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Hold You Down - Raekwon



     
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Hold You Down Lyrics


[hook]ooh, i want it, yeah
whenever you need my help
i'll hold you down, oh
ooh, you want it, yeah
motherfuck these niggas
tryin' to hold me down, oh
yeah, uh
why in the fuck these niggas try and hold me down, ohh
[verse 1]you such a fuckin' lame
it's what they used to yell back in seventh grade
my momma said she'd get me that new jacket when the cost go down
hit the office, stole some tommy hill from lost and found
not bad for a family of foster child
lookin' fly man, i'm flossin' now
but them niggas saw through me
are you serious? what is this?
took the jacket off third period, ellipsis
listening to "sky is the limit" on my walkman

thinking if biggie can make it through it, man then i can
dope-boy swag
i always wanted that
but my persona was always more of that arthur ash
but no love for the son of a commuter
who was a radio head and okay at them computers
at the post office
it's funny how you smoke niggas then you start coffins
all my people need throat lozenge
my fear is dead
ambition drove the hearse
but niggas got my feelin' i ain't black enough to go to church
culture shock at barber shops cause i ain't hood enough
we all look the same to the cops, ain't that good enough?
the black experience is blackened serious
cause being black, my experience, is no one hearin' us
white kids get to wear whatever hat they want
when it comes to black kids one size fits all
[hook][break]we the baddest nigga, we the baddest nigga
you hear me?
we the baddest nigga, we the baddest nigga
we the baddest nigga, we the baddest
[verse 2]the reason that they say i'm nothin' what they seen or heard's
the same reason will smith always opposite latino girls
they only see you how they wanna see you
'til you make them see you in some other way
i'm trippin' off the other day
cause god knows what these white kids sayin'
dude you're not not racist cause the wire's in your netflix cue
subtle racism
it's hard to pin it cause you'd only understand
if you were me for just a minute
this one kid said somethin' that was really bad
he said i wasn't really black because i had a dad
i think that's kinda sad
mostly cause a lot of black kids think they should agree with that
if you're a father, you should stick around if you could
cause even if you're bad at it, you get tiger woods
mj
we warriors, we all need senseis
change everything that we've done so far
i don't mean makin' b.e.t. t.e.r
i mean just the way that we see each other
i won't stop until they say, "james franco is the white donald glover"
yeah, these niggas wanted cookie but instead i gave 'em loch ness
sick boi for life, my swag is in a hospice
aimin' for the throne, jay and ye said to watch that
they ask me what i'm doin', i say i'm stealin' rock back
nigga
[hook x2]

Enjoy the lyrics !!!
Corey Woods (born January 12, 1970) is an American rapper most well known as Raekwon (the Chef), one of the nine Wu-Tang Clan members. Raekwon joined Wu-Tang Clan, a hip hop group based in Staten Island, New York in 1992. When the time came for him to release his first solo album, Only Built 4 Cuban Linx... (1995), hip-hop, once again, underwent a momentous transformation. The album moves from track to track like a film moves from scene to scene. With its invigorating instrumentals and dramatic lyrical tales, Raekwon painted vivid pictures and presented powerful imagery through his enchanting verbal expression.

Rae's groundbreaking debut album helped to bring the flavour of flossing to wax as well as the use of the moniker among Wu brethren and other prominent emcees. The single "Verbal Intercourse" featured the first appearance of Nas Escobar, Nas' alter ego. Similarly, Raekwon and Ghostface Killah, who served as Rae's partner in rhyme throughout the entire Cuban Linx album, also developed a slew of other identities. Identities like Lex Diamond, one of the flashy, witty and intellectually stimulating personas of the multifaceted Raekwon.

In the years after the release of Cuban Linx, Raekwon continued to record several albums with the Clan including the platinum Wu-Tang Forver (1997) and The W (2000), as well as the gold Iron Flag (2001). He also starred in the critically acclaimed film Black and White, before releasing his second solo album, Immobilarity in 1999. Four years later, it's time for another masterpiece from Raekwon.

The Lex Diamond Story, Raekwon's forthcoming third solo album is that desperately needed effort. This new LP is as much a reflection of his first musical triumph Cuban Linx, as it is a manifestation of the future and what is to come from this great emcee. Raekwon is like the E.F. Hutton of hip-hop: when he speaks, everyone listens. The current void in hip-hop is filled with this rap veteran's
crafty verbal gymnastics and artistic form of storytelling. The Lex Diamond Story takes the top shelf elements of the Wu's first album and the finest sentiments of Raekwon's debut and joins them together to deliver another classic album to the masses.

A lyrical gourmet meal, The Lex Diamond Story shows that The Chef still possesses the recipe to cook up a jambalaya of words with the main ingredient being superior skills. Animated and intense, Raekwon's stealth delivery is filled with emotion, skilled cadence and an array of diverse stories, hooks, and topics. The track, "All Over Again (The Way We Were)" touches on the flavour of "Can It Be All So Simple" with its tale of street survival. Meanwhile, "Pit Bull Fights" is reminiscent of the ferocious lyrical beating inflicted on "Incarcerated Scarfaces." Raekwon is indisputably at his creative beast. Unchained and uninhibited, he is assertive with his music and focused on his goals.

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