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I came from a place I forgot
I woke up in a parking lot
Far from a meal and a cot
On the cornerWhere all the streets got the same name
Maybe my brains on the brink of insane
Pain between the papers while sleepin' on the train
This the land of milk and honey
Know what I'm sayin'The invisible man times three black, down and out
Out standing on a corner no doubt
Now a nation of homeless sleepin' in bus stations
Another win for the pilgrims who said no more HaitiansAs I proceed someone to feed me is what I need
Through three blocks of dealers tryin to hit me off wit weed
Avenue and boulevard hungry as a motherfucka
Hope to get a ride from a trucker
Everybody know I aint no sucker
Everyone used to drop 30 at the ruckerAway from crazy kids in generation wrecked
Dissin' pyramids while praisin' projects
Walk past old folks gettin' no respect

Callin' young folks a bunch a no good rejects and I walk onAn eye for an eye I cant recognize the man in the mirror
Is it I, it is I now who this cat I'm lookin' at
'Cause I've been waiting so long to get where I'm goin'
An for an eye in this country tis of thee
Now how the hell can I be free
Who this cat I'm lookin' at
'Cause I been lost so long without anybody knowin'So I move on and I walk on
Past the preachers and the pimps gettin' their talk on
Now why do home gotta be where the negative roam
To be or not to be so I roll alone
I'm trapped within this skin and these bones
Temporary kings on cellular phonesCan I last as I walk past
Cigarette billboards and malt liquor ads
Walkin' on broken bottles and potato chip bags
Everyone I see got the nerve to bragWhere they from what they got and dont own squat
Disrespect where they from and ya might get shot
Zombies askin' me what the latest bomb be
Should shot the fuckin' sheriff and the fuckin' deputy
For okay in the drug trade and lettin' it be
But I know prison for me is an industry so I walkI heard the best things in life be free
Didnt god make the land the air we breathe
Not for the homeless dont give a damn about me
In the mirror somebody else is starin' at meMaybe prison is the skin I'm within
All this time I been sufferin' cant fix it wit a bufferin'
Plus they said I'll never work in this town again
Damn so I keep on walkin'An eye for an eye, I cant recognize the man in the mirror
Is it I, it is I now who this cat I'm lookin' at
'Cause I've been waiting so long to get where I'm goin'
An for an eye in this country tis of thee
Now how the hell can I be free
Who this cat I'm lookin' at
'Cause I been lost so long without anybody knowin'Li'l day day is big day and just did time
Seen him standin' on the unemployment line
Which collided wit the line of the health clinic
I seen crazy Stacy her ass standin' up in itNo more welfare cut her Medicaid
Damn my mama used to do her braids
I keep walkin so they dont see me
But I doubt if they doin' any better than meSo I walk on never take the planet for granted
I paved the concrete, asphalt and granite
I walk past 3 brothers sittin' on the porch
Wit a yard of dirt and littered wit NewportsTalkin' how they comin' up while they sittin' on their ass
As I walk past em I'm a target of their laughs
And one said lets get 'em for his fuckin' stash
As I walked fast past the other yards wit grass
Had a li'l cash tried to make it lastFrom a few deals I made from cleanin' windshields
I ran like a rally they caught me in an alley
Cant get out the ghetto from New York to Cali
I thought I had nuthin' till I felt the knife
And now I aint even got a life

Enjoy the lyrics !!!
Public Enemy, also known as P.E., is a seminal Golden Age era Hip-Hop group known for their densely layered production and politically charged lyrics demonstrating their interest in the concerns of the African American community.

PE formed in Long Island, New York, in 1982 around a WBAU radio show as Spectrum City. After one less-than-successful single, they regrouped and signed to the still developing Def Jam record label after Rick Rubin heard Chuck D freestyling on a demo. Their debut, ‘Yo! Bum Rush The Show’, was released in 1987 to mild critical acclaim, although the Hip-Hop climate changed dramatically due to sampling during the time of release. As a response, they went on to release the revolutionary ‘It Takes a Nation of Millions to Hold Us Back’ in 1988, which performed better in the charts than their previous release, and included the hit single ‘Don’t Believe the Hype’.

