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Identity Theft - Sinch



     
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Identity Theft Lyrics


Am I lying to myself, when everyone else here sees right through me?
And all the products they've sold me, will I let them own me
Don't I feel like such a man? I'll hide my guilt and no regrets
Smoke a thousand cigarettes and slowly tear myself apart'Til suddenly I'm in the middle of the part I love
There's no rest for these feelings
And I have had enough time to thinkThere are several different ways to waste your time there
And mine will be the one that digs my grave
But anyway
Well I can see for miles and milesTroubled are the few
Who reach for the stars
And I don't even know what the hell we are
But honestly I'm starting to think that I'm lostWhen suddenly I'm in the middle of the part I love
There's no rest for these feelings
And I have had enough time to thinkSo don't shoot me full of your lies, I know the profit song
It moves the bones till round and round we go
Can cite examples why I'm right, I don't look the same
I can barely tell myself apartThen suddenly I'm in the middle of the part I love
There's no rest for these feelings

And I think that enough is enoughSo don't tell me the same stories, 'cause I've heard them all before
There's no telling what you're selling
But I don't want it anymore, you think you've got it all
But you don't have what I'm looking for

Enjoy the lyrics !!!
It's no surprise that four bored suburban kids might decide to start a band in high school, maybe play a few "gigs", maybe even stick together for a few years and try to make it in the "big city." This may sum up how Sinch began in vocalist Jamie Stem's parents' garage circa 1994. But, their collective desire to create new sounds and incorporate technology into their music and performance has brought them to a greater path. Despite hitting myriad roadblocks along the way, Sinch has remained completely intact since 1994, dedicated to their pursuit.

Sinch consists of five core members that come together to create, to construct, and deconstruct the art in their surroundings. Using guitarist Tony Lannutti's ominous guitar tones and singer Stem's ability to switch, with ease, from soft, passionate melodies into taut unnatural screams, the band steadily creeps its way into explosions. The intensity of emotions erupts through the group's collective pores. With Mike Abramson's driving bass lines and Dan McFarland's intricate drumming providing both the engine and fuel, there is just something special about this band that you can't quite put your finger on, and maybe don't want to.

Anchored in the Philadelphia suburbs, Sinch's popularity has grown year after year. With the March 22, 2005 release of Clearing The Channel on Rock Ridge Music, the band continues on its journey and takes the next giant leap. The 11-track album is replete with haunting melodies, lashing riffs, and slicing lyrics; it's a shining example of modern hard rock. Co-produced by Sinch and Drew Mazurek (Linkin Park, Nothingface, Dog Fashion Disco), Clearing The Channel features such tunes as "Silence Broken," "Dead Sentinels," and "Hydroplane," showcasing the band's passion, talent, and commitment to using technology to enhance the musical experience.

The undeniable proof of this facet of the band's arsenal is Jay Smith, the fifth member of Sinch. In order to add a visual element to the performance, Smith invented and patented the Viditar, a full-on editing console contained in a device that looks much like a Lucite guitar. Onstage, armed with this "ocular noise machine" and a hard drive full of CNN footage and odd visual loops (like Osama Bin Laden morphing into Jesus morphing into Hillary Clinton), Smith edits and cuts at breakneck speed on stage, playing alongside the musicians, sweating out each and every drop of video brilliance. His contribution is essential, creating palpable connections between the images, the lyrics, and the sound. The full multi-media spectacle is the true Sinch experience.

By taking chances mixed with equal doses of innovation, the Sinch boys have since been dubbed the "brothers of invention" by Philadelphia Weekly and continue to evolve their already intriguing live show with each and every performance. For tour dates and more information, visit www.sinch.net.

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Sinch