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In the Mood Lyrics


Who's the lovely daddy with the beautiful eyes
What a pair o' lips, I'd like to try 'em for size
I'll just tell him, baby, won't you swing it with me?
Hope he tells me maybe, what a wing it will be
So, I said politely, "Darlin', may I intrude"
He said, "Don't keep me waitin' when I'm in the mood"
First he held me lightly when we started to dance
Then he held me tightly what a dreamy romance
And he said, "Hey, baby, it's a quarter to three
There's a mess of moonlight, won't you share it with me?"
"Well", I answered, "Baby, don't you know that it's rude
To keep my sisters waitin' when they're in the mood?"
In the mood that's what he told me
In the mood and when he told me
In the mood my heart was skippin'
It didn't take me long to say I'm in the mood now
In the mood for all his kissin'
In the mood his crazy lovin'

In the mood what I was missin'
It didn't take me long to say I'm in the mood now
First he held me lightly when we started to dance
Then he held tightly what a dreamy romance
And he said, "Hey, baby, it's a quarter to three
There's a mess of moonlight, won't you share it with me?"
Then I answered, "Baby, don't you know that it's rude
To keep my sisters waitin' when they're in the mood?"
In the mood that's what he told me
In the mood and when he told me
In the mood my heart was skippin'
It didn't take me long to say I'm in the mood now
In the mood for all his kissin'
In the mood his crazy lovin'
In the mood what I was missin'
It didn't take me long to say I'm in the mood now
In the mood
In the mood
In the mood
...

Enjoy the lyrics !!!
In 1881, Henry Lee Higginson, the founder of the Boston Symphony Orchestra, wrote of his wish to present in Boston "concerts of a lighter kind of music." The Boston Pops Orchestra was founded to present this kind of music to the public, with the first concert performed in 1885. Called the "Promenade Concerts" until 1900, these performances combined light classical music, tunes from the current hits of the musical theater, and an occasional novelty number. Allowing for some changes of taste over the course of a century, the early programs were remarkably similar to the Boston Pops programs of today.

The Boston Pops Orchestra did not adopt its own official conductor until 1930, when Arthur Fiedler began a fifty-year tenure as the Pops conductor. Fiedler's career as the conductor of the Pops brought worldwide acclaim to the orchestra. He was unhappy with the reputation of classical music as being solely for elite, aristocratic, upper-class audiences. Fiedler made efforts to bring classical music to wider audiences. He instituted a series of free concerts at the Hatch Shell on the Esplanade, a riverside public park along the Charles River. Along with his insistence that the Pops Orchestra would play popular music alongside well-known classical pieces, Fiedler opened up a new niche in popular culture that encouraged popularization of classical music.

After Fiedler's death in 1979, the conductorship of the Boston Pops was taken over by Academy Award-winning composer John Williams in 1980. Williams continued the Pops' tradition of bringing classical music to a wider audiences, initiating the annual "Pops-on-the-Heights" concerts at Boston College and adding his own considerable library of well-known movie soundtracks (including the Star Wars and Indiana Jones movies) to its repertoire. This artist can be applied to any performance or recording during John William's tenure as principal conductor. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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John Williams and the Boston Pops Orchestra