995, and toured the Southeast with vigor. Regular touring continued throughout 1996 and 1997, including the first of what would become a yearly tradition: New Year's shows at the Dock Street Theatre in Charleston.

Buzz, a live EP, was released in early 1997, and the band was courted by various record labels. They eventually chose Breaking Records, a subsidiary of Atlantic Records started by Hootie and the Blowfish, in 1998. Jump Little Children's first and only album released under Breaking Records, Magazine, was recorded during the summer of 1998 with producer Brad Jones. Magazine was released in the fall of 1998, and the single Cathedrals achieved radio play nationwide over the following year.

Looking to build on that success, the band reentered the studio in the fall of 2000 to record Vertigo. Produced by Clifford and Brad Wood and mixed by David Leonard, the album is an artistic high-watermark. Originally due to be released in May 2001, Vertigo was put on hold when Breaking Records was dropped from the Atlantic roster. The rights to Vertigo were given to Breaking, and after a fierce struggle, Jump, Little Children was able to release the album on their own imprint, EZ Chief Records, in September 2001. Even without the backing of a major label, Vertigo reached #44 on the Billboard Top Independent Albums chart.

The band regrouped over 2002 and 2003, expanding their touring to include the Midwest and West Coast and recording and releasing a DVD titled Live At The Music Farm. They also expanded EZ Chief Records, launching a website where users could create custom CDs using tracks from independent artists. In the summer of 2003, the band took its first hiatus, but soon returned with an abbreviated name, "Jump," and plans for another album, Between The Dim & The Dark. Produced by Rick Beato and released on Brash Music in April 2004, the album was well-received. Between The Glow & The Light, an EP of B-sides to Between The Dim & The Dark, was released in April 2005.

On June 16, 2005, the band announced that the 10th annual Dock Street Theatre shows at end of 2005 would mark their split. Their final show was a black tie affair in Charleston on December 30, 2005, and featured material from each of the members' future projects. The show ended with the band and audience of 500+ walking from the theatre to the corner of Church and Market Streets for a busking session typical of the band's early years. Jump Little Children was the last song played.

Live at the Dock Street Theatre, a double live album, was released in 2006 and is the band's final recording. Members of Jump Little Children have not completely ruled out the possibility of recording more material or continuing their traditional Dock Street Theatre shows, but Evan Bivins was quoted as saying "This is pretty much it. We've been saying 'never say never,' but for all intents and purposes, these are the last shows. We've been planning this since the end of last year." During the final show, Amanda Kapousouz announced the formation of a scholarship fund at the College of Charleston in honor of the band. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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