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Harlem Renaissance (produced by DJ Green Lantern) - Immortal Technique



     
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Harlem Renaissance (produced by DJ Green Lantern) Lyrics


Harlem once was red line district rated
Designated ghetto like the yellow star of David
And you wonder why people don't own their homes
'Cause the racist bank wouldn't fuckin' mortgage a loanUntil after the invasion of gentrification
Eminent domain intimidation
That's not negotiation
And it's frustrating to look at every day
Like watching a porno on 56K
Biohazard labs instead of storerooms
What's next motherfucker projects as dorm rooms
You ain't fooling nobody in this community dude
With your little fake Manhattanville community group
Ivy league real estate firms are corrupt
They lay siege to your castle like the Moors in Europe
They treat street vendors like criminal riff raff
While politicians get the corporate kickbacks[Chorus: ]
Harlem Renaissance a revolution betrayed
Modern day slaves thinking that the ghetto is saved

'Til they start deporting people off the property
Ethnically cleaning the hood, economically
They want to kill the real Harlem Renaissance
Trying to put the Virgin Mary through an early menopause
The Savior is a metaphor for how we set it off
Guerilla war against the rezoning predatorsWhen I speak about Harlem, I speak to the world
The little Afghan boy and the Bosnian girl
The African in Sudan, the people of Kurdistan
The third world American indigenous man
Palestinians, Washington Heights, Dominicans
Displaced New Orleans citizens
Beachfront Brazilian favelas that you livin' in
The hood is prime real estate they want back in again
I didn't write this to talk shit, I say it because
Some of y'all forgot what the Harlem Renaissance was
We had revolution, music and artisans
But the movement was still fucked up like Parkinson's
'Cause while we were giving birth to the culture we love
Prejudice kept our own people out of the club
Only colored celebrities in the party
And left us a legacy of false superiority
W.E.B. Du Bois verses Marcus Garvey
And we ended up selling out to everybody
The Dutch soldiers and the John Gotti's
Bankers ? modern day gangsters, a mobile army
They want to move us all out the NYC
Like they did to the Jews with the Alhambra Decree
So support your own businesses and do the knowledge
'Cause the real Harlem Renaissance is economic
Songwriters
D'Agostino, James C / Coronel, FelipePublished by
Lyrics © Sony/ATV Music Publishing LLC Song Discussions is protected by U.S. Patent 9401941. Other patents pending.

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Felipe Andres Coronel (born February 19, 1978), better known by the stage name Immortal Technique, is a Peruvian rapper, and an urban activist. He was born in Lima, Peru and raised in Harlem, New York. Most of his lyrics focus on controversial issues in global politics. The views expressed in his lyrics are largely a mixture of socialist commentary on issues such as class hierarchy, poverty, religion, government and institutional racism.

Immortal Technique has voiced a desire to keep control over his production, and has stated in his music that record companies, not artists themselves, profit the most from mass production and marketing of music. He claimed in an interview to have sold close to 200,000 units of his three official releases.


Biography
Early life
Coronel is African-Peruvian and was born in 1978 in a military hospital in Lima. His family emigrated in 1980 to Harlem to escape the ongoing internal conflict in Peru. During his teenage years he was arrested multiple times due in part to what he has said was "selfish and childish" behavior. He attended Hunter College High School on the Upper East Side of Manhattan. Shortly after enrolling in Pennsylvania State University, he was arrested and charged with assault-related offenses due to his involvement in an altercation between fellow students, the charges stemming from this incident led to him being incarcerated for a year. After being paroled, he took political science classes at Baruch College in New York City for two semesters at the behest of his father, who allowed Coronel to live with him on the condition that he go to school. Honing his rapping skills in jail, and unable to find decent wage-paying employment after his release, Coronel began working on the restaurants of New York while bad mouthing MCs whenever the opportunity arose. This, coupled with his victories in numerous freestyle rap competitions of the New York underground hip hop scene such as Rocksteady Anniversary, Braggin Rites and others, led to his reputation as a ferocious Battle MC.

Revolutionary Vol.1 and Vol.2
In 2001 , Immortal Technique released his first album Revolutionary Vol. 1 without the help of a record label or distribution, instead using money earned from his rap battle triumphs. Revolutionary Vol. 1 also contained the underground classic Dance With The Devil. In November 2002, he was listed by The Source in its "Unsigned Hype" column, highlighting artists that are not signed to a record label. The following year, in September 2003, he received the coveted "Hip Hop Quotable" in The Source for a song entitled "Industrial Revolution" from his second album. Immortal Technique is the only rapper in history to have a "Hip Hop Quotable" while being unsigned. He released his second album Revolutionary Vol. 2 in 2003. In 2004, Viper Records and, in 2005, Babygrande Records re-released Immortal Technique's debut, Revolutionary Vol. 1, to make it available to a wider audience. "Point of No Return" from Revolutionary Vol 2 was used as the entrance theme for Rashad Evans during the UFC 88 Main Event between Chuck Liddell and Rashad Evans.

The 3rd World and The Middle Passage

Between 2005 and 2007 Immortal Technique began working on The Middle Passage and The 3rd World, the two albums that would serve a follow up to Revolutionary Vol. 2 and complete the series. He was also featured on several movie soundtracks and video game soundtracks, all the while touring relentlessly and becoming heavily involved in visiting prisons to speak to youth and working with immigrant rights activists and raising tens of thousands of dollars for children’s hospitals overseas. He invested his money not in items that are usually associated with fame but rather in large pieces of farmland in Latin America. He created a writing grant program for high school students as well.

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Immortal Technique