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Hymn Lyrics


The city is spread, reach to the heavens
This cloud cover breathing the soft and rain
Yes, I'm good looking, oh yes, I have money
Don't it count for nothin' over there, don't it count for nothin'
Don't it count for nothin' over thereThe snow falls dirty, we watch our blue TV
Educated, educated in monotony
Rains won't let me see, the acid fallin' from the sky
The bloody tears in your eyesThis is my hymn, it's the only one I know
This is my hymn, lift it up to you, I lift it up to youMy heart can't quite reach to the heavens
Lyin' face down in unbelief, love or money can't fill it up
This empty space that keeps runnin' deep
Is it true you love me? You're the only one I needOne sweet flower of ease in the bitterest hell
Is your voice, is your voice to me
Whisper your love gentle, could you really love me?
Never disenchanted, disappointed, in me you believeI will lie down waitin', I will cry waitin'
I will work waitin', waitin' for your loveThis is my hymn, it's the only one I know
This is my hymn, I'm screamin' out to you
I'm screamin' out to you, screamin' out to you

Screamin' out to you

Enjoy the lyrics !!!
Big Head Todd & the Monsters is a rock band formed in 1986 in Colorado. The band has released eight studio albums since 1989 with their 1993 album Sister Sweetly going well beyond platinum in the US. The band has developed a sizeable live following especially in the Mountain States of the US.
Big Head Todd and The Monsters – singer-guitarist Todd Park Mohr, bassist-singer Rob Squires, drummer-singer Brian Nevin and keyboardist-guitarist-singer Jeremy Lawton -- could have begun resting on their laurels back in 1993, when their Top 10 singles “Bittersweet,” “Broken Hearted Savior,” “Circle” and “It’s Alright” pushed the album Sister Sweetly to platinum certification. However, Mohr says, “I’ve fought throughout our career not to be a one-trick pony, to be the kind of band that has depth and diversity in its catalogue. I’m a fan of this band, and I’m constantly looking forward to what comes next.”
The essence of Big Head Todd and The Monsters – a rootsy, emotionally direct variety of rock ’n’ roll that lends itself particularly well to a live setting – has been winning fans since Mohr, Rob Squires and Brian Nevin started playing together in high school (Jeremy Lawton joined in 2004). Needless to say, the three never expected to be in the same band at this late date, but, as Mohr points out, “It was a really fortunate combination of musical personalities, and we’re still partners in every sense of the word.”
The band spent seven years developing their chemistry and amassing a following, boosted significantly by the independent releases Another Mayberry (1989) and Midnight Radio (1990), before being “discovered” by the listening public at large with 1993’s Sister Sweetly. After a major-label stint (Sister Sweetly, 1994’s Stratagem, 1997’s Beautiful World), during which the trio increasingly found itself frustrated artistically, they reclaimed their independent status (2001’s Riviera, 2004’s Crimes of Passion). “If it were not for our ability to do things for ourselves, we would have disappeared a long time ago,” Mohr allows.


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Big Head Todd And The Monsters