Slightly less militant than their previous releases Public Enemy’s, ‘Fear Of A Black Planet’ was officially recognised as being the most successful and influential of the Public Enemy recordings when, in 2004, it became one of 50 recordings, chosen that year by the Library of Congress, to be added to the National Recording Registry. Sales-wise it was the most successful of any of their albums to date. It included the powerful and controversial singles ‘911 is a Joke’ (which criticized emergency response units for taking longer to arrive at emergencies in the black community than those in the white community), and ‘Fight the Power’, which is considered by many to be the group’s premier self-describing anthem. The song is considered to be amongst the most popular and influential in Hip Hop history and was the theme song for Spike Lee’s landmark film ‘Do The Right Thing’.

Public Enemy are to be considered musical pioneers for a broad variety of reasons. For instance, Terminator X elevated DJing to a refined art. Some of his most innovative scratching tricks can be heard on the track ‘Rebel Without A Pause’. PE’s production team, ‘The Bomb Squad’, offered up a web of innovative samples and beats; critic Steven Thomas Earlewine declared that PE “brought in elements of free jazz, hard funk, even musique concrète, via their [production] team, the Bomb Squad, creating a dense, ferocious sound unlike anything that came before.”

PE revolutionized the rap world with their political, social and cultural consciousness. These themes became infused into skilled and poetic rhymes with jazzy backbeats. They are recognised as the first Hip Hop group to make extended world tours, leading to huge popularity and influence within the Hip Hop communities of Europe and Asia. They also changed the internet’s music distribution capability by being the first group to release MP3 albums, a format virtually unknown at the time.

Public Enemy, in keeping with their ‘pioneer’ status, also helped to form and define the so-called ‘crossover’ genre of music (heavy rock music spliced with hip hop) by collaborating with New York thrash metal outfit Anthrax in 1991. The single ‘Bring The Noise’ was a remarkable potpourri of semi-militant pro-black lyrics, grinding guitars and sporadic humour. The two bands, cemented by a mutual respect, and the personal friendship between Chuck D and his Anthrax counterpart Scott Ian, introduced a hitherto alien genre to rock fans.

During the seemingly unlikely tour of Anthrax and Public Enemy, Flavor Flav made his famous pronouncement onstage that “They said this tour would never happen” (heard on Anthrax’s Live: The Island Years CD). This has become something of legendary significance in both rock and rap circles. There is some justification for the theory that without this unlikely musical partnership, bands such as Rage Against The Machine and Linkin Park would not have existed, and the genres of rap rock, nu metal and their related offshoots might have never developed.

Members of Public Enemy

Chuck D
Real name: Carlton Douglas Ridenhour
Role: Group leader, lyricist, main vocalist, and artwork
Birthdate: August 1, 1960

Flavor Flav
Real name: William Jonathan Drayton, Jr.
Role: Lyricist, vocalist, hype-man, and comic relief.
Birthdate: March 16, 1959

Professor Griff
Real name: Richard Griffin
Role: Head of S1W, liaison between PE and S1W, road manager. Ensured that the chaotic Flavor Flav was available when needed. Occasional vocalist and/or producer, plays drums at live shows.
Birthdate: August 1, 1960 (the same as Chuck D)

Terminator X
Real name: Norman Rogers
Role: DJ, Producer
Birthdate: August 25, 1966

Dj Lord
Real name: Lord Aswod
Role: DJ, Producer

The following are a part of The Bomb Squad, the revolutionary production group which is closely associated with (and sometimes considered a part of) Public Enemy:

Hank Shocklee
Real name: Hank Boxley
Bill Stephany
Keith Shocklee
Eric “Vietnam” Sadler
Chuck D - often listed as a member of the Bomb Squad under the pseudonymn “Carl Ryder”, a shortened form of his real name.

The S1W’s are sometimes considered a part of Public Enemy, as well.

There are three other groups named Public Enemy:

2) The first Public Enemy, an Oi!/punk band formed in 1984 who released one LP album (England's Glory) and one 7 inch (Skinheads). This band was never white supremacist and has no connection to the "revived" Public Enemy:

3) White Power group from the UK, formed by Paul Burnley (of No Remorse). Released 3 CDs: “Paul Burnley Is The Real Public Enemy”, "There is only one..." and “Archives”.

4) Public Enemy was a Hardcore/Punk group from Tuscon, Arizona.

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Public Enemy