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If It Doesn't Come Naturally, Leave It - Al Stewart



     
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If It Doesn't Come Naturally, Leave It Lyrics


Nothing that's forced can ever be right
If it doesn't come naturally, leave it
That's what she said as she turned out the light
And we bent our backs as slaves of the night
Then she lowered her guard and showed me the scars
She got from trying to fight
Saying oh, you'd better believe it.Well I'm up to my neck in the crumbling wreckage
Of all that I wanted from life
When I looked for respect all I got was neglect
Though I swallowed the line as a sign of the times
But dealing a jack from the back of the pack
They said-"You lose again"
Oh, I said, who needs it?Well don't get me wrong now I tried to get on
With the jokers that got in my way
And I put on a smile and I tried all the while to be straight
But they just wanted more all the time and I'm sure
That you know what I mean when I say
That I'm sick of the touch and there's only so much you can take.Well nothing that's real is ever for free

And you just have to pay for it sometime
She said it before, she said it to me
I suppose she believed there was nothing to see
But the same old four imaginary walls
She built for living inside
I said oh, you just can't mean itWell there was never a doubt that she had to get out
she was just looking around for a way
In the pit of the night there was nowhere to hide any more
She was out on a limb, she was reaching for things
That she wanted, but just couldn't say
And she had to be sure that she wouldn't get caught like before.Well nothing that's forced can ever be right
If it doesn't come naturally, leave it
That's what she said as she turned out the light
And she may have been wrong, and she may have been right
But I woke with the frost, and noticed she'd lost
The veil that covered her eyes
I said oh, you can leave it.
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Al Stewart (born in Glasgow, Scotland on 5 September 1945) is a British songwriter and musician. He is best known for his 1976 single Year Of The Cat and its 1978 follow-up Time Passages (both produced by Alan Parsons). Stewart's inspiration for his songs primarily comes from the past; indeed, he is credited with creating his own genre, "historical folk rock". At one time in his life, Stewart took guitar lessons from King Crimson guitarist Robert Fripp.

Stewart grew up in the coastal resort town of Bournemouth, Dorset. According to Songfacts, in days of youthful folly Stewart played in a beat group with later BBC DJ Tony Blackburn before moving to the capital to seek fortune and fame.

Having bought his first guitar from future Police guitarist Andy Summers, Stewart traded in his electric guitar for an acoustic guitar when he was offered a weekly slot at Bunjies Coffee House in London's Soho in 1965. From there, he went on to compete at the Les Cousins folk club on Greek Street, where he played alongside Cat Stevens, Bert Jansch, Van Morrison, Roy Harper and Ralph McTell

Although he had his share of the breaks, including a tenure at Bunjees coffee house and a record deal with CBS, life wasn't always easy for the young troubadour; his first serious love affair ended in disaster, and he experienced all the usual insecurities of the stranger in the big city trying to find his way.

In January 1970, Melody Maker named his second release Love Chronicles its Folk Album Of The Year, but in spite of his obviously carving out quite a name for himself, it was not until Year Of The Cat - the single and even more so the monster album - that he really shot to fame.

He emigrated to the United States as his career took off in the mid 1970s, and still lives in California. While studio albums are now few and far between, he still tours extensively in the United States, and, most years, in Europe. Recordings of concerts are often made available through his fan clubs.

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Al Stewart