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It Doesn't Matter - Whores of Babylon



     
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It Doesn't Matter Lyrics


Yo, this is the Rock kicking it with the Refugee camp
And you're 'bout to smell what the Rock is cookin'
Yo, this is strictly a club record
Dedicated to everybody who used to stand outside in the cold
When the F-L-E-X was spinnin' at the Red Zone, hooded down
And these tired bouncers would not let me in
You know what I'm sayin'
Yo, yo, yo
I got fifty Bentley's in the West Indies
(It doesn't matter!)
I got a pocket full of cheese and a garden full of trees
(It doesn't matter!)
I just won the bingo bought a crib in Rio
(It doesn't matter!)
'Cause if you ain't sharin' people ain't carin'
Come up in the hood and they take everything you wearin'
Back in the days it was all about the clubs
And the so-called thugs used to dance the break for love

The girls, they wouldn't say "Hey!"
Unless you bought 'em champagne like it was they birthday
Me, I used to stand outside
Hustlin' my way in I'm on the guest list plus five!
Who's performin' tonight? He said Shabba
Mister Lover Daddy he be the selector
(Someone jump the Rock's up in here)
Disrespect emcees and catch a smack in your left ear
Light up like Vegas when it's time to gamble
Girls scream for me like I was part of the Beatles
But I'm not honey, but I could be your Paul McCartney
And "Ebony or Ivory" into my Jacuzzi
Foundation like Kool Herc, or DJ Red Alert goes bezerk
The needle ain't skip the record jerked
'Cause y'all jumpin' too hard
(Hey! Hey! Hey! Hey! Hey!)
I got fifty Bentley's in the West Indies
(It doesn't matter!)
I got a pocket full of cheese and a garden full of trees
(It doesn't matter!)
What? I just won the bingo bought a crib in Rio
(It doesn't matter!)
Yo, 'cause if you ain't sharin', people ain't carin'
Come up in the hood and they take everything you wearin'
(Yo, Rock I just bought a fresh Bentley)
(It doesn't matter you just bought a fresh Bentley!)
How many of y'all ever been to a barbecue
And you always got an aunt or uncle
wanna show you how the old dances go
And they start it off like this
Electric slide on the dance floor
Freaky-deaky like Studio 54
Girls! Until the IRS raids it
Drug money get converted into music
The dope man becomes an entertainer
Leave that crack alone! I told the customers
I'm into bigger and better things Mr. Fiend
You want a hit? Give me a guitar and a drum machine
And the crowd will scream loud when the bass thump
I can smell it in the air, the smell is funk
Excuse me I gotta cough
Girl, you in so much ice you could freeze New York
You're man must really love you, what does he do for a living?
(He works on Wall Street he's only home two nights a week)
That's when she said a little too much conversation
Think she want to indulge in lyrical masturbation
So I proceeded with the conversation, I said
Can I offer you a glass of Merlot Mrs. No Name?
(Let's get it straight huh, my name's Veronica)
She had the ass the size of South America
She said ain't you that kid that sing Guantanamera
way before Ricky Martin sung "Livin' la vida loca"
What hood you come from?
I was raised in Brooklyn, but did my studies in Jerusalem
The New Jerusalem yup, that's short for New Jersey
Checked my watch it was a quarter to three
Slid to her crib when we opened the door
Her man was on the bottle waiting for her with the 44
Now what it look like, it ain't really that
(It doesn't matter!)
So he cocked the gat at my top hat
(It doesn't matter!)
Are you crazy? You was married!
(It doesn't matter!)
'Cause if you ain't sharin', people ain't carin'
Come up in your hood and they take everything you wearin'
Yeah, that's when shorty walked up to her man
And she said I gotta go I can't be here no more
And she said this
Take me home, to the place
I belong at the Refugee Camp
And the Booga basement
That's where I live, oh
Come on
Yo, Rock I sold like seventeen million records
(It doesn't matter how many records you've sold!)
Alright I'm with you, yo check it out
(It doesn't matter)
You wanna go get diamond rings?
(It doesn't matter if the Rock wants to go get diamond rings or not!)
Man listen, listen
I just got two new Grammy's man
(It doesn't matter about your Grammy's!)
(It doesn't matter)
(It doesn't matter)

Enjoy the lyrics !!!
1990 - Julian ( Gobz ) is messing around with samplers, house music and metal while Shaun is fronting metal bands ( one of which included Joseph White ) then Julian and Shaun team up under the name "THE WHORES OF BABYLON" as a musical experiment to record the track ` Charmeur des serpents ` in Julian`s bedroom recording set up. The track is nine minutes long and is of a gothic rock and dramatic filmscore influenced nature. It is then distributed amongst friends and that was that.

1991 - Opened a commercial recording studio `State of Art` in Bristol,UK. Employed Shaun Atkins ( soundisciples ) and Dave McDonald ( later in Portishead ) as extra engineers.

1992 - Formed the `Whores of Babylon` with Shaun Atkins ( soundisciples ). Shaun - vocals and Gobz - guitars, drum programming, sampling, synths, engineering, mixing etc ). Most of the musical composition by Gobs and some by Shaun.

1993 - Released a demo tape entitled `Eternal` throughout the underground fanzines etc. The music was a kind of hybrid goth/dramatic classical/metal crossover, some called it `darkwave`. Tape received many favourable reviews.

1994 - Signed to `Candlelight` records and released the album `Metropolis`, all credits as before. Received a mixture of good and average reviews as album not to everyones taste in the metal scene. Interview in `Terrorizer` magazine

1995 - left `Candlelight` records as their artist promotion seemed to be non-existant at the time! Recruited extra band members in order to perform live. Headlined `Fabrica de sons` festival in Portugal. Promo video of a song called `the whip` is shown on ITV`s `noisy muthas`.

1996 - Signed a one off CD deal with `Skyfall` records from Portugal and released the `Kumari` mini album, all credits Gobz and Shaun as before. Featured Beth Gibbons from `Portishead` on one track, and a Geoff Barrow Portishead remix. Travelled back to Portugal to play some gigs, one at Lisbon university. Also conducted some Lisbon radio station interviews

1997 - signed a co-ownership deal with Geoff Barrow from `Portishead` for the recording studio, and the studio was privatised.

1998 - Talks with Peaceville/Music for Nations begin. `Whores of Babylon` name is dropped in favour of `Soundisciples` as the name the whores is no longer deemed suitable for a band who`s musical style had now become a kind of techno/jungle/metal cross-over.

1998 - 2001 - Return to the `302 music junction` homepage and access the biogs on `Soundisciples` and `Noiselab` for this period.

2001 - Late 2001 She`s Alive !, Whores of Babylon is reborn complete with a real drummer ( all other whores product had programmed drums ) and a new bass player.

2004 - The 2nd quarter of 2004 will see a new 8-track promo cd. It will retain a certain feel of the old material ( i.e dark Orchestrations, distorted guitars and slight techno overtones ) but will be much heavier overall, prepare to enter the abyss !


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