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Heart Of Wilderness - Big Head Todd And The Monsters



     
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Heart Of Wilderness Lyrics


If only there were time and tenderness
Oh, for young hearts of wilderness
We run to the city, we build our nest
We work, we get drunk, we make love
But your love won't take me from the graves to the heavens
Your love won't take me from the graves to the heavens
Before I'm gone your arms will be holding some other man
Before I'm gone your arms will be holding some other man
In this heart of wilderness
In this heart of wilderness
Come with me and take my hand
We'll run and dream in this heart
This time I won't turn out the light
Oh, this time I won't turn out the light
Make believe everything's alright
Kiss my lover a cold good night
Morning turns to noon and noon to night
Oh, morning turns to noon and noon to night

My heart is still filled with fright
I'm still the same broken piece of clay
In this heart of wilderness
In this heart of wilderness
Come with me and take my hand
We'll run and dream in this heart, ohh
I've been dreaming of something underneath the hill
Just around the bin and underneath the hill
A fortune in wood and steel
In restaurants and people without names
Oh sweet Jesus, I'm a broken man
Oh sweet Jesus, I'm a broken man
All I did was follow the plan
But what I wouldn't do to be loved
In this heart of wilderness
In this heart of wilderness
Come with me and take my hand
We'll run and dream in this heart
Mine's the heart of wilderness
Don't go in there if you know what's best

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Big Head Todd & the Monsters is a rock band formed in 1986 in Colorado. The band has released eight studio albums since 1989 with their 1993 album Sister Sweetly going well beyond platinum in the US. The band has developed a sizeable live following especially in the Mountain States of the US.
Big Head Todd and The Monsters – singer-guitarist Todd Park Mohr, bassist-singer Rob Squires, drummer-singer Brian Nevin and keyboardist-guitarist-singer Jeremy Lawton -- could have begun resting on their laurels back in 1993, when their Top 10 singles “Bittersweet,” “Broken Hearted Savior,” “Circle” and “It’s Alright” pushed the album Sister Sweetly to platinum certification. However, Mohr says, “I’ve fought throughout our career not to be a one-trick pony, to be the kind of band that has depth and diversity in its catalogue. I’m a fan of this band, and I’m constantly looking forward to what comes next.”
The essence of Big Head Todd and The Monsters – a rootsy, emotionally direct variety of rock ’n’ roll that lends itself particularly well to a live setting – has been winning fans since Mohr, Rob Squires and Brian Nevin started playing together in high school (Jeremy Lawton joined in 2004). Needless to say, the three never expected to be in the same band at this late date, but, as Mohr points out, “It was a really fortunate combination of musical personalities, and we’re still partners in every sense of the word.”
The band spent seven years developing their chemistry and amassing a following, boosted significantly by the independent releases Another Mayberry (1989) and Midnight Radio (1990), before being “discovered” by the listening public at large with 1993’s Sister Sweetly. After a major-label stint (Sister Sweetly, 1994’s Stratagem, 1997’s Beautiful World), during which the trio increasingly found itself frustrated artistically, they reclaimed their independent status (2001’s Riviera, 2004’s Crimes of Passion). “If it were not for our ability to do things for ourselves, we would have disappeared a long time ago,” Mohr allows.


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Big Head Todd And The Monsters